Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Jean Lurçat
Jean Lurcat, Homage to Dufy, from Letter to My Painter Raoul Dufy, 1965

1965

$716
$89520% Off
£547.43
£684.2820% Off
€627.21
€784.0120% Off
CA$1,009.92
CA$1,262.4020% Off
A$1,099.55
A$1,374.4420% Off
CHF 587.12
CHF 733.9020% Off
MX$13,273.27
MX$16,591.5920% Off
NOK 7,381.20
NOK 9,226.5020% Off
SEK 6,865.37
SEK 8,581.7220% Off
DKK 4,684.93
DKK 5,856.1620% Off

About the Item

This exquisite lithograph by Jean Lurcat (1892–1966), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates from the 1965 edition published by Librairie academique Perrin et Cie, Paris, and printed by Mourlot Freres, Paris, July 22, 1965. Hommage a Dufy exemplifies Lurcat’s luminous and symbolic vision, rendered with a tapestry-like harmony of color and form that honors Raoul Dufy’s joyous spirit and lyrical approach to modern art. Executed as a lithograph on velin papeteries Arjomari-Prioux paper, this work measures 11.75 x 9.375 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and the exceptional production standards of mid-century French art publishing. Artwork Details: Artist: Jean Lurcat (1892–1966) Title: Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy) Medium: Lithograph on velin papeteries Arjomari-Prioux paper Dimensions: 11.75 x 9.375 inches (29.85 x 23.81 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1965 Publisher: Librairie academique Perrin et Cie, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), published by Librairie academique Perrin et Cie, Paris, 1965 Notes: Excerpted from the folio (translated from French), The typography of this album was completed to print at L'Imprimerie nationale, Monsieur Andre Brignole as Director and Paul Lajun as head of typography. The type-set was made with the Garamont corps 20, exclusive property of the grand Etablissement d'Etat on the presses of which the printing was completed on July 22, 1965. The color lithographs and black drawings as well as the manuscripts were shot on Fernand Mourlot's presses. Henri Jadoux was the assistant responsible for the project. It was taken from this edition, XXV examples on velin B.F.K. de Rives, numbered from I to XXV, accompanied by a suite of lithographs and an original etching signed by Jacques Villon, CMLXXV examples on velin B.F.K. de Rives, numbered from XXVI to M, accompanied by a series of lithographs, and V̅ examples on velin Arjomari, numbered from MI to V̅I̅, and finally, CC examples, hors commerce. About the Publication: Lettre a mon peintre Raoul Dufy (Paris: Librairie academique Perrin et Cie, 1965) is a distinguished folio honoring Raoul Dufy (1877–1953), printed on July 22, 1965, by Mourlot Freres, Paris. Conceived as a refined homage to Dufy’s lyrical modernism, the folio comprises twenty-seven lithographs on velin Arjomari paper, executed d’apres Dufy and his contemporaries—including Jacques Villon, Georges Braque, Marc Chagall, Dunoyer de Segonzac, Marcel Gromaire, Bernard Buffet, Charles Lapicque, Andre Marchand, and Jean Lurcat—thereby situating Dufy within the broader lineage of twentieth-century French art. The project reflects both the technical mastery of Mourlot’s atelier and the mid-century Parisian ideal of merging painterly tribute with fine-print craftsmanship, affirming Dufy’s enduring influence on modern visual culture. About the Artist: Jean Lurcat (1892–1966) was a pioneering French painter, ceramicist, and tapestry master who transformed the ancient art of tapestry into a modern, intellectual, and spiritual medium, establishing himself as one of the most original and influential artists of the 20th century. Born in Bruyeres, France, Lurcat studied in Nancy and Paris, where he became part of the avant-garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His early paintings reflected the influence of Post-Impressionism, Cubism, and Symbolism, but his true innovation came when he reimagined tapestry as a form of monumental art rather than decorative craft. Profoundly inspired by the medieval Apocalypse of Angers tapestry, he sought to revive the grandeur of weaving by fusing ancient techniques with modernist abstraction and symbolism. In the 1930s, working with the Aubusson and Gobelins workshops, Lurcat revolutionized the process of tapestry-making by introducing a precise color notation system and standardizing thread palettes, allowing artists to maintain creative control from conception to completion. His bold compositions—radiant with color, geometric rhythm, and allegorical imagery—embodied a philosophy of cosmic balance and human resilience. After World War II, Lurcat’s work deepened in moral and spiritual scope, culminating in his monumental cycle Le Chant du Monde (“The Song of the World,” 1957–1965), a humanist response to the destruction of war and one of the greatest artistic achievements of the postwar era. His art, characterized by suns, moons, mythic creatures, and symbolic geometry, reflected his belief that art should harmonize intellect, craft, and emotion while reconnecting humanity to the natural and divine order. A contemporary and peer of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Lurcat shared their passion for abstraction and innovation while extending it into the tactile, enduring world of textile art. His influence resonated with later artists and designers such as Fernand Leger, Sonia Delaunay, Le Corbusier, and Victor Vasarely, whose integration of color and geometry echoed his ideas. His work is preserved in major collections including the Musee Jean Lurcat et de la Tapisserie Contemporaine in Angers, the Musee d’Art Moderne de Paris, and the Centre Pompidou. The highest auction record for Jean Lurcat was achieved by Apocalypse Tapestry, which sold for $290,500 USD at Sotheby’s, Paris, on May 29, 2014, underscoring his enduring legacy as the visionary who redefined tapestry as a cornerstone of modern art. Jean Lurcat Hommage a Dufy Homage to Dufy Lettre a mon peintre Raoul Dufy Letter to My Painter Raoul Dufy 1965 Librairie academique Perrin et Cie Mourlot Freres Paris lithograph modern art.
  • Creator:
    Jean Lurçat (1892 - 1966, French)
  • Creation Year:
    1965
  • Dimensions:
    Height: 11.75 in (29.85 cm)Width: 9.375 in (23.82 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216688222

