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Jean Cocteau
Jean Cocteau, Scene XXIII, The Sacred Monsters, from Theatre, 1957

1957

$716
$89520% Off
£547.87
£684.8420% Off
€627.05
€783.8120% Off
CA$1,011.18
CA$1,263.9820% Off
A$1,098.98
A$1,373.7220% Off
CHF 588.95
CHF 736.1920% Off
MX$13,343.57
MX$16,679.4620% Off
NOK 7,393.94
NOK 9,242.4320% Off
SEK 6,856.76
SEK 8,570.9520% Off
DKK 4,683.27
DKK 5,854.0920% Off

About the Item

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene XXIII, Les Monstres Sacres (Scene XXIII, The Sacred Monsters), originates from the 1957 album Jean Cocteau de l'Academie francaise, Theatre, Edition ornee par l'auteur de dessins in texte et de quarante lithographies originales en couleurs, tome II (Jean Cocteau of the French Academy, Theater, Edition Adorned by the Author with Text Drawings and Forty Original Lithographs in Colors, Volume II), published by Editions Bernard Grasset, Paris, and printed by Mourlot Freres, Paris, July 30, 1957. The composition reflects Cocteau's lyrical draftsmanship, classical elegance, and theatrical sensibility, expressed through his fluid, poetic line. Executed as a lithograph on velin Verge de Voiron des Papeteries Navarre paper, this work measures 8.75 x 6 inches (22.23 x 15.24 cm). Signed in the plate and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost fine art lithographic ateliers of the twentieth century. Artwork Details: Artist: Jean Cocteau (1889–1963) Title: Scene XXIII, Les Monstres Sacres (Scene XXIII, The Sacred Monsters), from Jean Cocteau de l'Academie francaise, Theatre, Edition ornee par l'auteur de dessins in texte et de quarante lithographies originales en couleurs, tome II (Jean Cocteau of the French Academy, Theater, Edition Adorned by the Author with Text Drawings and Forty Original Lithographs in Colors, Volume II), 1957 Medium: Lithograph on velin Verge de Voiron des Papeteries Navarre paper Dimensions: 8.75 x 6 inches (22.23 x 15.24 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1957 Publisher: Editions Bernard Grasset, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1957 album Jean Cocteau de l'Academie francaise, Theatre, Edition ornee par l'auteur de dessins in texte et de quarante lithographies originales en couleurs, tome II (Jean Cocteau of the French Academy, Theater, Edition Adorned by the Author with Text Drawings and Forty Original Lithographs in Colors, Volume II), published by Editions Bernard Grasset, Paris Notes: Excerpted from the album (translated from French), Completed printing on the presses of l'imprimerie Darantiere in Dijon, the thirtieth of July 1957. The text of Jean Cocteau's Theater edited by Bernard Grasset was composed in Garamond and printed on the presses of l'imprimerie Darantiere in Dijon. The author's lithographies were printed by Atelier Mourlot Freres in Paris. The boards were executed by l'Atelier Barasi in Alfortville, based on the model by Jean Cocteau. The print includes LX examples on Madagascar numbered Madagascar, I to L and I to X, CCX examples on Velin de Rives, numbered Velin de Rives I to CC and I to X, and VMMMMMDCCCXC examples on Verge de Voiron des Papeteries Navarre, under special binding numbered Verge de Voiron I to VMMMMDCCC and S.P. I to S.P. XC. About the Publication: Jean Cocteau de l'Academie francaise, Theatre, Edition ornee par l'auteur de dessins in texte et de quarante lithographies originales en couleurs, tome II (Jean Cocteau of the French Academy, Theater, Edition Adorned by the Author with Text Drawings and Forty Original Lithographs in Colors, Volume II) stands among the most ambitious and luxurious Parisian printmaking achievements of the mid twentieth century, uniting Cocteau's theatrical writings with an extensive cycle of original color lithographs created expressly for this edition. Conceived and published by Editions Bernard Grasset, the project reflects the French tradition of the livre d'artiste, merging fine Garamond typography with masterful lithography executed by Atelier Mourlot Freres. Cocteau closely supervised not only the imagery but also the overall artistic conception—including layout, sequencing, and integration of text drawings—making the album a fully unified work shaped by the author's vision. Issued in multiple tirages, including luxury impressions on Madagascar and Velin de Rives and an edition on Verge de Voiron des Papeteries Navarre, the publication exemplifies the highest standards of mid-century Parisian bookmaking and lithographic craftsmanship. Today, it remains a cornerstone of Cocteau's printed oeuvre and a landmark in twentieth-century fine art publishing, admired for its synthesis of literature, visual art, and design. About the Artist: Jean Cocteau (1889–1963) was a French artist, poet, playwright, filmmaker, and designer whose boundless imagination and multidisciplinary genius made him one of the most influential cultural figures of the twentieth century. Born in Maisons-Laffitte near Paris, Cocteau emerged as a prodigy whose creative energy spanned literature, cinema, theater, music, and the visual arts, reshaping modern creativity through his conviction that beauty, myth, and imagination were universal languages. A central figure of the Parisian avant-garde, he moved among and collaborated with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Cocteau, were revolutionizing modern thought through bold experimentation. His early collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and theater into a total work of imagination. Cocteau's visual art—characterized by fluid line drawings, mythological motifs, and lyrical simplicity—revealed a mastery of composition that blended classical elegance with modern abstraction. His murals for the Chapelle Saint-Pierre in Villefranche-sur-Mer and the Chapelle Saint-Blaise-des-Simples in Milly-la-Foret remain among the great achievements of sacred modern art, uniting spirituality with modernist form. His novels (Les Enfants Terribles), plays (La Machine Infernale, Les Parents Terribles), and films (La Belle et la Bete, Orphee, Le Testament d'Orphee) established him as a founding visionary of poetic cinema, influencing later directors such as Federico Fellini, Jean-Luc Godard, David Lynch, and Guillermo del Toro. His collaborations with Coco Chanel, Christian Dior, and Elsa Schiaparelli extended his influence into fashion and theater, while his partnership with Jean Marais inspired some of his most intimate creative work. Represented in major museums including the Centre Pompidou, the Musee Jean Cocteau in Menton, the Tate, and the Museum of Modern Art in New York, Cocteau remains celebrated for uniting art forms through elegance, imagination, and poetic clarity. His highest auction record was achieved by *Jean Marais dans "La Belle et la Bete"* (1946), which sold for 611,622 USD at Sotheby's Paris on October 18, 2023. Jean Cocteau lithograph, Cocteau Theatre tome II, Cocteau Bernard Grasset, Cocteau Mourlot Freres, Cocteau 1957 edition, Cocteau Verge de Voiron, Cocteau collectible lithograph.
  • Creator:
    Jean Cocteau (French)
  • Creation Year:
    1957
  • Dimensions:
    Height: 8.75 in (22.23 cm)Width: 6 in (15.24 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465217323272

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