1960s Figurative Prints

Portrait is an original print realized in 1964 by the French artist and drawer Michel Ciry (1919-2018). Original etching on Ivory paper. Hand-signed and dated by the artist on th...

Fish is original etching on paper, realized by the French artist Maurice Bouval (1863–1916). Hand-signed on the lower right and numbered on the lower l...

The Japanese is an original lithograph on ivory-colored cardboard, realized by Alfonso Avanessian in 1989. Hand-signed and unnumbered, on the lower right: Avanessian -89. Very goo...

Roman Landscape is an original etching artwork realized by the Italian artist Giuseppe Malandrino. hand-signed by the artist on the lower right in pencil. Numbered in Roman numeral...

Navona Square is an original etching realized in the 1960s by Giuseppe Malandrino. Original hand-colored etching. Hand-signed by the artist in pencil on the lower right corner. Nu...

Navona Square is an original etching realized in the 1960s by Giuseppe Malandrino. Original hand-colored etching. Image Dimensions: 11.5 x 9 cm Hand-signed by the artist in pencil...

Navona Square is an original etching realized in the 1960s by Giuseppe Malandrino. Original hand-colored print. Image Dimensions: 11.5 x 9 cm Hand-signed by the artist in pencil o...

Easter Sweets is an original Lithograph realized by Giuseppe Viviani. Hand-signed in pencil on the lower right by Artist. Numbered in pencil on the lower-left. Edition 81/120 print...

Navona Square is an original etching realized in the 1960s by Giuseppe Malandrino. Original hand-colored print. Hand-signed by the artist in pencil on the lower right corner. Imag...

Assault is an original artwork realized by Mino Maccari in 1960 ca. Black and white etching on paper. Hand-signed by the artist on the lower left. Numbered on the lower left. Edi...

Navona Square - Fountain of the Triton is an original artwork realized in the 1960s by Giuseppe Malandrino. Original hand-colored print. Hand-signed by the artist in pencil on the ...

Fish and Blade is an etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left in...

Rider is an etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009). Hand-signed on the lower right and numbered on the lower left in pencil. ...

Man is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. The art...

The Church is a black and white etching realized by the French artist Michel Ciry in 1964. Signed and dated on the lower right. Sheet dimensions: 57 x 38 cm. In good conditions. ...

Dance is a mixed colored lithograph realized by André Derain in the 1960s. Hand signed by the artist on the lower right margin Numbere on the lower left margin. Edition of 50. Goo...

Hand signed. Edition of 102 copies (16/102), etching on copper. Image dimensions: 21x25 cm. This is one artwork collected in the portfolio "Galleria Grafica Contemporanea", publis...

Prisoner is an original black and white etching realized by Mino Maccari in 1964. Hand signed on the right margin. Numbered on the lower left. Edition of 102 copies (16/102), etchi...

Nude is an original black and white etching realized by Domenico Cantatore in 1964. Hand signed on the right margin. Numbered on the lower left. Edition of 102 copies (16/102), et...

Salvador Dali - Moshe Dayan - Original Handsigned Etching Dimensions: 38 x 28 cm 1968 Signed in pencil EA in Sanguine Jean Schneider, Basel References : Fi...

Red Passion is an original artwork realized by Mino Maccari in the second half of XX century. Mixed colored xylograph. Hand-signed by the artist on the lower margin. Artist proof...

Sea Radishes is a beautiful lithography by the Italian artist Gino Guida. The state of preservation is very good. The sheet is mounted on a cardboard passepartout (49 x 34 cm). Hand...

The Portrait of Oedipus king is an original etching realized by Giacomo Manzù in 1968. Racocin Press inc New York, Officina Bosoni Verona. Numbered on the lower left. Ed. 38/105. ...

Oedipus king is an original etching realized by Giacomo Manzù in 1968. Racocin Press inc New York, Officina Bosoni Verona. Numbered on the lower left. Ed. 38/105. The state of pre...

The Scene of Oedipus king is an original etching realized by Giacomo Manzù in 1968. Recolin Press inc New York, Officina Bodoni Verona. Numbered on the lower left. Ed. 38/105. Th...

Oedipus king Battle is an original etching realized by Giacomo Manzù in 1968. Numbered on the lower left. Ed. 38/105. The state of preservation is very good. Here the artwork is r...

Nude is an original etching realized by an Anonymous artist in the 1960s. Sheet dimension: 32.5 x 25 cm Very good conditions. The artwork represents a nude woman skillfully expre...

Image dimensions: 28 x 22 cm. Hand signed on the lower right margin. Artist's proof. Etching and Aquatint, wide margins with a very fresh line. In very good conditions. Referenc...

Interesting etching as a frame-illustration of Arthur Rimbaud's Les chercheuses de poux. Numbered and hand-signed with pencil on lower margin. Edition of 125 prints. In excellent co...

