Johann Heinrich Lips

The Hypocrisy of Female Appearance - Etching by Johann Heinrich Lips - 1780s

1780s

Portrait is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing and stain. The artwork is depicted through confident strokes. ...

Portrait of men and women is an original etching artwork realized by Thomas Holloway after Lebrun, for Johann Caspar Lavater's "Essays on Physiognomy,...

Portrait is an etching realized by Jean Francois Poletnich in 1755. Signed in the plate. Good conditions with foxing and folding. The artwork is depicted through confident strokes...

The Physiognomy - The Rest By The Three is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowled...

This engraving by Nicolas Pigné, part of the "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres" collection, shows a stark contrast between two figures. On the left, ...

Ozias Humphry 1742-1810 Portrait of Frances Abington Pen and brown ink on paper Image size: 7 1/2 x 5 3/4 inches Giltwood frame The actress Frances (Fanny) Barton, better known as M...

Copper-line engraving by Nicolas de Launay after Charles Monnet (1732-1808). Thisbe, finding the dead body of Pyramus, throws herself on a sword. Fro...

This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...