Screen Figurative Prints

Artist: Robert Indiana (1928-2018) Title: Indiana Elliot (Sheehan 99) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 57/150, plus proofs Size: 24 x 20 inches Condition: G...

Artist: Frank Gallo, American (1933 - ) Title: Girl with Green Hat Year: circa 1978 Medium: Screenprint, signed and numbered in pencil Edition: 44/100 Size: ...

Artist: Mel Ramos, American (1935 - ) Title: Leo Year: 1972 Medium: Screenprint, unsigned Edition Size: 3000 Image Size: 12 x 17 inches Size: 14 x 18 in. (35.56 x 45.72 cm) Frame Siz...

Artist: Gianni Bertini, Italian (1922 - 2010) Title: Bambole Year: 2002 Medium: Serigraph, signed and numbered in pencil Edition: 71/75 Paper Size: 42 x...

Artist: Oyvind Fahlstrom, Swedish (1928 - 1976) Title: Sketch for World Map from the Peace Portfolio Year: 1972 Medium: Screenprint, signed and number...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Celebrity Night at Spago Year: 1993 Medium: Screenprint, signed and numbered in pencil Edition: 300/600 Image Size: 24.5 x 37 inch...

Artist: Peter Max (1937) Title: Lady Profile Year: 2015 Medium: Silkscreen on archival paper Size: 19.75 x 15.25 inches Condition: Excellent Inscription: Signed in permanent marker ...

Fabian Ugalde (Mexico, 1967) 'The word power' (Triptych), 2006 silkscreen on paper 27.6 x 69.9 in. (70 x 178 cm.) Edition of 99 ID: UGA1739-002-109 Hand-signed by author in pencil

This is for a Photo Silkscreen Serigraph it is Titled Andy Warhol :Pop Artist American. light creasing to paper outside of image John Brower worked in Chicago as a billboard designer for 12 years. He taught art at Alverno College of Milwaukee, Wright Junior College in Chicago, the University of Illinois, and the University of Kentucky. A Pop Artist. In John Browers' work two important things come forward: the design and the image. In the painting Indian...

Artist: Fran Bull (1938) Title: Three Egrets Year: 1980 Edition: A.P./17/30; 250, plus proofs. Medium: Silkscreen on Rives BFK White Paper Size: 22 x 30 inches Condition: Good Inscri...

Artist: Peter Grippe, American (1912 - 2002) Title: Positive Year: 1960 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 39 x 20 inches Size: 46 x 35 in. (11...

Artist: Robert Indiana, American (1928 - ) Title: Tilt from The American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 16.5 x 14 inches...

Down Hill Len Rosolio, American Date: 1981 Screenprint, signed and numbered in pencil Edition of 350 Size: 35 x 28.5 in. (88.9 x 72.39 cm)

Artist: Robert Indiana (1928-2018) Title: Anthony Comstock (Sheehan 102) Year: 1977 Medium: Silkscreen on Arches rag paper Edition: 9/150, plus proofs Size: 24 x 20 inches Condition:...

Space Race Silkscreen on Acrylic hand signed and dated 1970, MOON WALK, color screenprint on Plexiglas depicting the moon landing, from the numbered edition of 150, size 30 x 30” L...

Artist: Gianni Bertini, Italian (1922 - 2010) Title: Grip Year: 2002 Medium: Screenprint, signed and numbered in pencil Edition: XIV/XX Paper Size: 43.5...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Beetle Year: 1974 Medium: Screenprint, signed and numbered in pencil Edition: 2/100 Image Size: 24 x 16 inches Size: 26 x 20 inches

Artist: Greg Constantine, American (1938 - ) Portfolio: Liberty Collection Title: Saint Liberty Year: 1986 Medium: Silkscreen, signed and numbered in pencil Edition: 500 Paper Siz...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Venetian Blinds Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 ...

Published by edition GKM. Unframed. Edition: 150 ex. Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The lan...

Yes You Can Can (Splats Edition) by Amy Gardner [2020] limited_edition Screen Print, Watercolour Edition number 40 Image size: H:50 cm x W:50 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Only AP works left in this edition. This print is about women supporting women. 'YES YOU CAN CAN' splats edition limited edition of 40 Archival Bread & Butter bright white paper 270gsm 50x 50cms 5 screen...

Artist: Robert Indiana, American (1928 - 2018) Title: Black Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Screenprint (unsigned) Edition: 395 Image Size: 14 x 1...

A Womans Strength and In Joy Diptych Overall Size cm : H84 x W125 A Womans Strength by Amy Gardner [2021] limited_edition Mono Print/Screen Print Edition number 23 Image size: H:42...

Aquarium and Up II Diptych Overall sheet size cm : H102 x W90 Anne Storno – Aquarium – A limited edition, hand printed screen print, made in England. – This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative context and reconfigured into a new scenario. Aquarium is mixing an old image of Joan Collins, the actress, with a view of the earth from space...

Artist: Jiang Tie-Feng (1938) Title: Four Songs of Spring Year: 1999 Medium: Silkscreen on Canvas Edition: XCIII/C, 200, plus proofs Size: Each individu...

Artist: William Nelson Copley Title: Baby Bonnet Year: 1978 Medium: Serigraph on Somerset, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 33 x 26 inches

Artist: After Tom Wesselmann (1931- 2004) Title: Monica, exhibition poster Year: 1985 Medium: Silkscreen on heavy rag paper Size: 29 x 37 inches Condition: Excellent Notes: Published by Lincoln Center for the Performing Arts for the 23rd Annual New York Film Festival held in 1985 TOM WESSELMANN (1931- 2004) Considered one of the major artists of New York Pop Art...

