This exquisite etching by Marc Chagall (1887–1985), titled Le traktir (The Inn), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Chagall (Nicolas Gogol, Dead Souls, Original Etchings by Marc Chagall), published by Teriade Editeur, Paris, 1948, and printed by Fort, Impressions artistiques, Paris, under the direction of Louis Fort, 1923–1927. The composition reflects Chagall’s deeply poetic engagement with Gogol’s narrative world, portraying the bustling interior of the roadside inn as a theatrical space filled with grotesque humor, social observation, and psychological nuance rendered through Chagall’s dreamlike, expressive line.
Executed as an etching on velin d'arches filigrane paper, this work measures 10.827 x 17.764 inches (27.5 x 45.12 cm). Unsigned and unnumbered as issued. Printed by Fort, Impressions artistiques, Paris, under the direction of Louis Fort.
Artwork Details:
Artist: Marc Chagall (1887–1985)
Title: Le traktir (The Inn), from Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Chagall (Nicolas Gogol, Dead Souls, Original Etchings by Marc Chagall), 1948
Medium: Etching on velin d'arches filigrane paper
Dimensions: 10.827 x 17.764 inches (27.5 x 45.12 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1948, published; 1923–1927, printed
Publisher: Teriade Editeur, Paris
Printer: Fort, Impressions artistiques, Paris, under the direction of Louis Fort
Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 17
Condition: Well preserved, consistent with age and medium
Provenance: From Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Chagall (Nicolas Gogol, Dead Souls, Original Etchings by Marc Chagall), published by Teriade Editeur, Paris, 1948
Notes:
Excerpted from the folio (translated from French), It was taken from this album, on velin d'arches filigrane "Les Ames mortes", L examples, numbered from there, including a complimentary suite on japon nacre; CCLXXXV examples, numbered from LI to CCCXXXV and XXXIII non-market examples, numbered from I to XXXIII reserved for employees. All colophons are signed by the artist.
About the Publication:
Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Chagall (Nicolas Gogol, Dead Souls, Original Etchings by Marc Chagall) stands among the most significant literary and artistic collaborations of the twentieth century. Conceived over the course of many years, the project was undertaken by Marc Chagall beginning in the 1920s, when he first immersed himself in Gogol’s satirical masterpiece, whose grotesque characters and moral absurdities resonated deeply with his own memories of Russian life and Jewish folklore. Published by the visionary editor Teriade in 1948, the album brought together text and image in a form that elevated the illustrated book to a major artistic statement. The etchings were printed by Fort, Impressions artistiques, Paris, under the direction of Louis Fort, whose atelier was renowned for its technical rigor and sensitivity to artists’ intentions. The album embodies the high standards of Parisian printmaking and continues to be regarded as one of the great illustrated works of the twentieth century, admired for its fusion of literature, etching, and the distinctively dreamlike vision of Marc Chagall.
About the Artist:
Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928).
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