Jean Charles Baquoy

Le Mouton de Barbarie - Etching by Jean Charles Baquoy - 1771

1771

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Le Bouc De Juda is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good...

Le Moufflon is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...

Le Belier is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condi...

'La Brebis' Copper-line engraving, circa 1765 From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris. 24c...

Elegant 1769 Morvant Ram Engraving – Hand-Coloured Buffon Dutch Edition This impressive hand-coloured 18th-century engraving of the Morvant ram, titled Le Morvant, comes from the rare Dutch edition of Buffon’s monumental Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate XXX in Tome XI, this striking portrait is one of the most distinctive and decorative sheep and goat engravings in the entire Buffon series. Drawn by Jacques de Sève, Buffon’s leading illustrator, and engraved with great refinement, the plate combines scientific accuracy with a strong visual presence, typical of the finest work in the quadruped volumes. The Morvant ram stands in full profile on a raised foreground bank, its powerful build, muscular legs, and long shaggy coat rendered with exquisite detail. De Sève’s elegant cross-hatching gives volume and texture to the thick wool and the dark mane that drapes down the animal’s chest. The curved horns, expressive eye, and firm stance emphasise both the strength and the calm dignity of the breed. The hand colouring, characteristic of the Amsterdam Schneider edition, enriches the engraving with warm brown tones, natural greens, and soft blues that bring the entire composition to life. Behind the ram, a landscape of minarets, domed buildings, and distant walls evokes the North African or Near Eastern setting associated with ancient regional breeds. The broad sky, shaded in subtle blue-grey washes, anchors the scene and provides an atmospheric backdrop that complements the earthy foreground tones. As a result, the plate balances scientific illustration and picturesque landscape in a way that remains highly desirable for collectors and decorators alike. Buffon’s Histoire Naturelle represented one of the most ambitious publishing achievements of the Enlightenment, combining zoological study with an artistic sensibility. The Morvant ram, a robust and historically important breed, was of particular interest for its adaptability, distinctive appearance, and long-standing role in agriculture and local culture. This engraving served as one of the earliest widely circulated visual records of the breed in Western Europe. More than 250 years old, this sheet remains bright, clean, and visually engaging. The strong plate mark, generous margins, and refined hand colouring make it an excellent standalone artwork or a perfect companion to related Buffon plates such as the Tunis ram, zebu, buffalo, or yak. Condition report: Very good for age. Minor toning and small foxing marks mostly confined to margins. Light handling marks typical of 18th-century paper. Strong impression with clearly visible plate mark. Hand colouring fresh and well preserved. No tears or repairs observed. Framing tips: Frame with an ivory, pale grey, or warm cream mat to complement the soft colouring of the wool and sky. A walnut or natural oak frame enhances the warm tones, while a slim black frame creates a more modern contrast. Floating the sheet is an excellent option to highlight the wide margins and plate mark. Keywords: Morvant ram engraving Buffon natural history Amsterdam 1769 Jacques de Sève hand coloured copper engraving antique sheep print...

Rare 1769 Barbary Sheep Engraving – Hand-Coloured Buffon Amsterdam Edition This handsome hand-coloured 18th-century engraving, titled Le Mouton de Barbarie (Plate XXXVIII from Tome ...

"Two Rams Looking Down & To Their Left" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams. 3 3/4" x 7 3/4" art 16 3/8" x 19 1/2" frame Du Jardin was a master of various genres of painting, including refined and tranquil Italianising landscapes, monumental historical paintings and superb portraits of the aristocracy. Unlike the majority of his contemporaries, Karel du Jardin (b. Amsterdam 1626, d. Venice 1678) was a talented painter in not one, but many different genres. He is especially famous for his small-scale landscapes, such as the charming Italian landscape with a woman milking a goa" (1652) from the Rijksmuseum's collection. Du Jardin depicted both sun-filled Italianate scenes and Dutch farmyards with pigs and sheep. He also painted a range of elegant portraits of aristocrats and merchants. His self-portrait (1662) on copper is one of the most fascinating 17th-century portraits of a Dutch artist. Du Jardin's spectacular large-scale historical pieces, represented is the show by the impressive Conversion of Saint Pau" (1662) from the collection of the National Gallery of London, are among his most remarkable achievements; he often chose themes that were only rarely depicted by other Dutch painters of the period. During his own lifetime Du Jardin was praised by poets and writers, particularly for his attention to detail and elegant painting technique. As Cornelis de Bie, the artist’s biographer, wrote in 1661: "the surety of the brush at his finger and such sharpe clarity […] that the eye thereon doth linger." Du Jardin's valuable paintings were mainly purchased by rich individuals with an eye for elegance, but were also commissioned by prominent institutions such as the Amsterdam 'Spinhuis' (a women's prison), for whom he painted a vast group portrait of the prison-governors. Karel du Jardin was an artist who liked to travel. He lived for a time in Lyon and in Paris, and sailed with Joan Reynst, Heer van Drakestein, by ship via England, Portugal and Spain to Tangier and Algiers, where they met Michiel de Ruyter...