Serigraph in colors on paper. Hand signed lower front by Ronnie Cutrone. Hand written HC 4/15, an artist proof edition outside the main edition of 98. Artwork size 30 x 39 inches. Frame size approx 40 x 49 inches. Custom framed...

"The Jean Genie" David Bowie as Ziggy Stardust, Santa Monica, CA 1972 Acrylic and enamel screen print on linen, 62 x 48 in Russell Young is a pop artist of international acclaim. Ru...

Artist: Peter Max (1937) Title: Landscape thru Window Year: 1978 Edition: 98/100, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 23 inches Condition: Good Inscription: Sig...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Smoke Dreams Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 300; AP 40 Size: 26 in. x 36 in. (66.04 c...

Artist: Jiang Tie-Feng (1938) Title: Rhythm Year: 1992 Medium: Silkscreen on Vellum Rag paper Edition: 80/300, plus proofs Size: 32.75 x 39.5 inches Condition: Good Inscription: Signed and numbered by the artist. JIANG TIE-FENG (1938- ) Chinese Artist Jiang Tiefeng's colors are of unsurpassed richness. Jiang's use of imagery in his paintings are steeped in Buddhist and Chinese mythology. Each figure has a symbolic meaning, and his works have so much complexity and visual fascination that the viewer is constantly seeing something new. Jiang's deep love of the colorful earth and for Xishuangbanna, a region of the Yunnan Province, has encouraged him to explore and create mysterious and unique subjects to paint. The secret and essence of Jiang Tiefeng's work is best expressed by the artist himself as he describes his paintings not only as pictures, but they are also music and poetry...

Beetle II Roy Ahlgren, American (1927–2011) Date: 1976 Screenprint, stamped by Ahlgren Studio Size: 26 x 20 in. (66.04 x 50.8 cm)

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...

Artist: Cindy Wolsfeld, American (1953 - ) Title: Girls, Girls, Girls Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 12 Image Size: 29 x 19 inches Size: 33...

A New York City street scene by Lester Johnson circa 1980. Artist: Lester Johnson, American (1919 - 2010) Title: Street Scene Year: circa 1980 Medium: ...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope I Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 29.5 x 22 inche...

Anne Storno – Aquarium – A limited edition, hand printed screen print, made in England. – This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative context and reconfigured into a new scenario. Aquarium is mixing an old image of Joan Collins, the actress, with a view of the earth from space...

A Womans Strength by Amy Gardner [2021] limited_edition Mono Print/Screen Print Edition number 23 Image size: H:42 cm x W:59.4 cm Complete Size of Unframed Work: H:42 cm x W:59.4 cm...

In Joy by Amy Gardner [2021] limited_edition Mono Print/Screen Print Edition number 19 Image size: H:45 cm x W:65 cm Complete Size of Unframed Work: H:45 cm x W:65 cm x D:0.1cm Sold...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Artist: Mark Kostabi, American (1960 - ) Title: Two Cultures - Red Year: circa 1985 Medium: Screenprint, signed and numbered in pencil Edition: AP 2/5 Size: 42 x 30.5 in. (106.68 x 7...

Artist: Mike McKenzie, American (1954 - ) Title: Truman Capote and Snake Year: circa 1992 Medium: Screenprint, signed and numbered in pencil Edition: 10/20 Size: 15 x 12 in. (38.1 x ...

Artist: Nadia Coen, American Title: Survival of the Fittest from Bullet Space, Your House is Mine Year: 1988-1992 Medium: Screenprint, signed in pencil Image Size: 22 x 18 inches Si...

This serigraph was created in 1979 by American artist Allan D'Arcangelo. D'Arcangelo is best known for his paintings of highways and road signs that border on pop art and minimalism,...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

A travers.Portfolio with 14 silkscreens. Publisher GKM. Unframed. Edition of 200 ex. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Edition Details: Year: 2016 Class: Art Print Status: Official Released: 10/04/16 Run: 450 Technique: Screen Print Paper: Cream Speckle Tone with Gold Leaf Size: 18 X 24 Markings: Sig...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. Free shipment worldwide. Artist Peter Klasen is a master of contrasts. Of fragment and entirety, of hard plat...

In the 1980's, working alongside Lucy Lippard in relationsip to an important political advocacy group, Kerns has been deemed one of the most perceptive political artist of his time. ...

Pas de Deux IV (Vicki Hudspith and Wally Turbeville) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower right and numbered 106/150. From the editi...

Alex Katz’s Large Black Hat (Ada) (2012) distills representation into its most minimalistic visual form, continuing the artist’s decades-long project of rendering presence as an act ...

Robert Indiana New York City Center of Music and Drama (Hand signed limited edition), 1968 Color Silkscreen 35 × 25 inches Edition 23/144 Hand signed and dated lower right recto; num...

Hand signed and numbered. Frame size approx 40 x 40 in. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 200. All reasonable offers will be consi...

Paloma Picasso, from Hommage à Picasso. Screenprint in colors on Arches. Hand signed and numbered on verso by the artist. Published by Propyläen-Verlag, Berlin, and Pantheon Presse, ...

Gray Dress (Laura) is a serigraph on paper with an image size of 36 x 28, signed 'Alex Katz' and annotated lower left, framed in a contemporary black fram...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Curtis Kulig Love Me: Using a most universal symbol, 'The Smiley', Curtis Kulig replaces the eyes with his world renown "Love Me" signature. At 28 inches square, these 4 hand signed screen-prints from a limited edition of 30, make the perfect set for decorative and collecting purposes. Originally Published by Pace Prints...

Publisher GKM. Edition of 150 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The lan...