Keith Haring

X-Man from Icons Portfolio

1990

"Yield" by Allan D’Arcangelo uses the familiar road sign as a symbol of caution and submission, reflecting themes of modern life, societal control, and decision-making. The yield sig...

Limited Edition Silkscreen Print with Silver Leaf 114.5 x 114.5 cm 45 1/8 x 45 1/8 in. Edition of 15 (#2/15) ----------- Deborah Azzopardi has become...

Signed and Numbered Limited Edition Silkscreen Print on 300gsm weight Claro Silk Paper Framed: 110 x 110 cm 43 1/4 x 43 1/4 in. Edition of 50 (#22/50) ----------- Deborah Azzopardi...

Limited Edition Screen Print with Platinum Leaf 109.2 x 130.8 cm 43 x 51 1/2 in. Edition of 15 (#1/15) ------ Deborah Azzopardi has become world-reno...

Signed and Numbered Limited Edition Screen Print on 300gsm weight Claro silk paper 110.5 x 110.5 cm 43 1/2 x 43 1/2 in. Edition of 50 (#15/50) ------- Deborah Azzopardi...

Limited Edition Silkscreen Print Framed: 106.8 x 106 cm 42 1/8 x 41 3/4 in. Unframed: 91.4 x 91.4 cm 36 x 36 in. Edition of 10 (#2/10) Artist Signature bottom right corner ----------- Deborah...

Created in 1986, this color screenprint on Lenox Museum Board is hand signed by Andy Warhol (Pennsylvania, 1928 - New York, 1987) in pencil in the lower left. A unique work inscribed ‘TP’ (trial proof) and numbered 7 from the edition of 36 unique trial proofs; aside from the edition of 250; published by Ronald Feldman Fine Arts, Inc., New York; printed by Rupert Jasen Smith, New York. Andy Warhol Cowboys and Indians Series: Andy Warhol’s Cowboys and Indians series of 1986 consists of ten prints each depicting their own respective subject—John Wayne, Annie Oakley, Kachina Dolls, Geronimo, Buffalo Nickel, Tonto, Theodore Roosevelt, General George Custer, Plains Indian Shield, and Northwest Coast Mask. Featuring images of famous American Western icons, Warhol’s series explores the relationship between Native Americans and Hollywood's portrayal of them in Western films. Warhol, being fascinated with celebrity culture, uses these famous figures to examine ways in which fame and popular culture intersect with history and myth. The Cowboys and Indians series was also created during a time at which Warhol was exploring his own Native American heritage. His mother was of Ruthenian and Carpatho-Rusyn descent, but Warhol claimed that his father was of Slovakian and Native American ancestry. Overall, the Cowboys and Indians series reflects Warhol's interest in American culture and history, as well as his fascination with celebrity and the intersection of art and commerce. This screenprint is part of a portfolio of works Warhol created in 1986 titled Cowboys and Indians. Other works in the Cowboys and Indians Series include General Custer, Sitting Bull, Kachina Dolls, Geronimo, Annie Oakley, War Bonnet Indian, Buffalo Nickel, Action Picture, Northwest Coast Mask, Plains Indians Shield, Mother and Child, Indian Head Nickel, and Teddy Roosevelt. Catalogue Raisonné: Andy Warhol Plains Indian Shield...

Framed in a bright yellow boarder, Roy Lichtenstein Reflections on Minerva, from Reflections, 1990 shows a distressed Minerva partially obscured by reflective lines. As if she is beh...

Margaret Roleke's work explores sensationalism, consumerism and the crazy contradictions and relationships that develop when popular culture mixes with war and religion. The Trump presidency has pushed her to be further involved as a political activist and artist. Many new pieces deal with protest and resistance. But the major theme which she has been exploring for several years is gun violence. Using spent shotgun shells and brass, as well as, paper targets in much of her work, from a distance the viewer is not sure what these colorful spent shotgun pieces are. Only upon closer examination does one realize that they are actually made from spent bullets. The environmental plastic waste is also an issue she explores in her work. A percentage of all of Roleke's sales are donated to organizations that work for gun control. Roleke's new silkscreens and cyanotypes deal with the issues of putting families in cages, and the dismantling of the ideas of life, liberty and justice for all...

Fabian Ugalde (Mexico, 1967) 'The word power' (Triptych), 2006 silkscreen on paper 27.6 x 69.9 in. (70 x 178 cm.) Edition of 99 ID: UGA1739-002-109 Hand-signed by author in pencil