1960s Figurative Prints

Veni, Domine Jesus is a Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sig...

Proelium Magnum in Caelo is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani betw...

Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and dated on plate o...

Et Cognoverunt Eum in Fractione Panis is a Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between ...

Tertia Die Resurrexit is a Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. ...

This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil from the edition of 145, with Roma...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Diebenkorn, Richard. SEATED WOMAN IN A CHEMISE. Liithograph, 1965. Edition of 100, initialed and numbered 88/100 in ink. Printed on BFK Rives paper, and published by Original Press, ...

Framed 26 x 22 in No. 392 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume II" by Fernand Mourlot and Marc Chagall....

Original "Le 14 Juillet à Paris" Poster by Gromaire, Linen-Backed, 1956, Excellent Condition. First edition lithograph poster, an after of a 1956 painting by Marcel Gromaire, spons...

MARC CHAGALL 1887 - 1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887 - 1985 Saint-Paul-de-Vence (Russian/French) Title: The Rainbow, 1969 Technique: Original Ha...

This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil 116 from the edition of 145, with ...

Alexander Calder Lithographic cover c. 1968 from Derrière le miroir: Lithograph in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of unknown with crisp bright colors. Published by: Galerie Maeght, Paris, c. 1968. Unsigned from an edition of unknown. Looks fantastic framed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Related Categories: Mid century modern. Alexander Calder prints. Calder orange. Calder red...

Etching and drypoint realized in 1968. Table from the Series "Les Amours de Cassandre", published by Argillet, Paris. Edition of 56/95 on japanese paper, hand colored. Hand signed...

Etching and drypoint realized in 1968. Table from the Series "Les Amours de Cassandre", published by Argillet, Paris. Edition of 56/95 on japanese paper, hand colored. Hand signed...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

Philip Guston, Joan Mitchell, Cy Twombly, Jim Dine, Roberto Matta, Sam Francis, Mark Rothko, Franz Kline, Kenneth Noland, Robert Rauschenberg, Jasper Johns, Helen Frankenthaler, John Hultberg, Adolph Gottlieb, Paul Jenkins, Hassel Smith, Jack Youngerman, Ray Parker, Robert Motherwell, Louise Nevelson, Larry Rivers, Mark Tobey, David Budd, Hans Hofmann, Various Artists, Jackson Pollock, Arshile Gorky. La Grande Occassione Della Pittura Americana Milano (Hand Signed by Jim Dine), 1963 Offset Lithograph invitation poster (hand signed by Jim Dine) Hand signed by Jim Dine on the front -signed in person for the present owner, so provenance is direct. 12 1/4 × 16 3/4 inches Unframed Uniquely signed. The gallery acquired this historic 1963 invitation and then Jim Dine graciously signed it years later in black marker - as he was/is the only artist of the entire group who was still alive. We know of no other one in the entire world with any hand signature by any of the artists exhibited. This very rare invitation/poster was published on the occasion of this important 1963 exhibition of American painting at the Galleria Ariete, Mostra n. 94, in Milan, Italy. The roster of artists represented is literally a Who's Who of American Abstract Expressionists of the era. The Galleria dell'Ariete in Milan, Italy, opened in 1955, and ran an active exhibition until its closing in the mid-1980s. It was among the most important galleries in Italy for contemporary art, and had extensive connections with dealers, collectors, artists, and critics in Europe, the United States, and Japan. Beatrice Monti della Corte opened the Galleria dell'Ariete at Via San Andrea, 5, Milan, Italy in 1955, when she was twenty-five years old, principally as a showplace for modern art; Galleria dell'Ariete rapidly became one of the foremost Italian galleries...

Artist: Ben Shahn, American (1898 - 1969) Title: The Sea Itself from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 ...

Marc Chagall Original Lithograph Frontispiece for the book "Le Plafond de l'Opéra de Paris (The Ceiling of the Paris Opera)" by Jacques Lassaigne (Paris...

Artist: Marc Chagall Title: Rachel Hides Her Father's Household Goods Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4...

The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...