More From This Seller

View All
Andre Marchand, Homage to Dufy, from Letter to My Painter Raoul Dufy, 1965
By André Marchand
Located in Southampton, NY
This exquisite lithograph by Andre Marchand (1907–1997), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ori...
Category

1960s Cubist Figurative Prints

Materials

Lithograph

Charles Lapicque, Homage to Dufy, from Letter to My Painter Raoul Dufy, 1965
By Charles Lapicque
Located in Southampton, NY
This exquisite lithograph by Charles Lapicque (1898–1988), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), o...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Raoul Dufy, Riders Beneath the Trees, 1965 (after)
By Raoul Dufy
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Cavaliers sous les arbres (Riders Beneath the Trees), from the folio Lettre a mon peintre Raoul Dufy (Letter to My ...
Category

1960s Fauvist Figurative Prints

Materials

Lithograph

Georges Braque, Homage to Dufy, Letter to My Painter Raoul Dufy, 1965 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ...
Category

1960s Cubist Figurative Prints

Materials

Lithograph

Marc Chagall, The Eiffel Tower, Letter to My Painter Raoul Dufy, 1965 (after)
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled La Tour Eiffel (The Eiffel Tower), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ...
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Jacques Villon, Homage to Dufy, Letter to My Painter Raoul Dufy, 1965 (after)
By Jacques Villon
Located in Southampton, NY
This exquisite lithograph after Jacques Villon (1875–1963), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ...
Category

1960s Cubist Figurative Prints

Materials

Lithograph

You May Also Like

Jean Lurçat (after) - Homage to Dufy - Lithograph
By Jean Lurçat
Located in Collonge Bellerive, Geneve, CH
(after) Jean Lurçat Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...
Category

1940s Fauvist Animal Prints

Materials

Lithograph

Dufy, Réception d un amiral anglais, Raoul Dufy, Collection Pierre Lévy (after)
By Raoul Dufy
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Le Boeuf Sur Le Toit, Impressionist Lithograph by Raoul Dufy
By Raoul Dufy
Located in Long Island City, NY
Raoul Dufy, French (1877 - 1953) - Le Boeuf Sur Le Toit, Year: 1920, Medium: Lithograph on wove paper, signed in the plate, Image Size: 11.5 x 9 inches, Size: 12.75 x 9.75 in. (32....
Category

1920s Impressionist Figurative Prints

Materials

Lithograph

de La Fresnaye, La conquête de l air, Collection Pierre Lévy (after)
By Roger de la Fresnaye
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Roger de la Fresnaye, III, Col...
Category

1960s Cubist Landscape Prints

Materials

Lithograph

Composition - Lithograph
By (after) Raoul Dufy
Located in Collonge Bellerive, Geneve, CH
(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...
Category

1940s Fauvist Animal Prints

Materials

Lithograph

Harlequin Venitienne, Impressionist Lithograph by Raoul Dufy
By Raoul Dufy
Located in Long Island City, NY
Raoul Dufy, French (1877 - 1953) - Harlequin Venitienne, Year: circa 1950, Medium: Lithograph, signed in the plate, Image Size: 23 x 17.5 inches, Size: 25.5 x 18.5 in. (64.77 x 4...
Category

1950s Impressionist Figurative Prints

Materials

Lithograph