Lucian Freud

Four Figures

1991

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds provides the following quote from the artist regarding this print: “The structure on the right is an architectural symbol for an eagle. It is also like a machine that is igniting the shape on the left. Below, the egg that is coming out of the chute is a child which will evolve into another architectural eagle...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Winter Grasses, 1972 signed, titled and dated etching 39 x 52 cm 15 3/8 x 20 1/2 in

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

Walton Ford (b. 1960) is an American artist renowned for his artworks that vividly portray historic wildlife, flora, and fauna reminiscent of naturalist illustrations heightened with...

This is a beautiful etching, by Alexis Portilla. This is sold unframed. Picture illustrate pairing with "Squid", an etching. Soglio Etching AP unique Image size 21 x 19 in. Paper s...

Signed lower center, 'Gooch', for Gerald Gooch (American, born 1933) with number and limitation, '5/16' and dated 1965. Born in Mainington, West Virginia, Gerald Gooch first studied...

Bathers by André Bicât Additional information: Medium: etching, unframed 10.5 x 11.5 cm 4 1/8 x 4 1/2 in signed, titled and numbered in pencil Born in Es...

Swimming, Mother and Child by Tom Hammick, 1998 Additional information: Medium: etching 38.1 x 27.9 cm 15 x 11 in signed, dated and inscribed AP in pencil Camberwell College of Art, MA Printmaking (1990-92), Camberwell College of Art, BA Hons Fine Art (1987-90), University of Manchester, BA Hons Art History (1982-85). Hammick's first solo show was at Eton College in 1992, and was followed by shows at Redfern Gallery, Salisbury Museum and Brighton Museum, as well as shows in Paris, France, and regularly across Canada, The Artist had a three-month residency at The Art Gallery of Newfoundland and Labrador (AGNL), now 'The Rooms', during which he visited the national parks of Terra Nova and Gross Morn, as well as many of the remote costal areas along the eastern shore. Coupled with his time spent in the South Pacific, Hammick can be seen as a lover of grand and remote coastal landscapes. His art deals not only with the dramatic terrain but the frontier mentality of lives imposing civilisation on to wilderness. Having always been a keen printmaker, Hammick is currently the Senior Lecturer in Fine Art, Painting and Printmaking at the University of Brighton. Hammick's work is included in many public and private collections, including that of Deutsche Bank. A monograph on Hammick was published in 2015 by Lund Humphries. "Colour and space dominate. He favours velvety midnight blues, flamingo pinks, and cool greens and greys, a palette not dissimilar to that of the Scottish artist Craigie Aitchison...