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Medium: ABS
Portrait of Jules Lenard - Woodcut by Paul Emile Colin - 1930 ca.
Located in Roma, IT
Woodcut print realized by Paul Emile Colin in the 1930s.
Edition of 30/35.
Hand signed and numbered.
Very good condition.
Category
1930s Modern ABS Figurative Prints
Materials
ABS, Woodcut
Three Quarter Moon - Two Evening Stars, Lithograph by Bill Beckley
By Bill Beckley
Located in Long Island City, NY
Artist: Bill Beckley, American (1946 - )
Title: Three Quarter Moon - Two Evening Stars
Year: circa 1980
Medium: Lithograph, signed and numbered in pencil...
Category
1980s Conceptual ABS Figurative Prints
Materials
ABS, Lithograph
Ode to Petrus Christus
Portrait of a Woman
Located in New Orleans, LA
36 x 27 inches - Edition 2 of 3 with 2 APs
framing is an additional $525.
Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien)....
Category
21st Century and Contemporary Contemporary ABS Figurative Prints
Materials
ABS, Archival Pigment
Yield
Located in Brooklyn, NY
"Yield" by Allan D’Arcangelo uses the familiar road sign as a symbol of caution and submission, reflecting themes of modern life, societal control, and decision-making. The yield sig...
Category
1960s Pop Art ABS Figurative Prints
Materials
ABS, Screen
$320 Sale Price
20% Off
Interiors VII: The Train from Munich
By Peter Milton
Located in Middletown, NY
Interiors VII: The Train from Munich
Robert E. Townsend, 1991.
Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113].
When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...
Category
1990s American Modern ABS Figurative Prints
Materials
Charcoal, ABS, Engraving, Etching
LINDY HOP
Located in Portland, ME
Covarrubias, Miguel. LINDY HOP. Lithograph, 1936. AAG edition (usually about 200), with their label preserved and attached to the back of the mat. Unsigned a...
Category
1930s ABS Figurative Prints
Materials
ABS, Lithograph
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Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Printed date with copyright
Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition
Publisher: Leo Castelli, New York
Printer: Chiron Press, New York
Catalogue Raisonne: Feldman
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This work is often hung and displayed both vertically and horizontally - see photos for inspiration
This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket...
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Previously Available Items
Still Life (Yellow Tulips) - Lithograph by Bernard Buffet - 1966
Located in Roma, IT
Color lithograph on wove paper.
edition of 16/50.
Hand signed and numbered in pencil.
Slightly browned, slightly light-stained.
Category
1960s Modern ABS Figurative Prints
Materials
Lithograph, ABS
H 16.54 in W 12.21 in D 0.04 in
Wizards and Sorcerers - woodcut - 1963
Located in Paris, IDF
Salvador Dali (1904-1989)
Hell 20 - Wizards and Sorcerers
From the "Divine Comedy"
Wood engraving from "Divine Comedy"
with the printed signature
1960/63
Printed on paper Vélin BFK...
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1960s Surrealist ABS Figurative Prints
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Wizards and Sorcerers - woodcut - 1963
Located in Paris, IDF
Salvador Dali (1904-1989)
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Located in Paris, IDF
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From the Divine Comedy
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with the printed signature
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Wizards and Sorcerers - woodcut - 1963
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"Thomas Eakins"
Located in Lake Worth Beach, FL
31 3/4 x 23 1/2" framed 40"x32"
signed in pencil
Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, w...
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Why You?
Located in Brecon, Powys
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Abs figurative prints for sale on 1stDibs.
Find a wide variety of authentic ABS figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Bill Beckley, E2 - Kleinveld
Julien, Miguel Covarrubias, and Peter Milton. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large ABS figurative prints, so small editions measuring 0.04 inches across are also available








