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Jean Auguste Dominique Ingres, Child with goat, Faces of Children, 1968 (after)1968
1968
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About the Item
This exquisite lithograph and pochoir after Jean Auguste Dominique Ingres (1780–1867), titled L enfant a la chevre (Child with a goat), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition translates Ingres celebrated purity of line and classical poise into a refined modern printmaking language that preserves the intimacy and lyricism of the original drawing.
Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 7.087 x 5.12 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris.
Artwork Details:
Artist: After Jean Auguste Dominique Ingres (1780–1867)
Title: L enfant a la chevre (Child with a goat), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968
Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued
Dimensions: 18.5 x 14 inches overall; image size 7.087 x 5.12 inches
Inscription: Signed in the plate and unnumbered as issued
Date: 1968
Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris
Printer: Daniel Jacomet et Cie, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris
Notes:
Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade.
About the Publication:
Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the album inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draughtsmanship to collectors, institutions, and scholars.
About the Artist:
Jean Auguste Dominique Ingres (1780–1867) was a French painter and draughtsman whose refined classicism, supreme command of line, and intellectual rigor established him as one of the most influential figures of nineteenth century art and a crucial bridge between Neoclassicism and modern visual language. Trained under Jacques Louis David, Ingres absorbed the moral gravity, compositional discipline, and classical seriousness of academic tradition yet transformed these foundations into a highly personal style defined by flowing contour, idealized anatomy, and psychological intensity that often challenged convention. Positioning himself in opposition to Romantic excess, he asserted drawing as the highest artistic truth, shaping European academic instruction for generations, while his portraits, mythological scenes, and celebrated odalisques reveal a tension between restraint and sensuality through elongated proportions, compressed space, and lyrical abstraction that quietly anticipated modernism. Later masters including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray studied and revered Ingres for his structural audacity and expressive distortion, recognizing him as a foundational precursor to Cubism, Surrealism, and abstraction. Ingres enduring legacy lies in this paradoxical fusion of tradition and innovation, a stature reflected in his market strength, with his highest auction record achieved in June 2006 when Princesse de Broglie sold for approximately 46 million USD at Sothebys New York.
Jean Auguste Dominique Ingres lithograph, L enfant a la chevre, Visages d Enfants Jacomet, Daniel Jacomet pochoir, neoclassical drawing after, Parisian printmaking twentieth century.
- Creation Year:1968
- Dimensions:Height: 18.5 in (46.99 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement Style:
- After:Jean Auguste Dominique Ingres (1780 - 1867, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465217383812
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