Etching and drypoint realized in 1968. Table from the Series "Les Amours de Cassandre", published by Argillet, Paris. Edition of 56/95 on japanese paper, hand colored. Hand signed...

Etching and drypoint realized in 1968. Table from the Series "Les Amours de Cassandre", published by Argillet, Paris. Edition of 56/95 on japanese paper, hand colored. Hand signed...

Marc Chagall (1887-1985) Carte de Voeux pour Aime Maeght 1960 Lithograph in Arches paper Signed in stone Image: 22.2 x 29.5 cm Frame: 46.5 x 54.5cm Marc Chagall (1887 – 1985) Russi...

This poster for the 1968 film Speedway is an energetic and playful work of graphic design. The poster is dominated by vibrant magenta and yellow, making the image of Elvis Presley an...

Wifredo Lam - Knight - Original Lithograph Published in the deluxe art review, XXe Siecle 1963 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

Artist: Marc Chagall Title: Profile and Red Child Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/2" Image Size: 12 1/2...

Original Lithograph by Jean Cocteau Title: He ! He! Toro 1961 Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de Diffusion Artistiq...

Leonor Fini - Walking on Death - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris...

André DERAIN Near Saint Paul de Vence Original lithograph in colors (printed in Atelier Lucien Detruit) Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) I...

Original 1967 Victor Moscoso “Joint Show” Poster — First Edition psychedelic vintage rock poster. Untrimmed size of 23 x 29” (1" large and wide...

Salvador Dali - Cup of Chocolate - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Leonor Fini - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsigned and unumb...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaure (Minotaur), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Double ...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled La Roumaine (The Romanian Woman), from the album Roger de la Fresnaye, III, Collection Pierre Levy, 1968, ori...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled Gardeuse de moutons (Shepherdess), from the album Roger de la Fresnaye, III, Collection Pierre Levy, 1968, or...

Salvador Dali - Cleopatra Original Etching Dimensions: 28x 18.7cm 1969 Edition: /165 Plate signed References : Field 68-7-I page 48

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Framed 24 x 21 in No. 399 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume II" by Fernand Mourlot and Marc Chagall....

Exemplifying Chagall's immense skill as a colorist, Marc Chagall Roses et Mimosa (Roses and Mimosa), 1975 is one of the artist's most striking and vibrant color lithographs. A luscio...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original lith...

A very good impression of this early lithograph on Arches. Initialed, dated and numbered 5/100 in pen and black ink. Printed and published by Original Press, San Francisco, with the ...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Print Ponte Corvo black and white limited edition no2 of 50 In a moulded gilded frame length 91cm, height 75cm, depth 4cm Framers label on reverse L'Ariete Galleria Torino just pur...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 From the last po...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Braque is known to have spent years working on this project, the illustrations for Lettera Amorosa by René Char. This exquisite work from the book utilizes sweeps of color to create ...

A very good impression of this color lithograph on Italia handmade paper. Signed, titled, dated and numbered 35/41 in pencil by Rosenquist. Printed and published by ULAE, West Islip,...

Rodo-Boulanger, Graciela. LE BALLON VERT. Lublin 20. Etching with aquatint in colors, 1967. Edition of 100. Numbered 31/100 and signed in pencil. 21 1/8 x 17...

Escape from Troy 1967s is a watercolored lithograph on ivory-colored paper, realized by Russian scenographer Eugène Berman. Not numbered, as issued. Image Dimension: 43.5 x 32 cm. I...

Ipse erat Elias is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969.Color lithograph on heavy rag paper...

Framed 23 x 20 in

Original Lithograph by Jean Cocteau Title: Europe's Diversity Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Coc...

Salvador Dali - David Ben Gurion - Original Handsigned Etching Dimensions: 38 x 28 cm 1968 Signed in pencil EA in Sanguine Jean Schneider, Basel References ...

Life is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. hand signed and numbered in pencil. Edition of 89. Very Good conditions...

This exquisite lithograph after Rene Magritte (1898–1967), titled Il y a sur le Rivage de la Mer Deux Pommes Visiteuses (On the Shore of the Sea There Are Two Visiting Apples), from ...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed a...