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Johan Barthold JongkindSortie du Port de Honfleur - Etching by Johan B. Jongkind - 18641864
1864
$772.63
£579.34
€650
CA$1,078.11
A$1,167.28
CHF 620.59
MX$14,078.16
NOK 7,804.23
SEK 7,275.77
DKK 4,951.77
About the Item
Etching on laid paper
Signed and dated in plate lower left: Jongkind 1864
Published by Cadart
Luquet, Éditeurs, 79 Rue Richelieu, Paris
With the blindstamp of the Société des Aquafortistes, lower margin.
A fine impression of Jongkind’s celebrated marine etching Sortie du port de Honfleur, executed in 1864 during his prolific Normandy period.
This work captures the animated atmosphere of the bustling port of Honfleur, with fishing boats and sailboats gliding through the harbor under a luminous sky. Jongkind’s brisk, expressive linework—simultaneously controlled and spontaneous—conveys a sense of immediacy and light that would profoundly influence the Impressionists, particularly Monet. Published by Cadart
Luquet as part of the Société des Aquafortistes series, this print exemplifies the artist’s contribution to the revival of original etching in 19th-century France.
Excellent impression with full margins; faint foxing to margins and minor handling creases consistent with age; overall in very good condition.
- Creator:Johan Barthold Jongkind (1819 - 1891, Dutch)
- Creation Year:1864
- Dimensions:Height: 14.18 in (36 cm)Width: 21.66 in (55 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1581161stDibs: LU650317090052
Johan Barthold Jongkind
Johan Barthold Jongkind (Lattrop, 1819 – 1891, La Côte-Saint-André) was a Dutch painter, watercolorist, draftsman, etcher and lithographer. He lived most of his life in France.
After an aborted notary training, he attended the Haagsche Teeken-Academie, where he had enrolled in 1837. His teachers awarded him a scholarship as he was impotent and apparently very talented. Andreas Schelfhout became his teacher there. When the French painter Eugène Isabey came to The Hague in 1845, Schelfhout recommended his pupil to the French master. He invited Jongkind to Paris to work in his studio. A year later he went there in possession of a royal subsidy, which he had received from the Prince of Orange, later King William III. Jongkind soon enjoyed some success in the French Salons.
Jongkind painted 'after nature', but for him that meant that he made watercolours on the spot and later developed them into a painting in his studio.
After Vincent van Gogh, Johan Barthold Jongkind is considered the Netherlands' most influential 19th-century painter.
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