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Joan MiróLa Sorcière (The Sorcerer)1969
1969
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About the Item
Miró's La Sorcière (The Sorcerer), 1969 is a monumental piece whose abstract forms work in combination with splashes of green and red. Each element coexists in perfect harmony, echoing a geometric, surrealist composition that leaves the viewer both bewildered and amazed. The whimsical, central figure appears as if raising its arms, perhaps summoning supernatural powers. Around this sorcerer, a stream of green, reminiscent of smoke, slithers up, perhaps the magic powers at hand. This is a Miró to be viewed in person, as its surface and textural quality cannot be duly translated through digital photography.
This work is a carborundum etching and aquatint, which was a technique that Mirò frequented in his work. Carborundum is a silicon and carbon compound that is used for a variety of functions but can also be used to create prints. Carborundum printing creates gradient tones and sandy textures and is difficult to use. Mirò is one of the few artists who mastered this medium.
Created in 1969, Joan Miro La Sorcière (The Sorcerer), 1969 is an Aquatint, etching, and carborundum on Arches paper. This work is hand-signed by Joan Miro (Barcelona, 1893 - Palma, 1983) in pencil in the lower right margin. This work is numbered 35/75 in pencil in the bottom left margin.
Catalogue Raisonné:
Joan Miro La Sorcière (The Sorcerer), 1969 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).
1. Dupin, Jacques. Joan Miró Engraver, Vol. II, 1961-1973. Paris: Maeght Editeur, 1977. Listed and illustrated as catalog raisonné no. 519 on pg. 167.
About the Framing:
Framed to museum-grade, conservation standards, Joan Miro La Sorcière (The Sorcerer), 1969 is presented in a complementary moulding and optical grade Plexiglas.
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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