This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene XXVI, Renaud et Armide (Scene XXVI, Renaud and Armide), originates from the 1957 album Jean Cocteau de l'Academie francaise, Theatre, Edition ornee par l'auteur de dessins in texte et de quarante lithographies originales en couleurs, tome II (Jean Cocteau of the French Academy, Theater, Edition Adorned by the Author with Text Drawings and Forty Original Lithographs in Colors, Volume II), published by Editions Bernard Grasset, Paris, and printed by Mourlot Freres, Paris, July 30, 1957. The composition reflects Cocteau's lyrical draftsmanship, classical elegance, and theatrical sensibility, expressed through his fluid, poetic line.
Executed as a lithograph on velin Verge de Voiron des Papeteries Navarre paper, this work measures 8.75 x 6 inches (22.23 x 15.24 cm). Unsigned and unnumbered as issued. Printed by Mourlot Freres, Paris, one of the foremost fine art lithographic ateliers of the twentieth century.
Artwork Details:
Artist: Jean Cocteau (1889–1963)
Title: Scene XXVI, Renaud et Armide (Scene XXVI, Renaud and Armide), from Jean Cocteau de l'Academie francaise, Theatre, Edition ornee par l'auteur de dessins in texte et de quarante lithographies originales en couleurs, tome II (Jean Cocteau of the French Academy, Theater, Edition Adorned by the Author with Text Drawings and Forty Original Lithographs in Colors, Volume II), 1957
Medium: Lithograph on velin Verge de Voiron des Papeteries Navarre paper
Dimensions: 8.75 x 6 inches (22.23 x 15.24 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1957
Publisher: Editions Bernard Grasset, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the 1957 album Jean Cocteau de l'Academie francaise, Theatre, Edition ornee par l'auteur de dessins in texte et de quarante lithographies originales en couleurs, tome II (Jean Cocteau of the French Academy, Theater, Edition Adorned by the Author with Text Drawings and Forty Original Lithographs in Colors, Volume II), published by Editions Bernard Grasset, Paris
Notes:
Excerpted from the album (translated from French), Completed printing on the presses of l'imprimerie Darantiere in Dijon, the thirtieth of July 1957. The text of Jean Cocteau's Theater edited by Bernard Grasset was composed in Garamond and printed on the presses of l'imprimerie Darantiere in Dijon. The author's lithographies were printed by Atelier Mourlot Freres in Paris. The boards were executed by l'Atelier Barasi in Alfortville, based on the model by Jean Cocteau. The print includes LX examples on Madagascar numbered Madagascar, I to L and I to X, CCX examples on Velin de Rives, numbered Velin de Rives I to CC and I to X, and VMMMMMDCCCXC examples on Verge de Voiron des Papeteries Navarre, under special binding numbered Verge de Voiron I to VMMMMDCCC and S.P. I to S.P. XC.
About the Publication:
Jean Cocteau de l'Academie francaise, Theatre, Edition ornee par l'auteur de dessins in texte et de quarante lithographies originales en couleurs, tome II (Jean Cocteau of the French Academy, Theater, Edition Adorned by the Author with Text Drawings and Forty Original Lithographs in Colors, Volume II) stands among the most ambitious and luxurious Parisian printmaking achievements of the mid twentieth century, uniting Cocteau's theatrical writings with an extensive cycle of original color lithographs created expressly for this edition. Conceived and published by Editions Bernard Grasset, the project reflects the French tradition of the livre d'artiste, merging fine Garamond typography with masterful lithography executed by Atelier Mourlot Freres. Cocteau closely supervised not only the imagery but also the overall artistic conception—including layout, sequencing, and integration of text drawings—making the album a fully unified work shaped by the author's vision. Issued in multiple tirages, including luxury impressions on Madagascar and Velin de Rives and an edition on Verge de Voiron des Papeteries Navarre, the publication exemplifies the highest standards of mid-century Parisian bookmaking and lithographic craftsmanship. Today, it remains a cornerstone of Cocteau's printed oeuvre and a landmark in twentieth-century fine art publishing, admired for its synthesis of literature, visual art, and design.
About the Artist:
Jean Cocteau (1889–1963) was a French artist, poet, playwright, filmmaker, and designer whose boundless imagination and multidisciplinary genius made him one of the most influential cultural figures of the twentieth century. Born in Maisons-Laffitte near Paris, Cocteau emerged as a prodigy whose creative energy spanned literature, cinema, theater, music, and the visual arts, reshaping modern creativity through his conviction that beauty, myth, and imagination were universal languages. A central figure of the Parisian avant-garde, he moved among and collaborated with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Cocteau, were revolutionizing modern thought through bold experimentation. His collaboration with Picasso and Erik Satie on Parade (1917) for Diaghilev's Ballets Russes signaled a new era of interdisciplinary art, merging music, design, and theater into a poetic total work. Cocteau's visual art—defined by fluid line drawings, mythological symbolism, and lyrical simplicity—demonstrated a mastery of composition that fused classical clarity with modern abstraction. His murals for the Chapelle Saint-Pierre in Villefranche-sur-Mer and the Chapelle Saint-Blaise-des-Simples in Milly-la-Foret remain among the most important achievements of sacred modern art, uniting spirituality with contemporary form. His literary and cinematic masterpieces, including Les Enfants Terribles, La Machine Infernale, Les Parents Terribles, La Belle et la Bete, Orphee, and Le Testament d'Orphee, established him as one of the founding architects of poetic cinema, influencing directors such as Federico Fellini, Jean-Luc Godard, David Lynch, and Guillermo del Toro. His collaborations with Coco Chanel, Christian Dior, and Elsa Schiaparelli extended his aesthetic innovations into fashion and theater, while his partnership with Jean Marais inspired some of his most intimate and celebrated works. Represented in major museums worldwide, including the Centre Pompidou, the Musee Jean Cocteau in Menton, the Tate, and the Museum of Modern Art in New York, Cocteau remains revered for uniting art forms through imagination, discipline, and poetic vision. His highest auction record was achieved by Jean Marais dans "La Belle et la Bete" (1946), which sold for 611,622 USD at Sotheby's Paris on October 18, 2023.
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