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Nicholas CochinPosing Man - Etching by Nicholas Cochin - 17551755
1755
$213.96
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£160.43
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€180
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CA$298.55
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A$323.25
A$538.7440% Off
CHF 171.85
CHF 286.4240% Off
MX$3,898.57
MX$6,497.6140% Off
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DKK 1,371.26
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About the Item
Posing Man is an etching realized by Nicholas Cochin in 1755.
Good conditions with foxing on the margins.
Signed in the plate.
The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux
de Paysage. Paris: C.A. Jombert, 1755”
The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.
- Creator:Nicholas Cochin
- Creation Year:1755
- Dimensions:Height: 11.03 in (28 cm)Width: 8.27 in (21 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1391741stDibs: LU650312154602
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Located in Roma, IT
Posing Man is an etching realized by Nicholas Cochin in 1755.
Good conditions with foxing on the margins.
Signed in the plate.
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Anatomy Studies is an etching realized by Nicholas Cochin in 1755.
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Located in Roma, IT
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Located in Roma, IT
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Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ).
Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s.
The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs).
This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display.
The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts.
Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father.
Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style.
Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist.
Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA.
© Big Sky Fine Art
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