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Marc Chagall
Femme avec Parapluie

1964

Price:$959
$1,100List Price

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L inspiré Self Portrait Marc Chagall Valentina Vava Lithograph 1963 Mourlot 398
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Inspiration or L'inspiré - The artist and his wife, self-portrait. This is a self-portrait of the great artist, depicting him as lost in thought before one of his paintings, which is apparently related to his home country Russia, as suggested by the small figure in the lower right of the work. Chagall’s wife Valentina (“Vava”), who was also from Russia, is looking over his shoulder, full of longing. The small surreal elements that are characteristic of Chagall’s paintings are also present here: the silhouettes of the houses that seems to stick out of the painting and a figure with a flute or trombone standing on its head. Chagall Lithographe, Volume II of the catalogue raisonné of Chagall's lithographic work, see Mourlot 398, 1957-1962, Paris 1963, imprinted by Imprimerie Mourlot for the publisher André Sauret. A lithographic plate from the catalog that was published in 10,000 copies. Condition : Excellent Set inside a cream mount bearing brass cartellino Visible sheet size length 23cm, Height 31.50cm In a carved and gilded frame Frame size Length 44cm, Height 55.5cm The reverse with a paper label in Japanese Provenance : Private Collection, purchased with Lovers in Grey
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Discussion
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Down the River
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British Post Office Greetings Telegrams (1935-1978), after various artists
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British Post Office Greetings Telegrams (1935-1978), after various artists photolithograph dimensions, including frames: 33 x Telegram 9 ¾ x 11 ⅞ in. (24.8 x 30.1 cm.) 31 x Telegram 10 ½ x 12 in. (26.8 x 30.5 cm.) 12 x Telegram 11 ½ x 18 in. (29.2 x 45.7 cm.) and similar 12 x Telegram 9 x 11 ½ in. (22.9 x 29.2 cm.) 1 x Telegram 11 ¾ x 12 ¾ in. (29.8 x 32.4 cm.) 1 x Telegram 9 x 10 ⅜ in. (22.9 x 26.3 cm.) 1 x Telegram 8 x 10 ½ in. (20.3 x 26.7 cm.) A set of ninety-one (91) The historical equivalent of a text or WhatsApp message, the first telegram was sent in code in 1844 from Washington to Baltimore by Samuel Morse, asking “What hath God wrought?” By 1870 (the year that the British General...
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FAE Musée d Art Contemporain (Sans titre) Poster /// Jean-Michel Basquiat Street
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Artist: (after) Jean-Michel Basquiat (American, 1960-1988) Title: "FAE Musée d'Art Contemporain (Sans titre)" Year: 1993 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: likely Multigraphic Lauber & Romagnoli, Renens, Switzerland Publisher: FAE Musée d'Art Contemporain, Pully-Lausanne, Switzerland Reference: "Jean-Michel Basquiat" - FAE Musée d'Art Contemporain, page 39 (illustrated) Sheet size: 50.13" x 35.63" Condition: Scattered mild handling creases to sheet. In otherwise excellent condition with full margins and clean edges We cannot find a single other example of this poster to have appeared on the secondary market or at auction ever before. Extremely rare Provenance: private collection - Hamburg, Germany. Poster produced for a special posthumous solo exhibition of Basquiat's work "Jean-Michel Basquiat" at FAE Musée d'Art Contemporain, Pully-Lausanne, Switzerland from July 10 to November 7, 1993. The image featured on this poster is Basquiat's 1982, 72" x 84.25", acrylic and oil stick on canvas painting which is untitled. Poster designed by Pierre Neumann (Swiss, 1951-). GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Jean-Michel Basquiat (December 22, 1960 - August 12, 1988) was an American artist who rose to success during the 1980's as part of the Neo-expressionism movement. Basquiat first achieved notoriety in the late 1970s as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams all over Manhattan, particularly in the cultural hotbed of the Lower East Side where rap, punk, and street art coalesced into early hip-hop music culture. By the early 1980s, his paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist to ever take part in Documenta in Kassel, Germany. At 22, he was one of the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his artwork in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. He used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community, as well as attacks on power structures and systems of racism. His visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. Since his death at the age of 27 in 1988, Basquiat's work has steadily increased in value. In 2017, "Untitled", a 1982 painting depicting a black skull with red and yellow rivulets, sold for a record-breaking $110.5 million, becoming one of the most expensive paintings...
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ASU Portrait II /// Fritz Scholder Native American Indian Expressionist Surreal
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