Linda Stein, Protection 430 - Black and White Signed Etching Limited Edition Fine Art Print Linda Stein has been practicing art for the last six decades. This limited edition etch...

Hand Signed. One of 100 pieces. Very good conditions. Image dimensions: 15 x 20 cm.

Hand Signed. One of 5 Artist's Proofs.

The Ballet, Frontispiece for the book “Daphnis and Chloe” Lithograph in colors, 1969. Unsigned and unnumbered, as issued from an edition of 10,000. Printed ...

Image dimensions: 6.5 x 24.2 cm. Artist's Studio is a beautiful black and white etching on paper, realized at the middle of the XX century by the Italian artist Renzo Biasion (Treviso, 1914 - Florence, 1996). Hand-signed in pencil on the lower right margin. Numbered in pencil on lower left margin. From an edition of 100 prints. This original print is really interesting and represents an important place for the artist: his atelier at the same time in order and on the mess, with all the tools of the trade: it is a little step in the every day life of the artist. With a superb hatching and a full mastery of the technique, vibrant blacks and a balanced composition, this is a little dimension but precious contemporary artwork absolutely to collect jealously! In excellent conditions. Renzo Biasion (Treviso, 1914 - Florence, 1996) Born in Treviso in 1914, he moved to Venice where he graduated from the local art school and taught drawing in secondary schools. In 1940, when Italy entered World War II, he fought on the Greek-Albanian front as a second-lieutenant in the infantry and began writing a war diary...

Image dimensions: 25.4 x 34.7 cm. Una giornata in collina is a beautiful black and white etching on paper, realized in 1966 by the Italian artist, Renzo Biasion. Titled on plate on higher margin at the center, dated and signed on plate on higher right margin with autograph notes in Italian etched on plate. Numbered in Arabic numerals and in pencil on lower left margin. From an edition of 100 prints. Hand-signed in pencil on lower right margin. Representing some big poppy and the fauna of the hill and etching with full mastery of the technique, this original print, in excellent conditions, is a very nice piece to collect at home or to present! Renzo Biasion (Treviso, 1914 - Florence, 1996) Born in Treviso in 1914, he moved to Venice where he graduated from the local art school and taught drawing in secondary schools. In 1940, when Italy entered World War II, he fought on the Greek-Albanian front as a second-lieutenant in the infantry and began writing a war diary...

Mes Mejores Deseos is a beautiful black and white lithograph on Ingres watermarked paper, realized by Miguel Ibarz. With a black ink autograph devotion, with signature and date "1967". Signature in pencil too, on the lower right margin under the image. This touching original print repèresents maternity, a woman with children...

(after) Jules Pascin Title: Femininity Signed in the plate Dimensions: 38 x 28 cm from the edition of 250 as issued in Warnod, Andre, "Les Peintres mes amis" (Paris: Les Heures Claires, 1965) Jules Pascin, born Julius Mordechai Pincas, was a Bulgarian Jewish painter sometimes referred to as "the Prince of Montparnasse." He was born on March 31, 1885 in Vidin, Bulgaria to a Spanish-Sephardic Jewish father and a Serbian-Italian mother, the eighth of eleven children. The Pincas family moved to Bucharest, Romania in 1892 and Pascin was raised there until he left for boarding school in Vienna in 1896. While briefly working for his father’s grain merchant firm in Bucharest at fifteen, Pascin spent much of his time completing his earliest drawings in the local bordello, where he was residing under the Madame’s protection. In 1902, at the age of seventeen, Pascin moved to Vienna to study painting. The next year, he studied at the Heymann Art School in Munich. There, he supported himself by selling satirical drawings to Simplicissimus and other German magazines. Pascin would contribute drawings to a Munich daily through 1929. Pascin’s contributions were widely recognized for their wit and insight, and upon his arrival in Paris in 1905 he was welcomed at the Gare Montparnasse by an international group of artists and writers who gathered at the Café du Dôme, which Pascin soon began to frequent regularly. The group included Grossman, Grosz, William Howard, Levy, and Emil Orlik. Pascin was also a close friend of Amadeo Modigliani. Upon his arrival in Paris, Julius Mordechai Pincas changed his name to Jules Pascin and soon became the symbol of the Montparnasse artist community. Always in his bowler hat, he was a witty presence at Le Dôme café, Le Jockey club, and the others haunts of the area’s bohemian society, and was known for hosting legendary all-night parties. In his story, A Moveable Feast, Ernest Hemingway wrote a chapter titled With Pascin At the Dôme, recounting a night in 1923 when he had stopped off at Le Dôme and met Pascin escorted by two models. Hemingway's depiction of the events of that night is considered one of the defining images of Montparnasse at the time. In 1907, Pascin had his first solo exhibition at Paul Cassirer Gallery in Berlin. Three years later, Cassirir commissioned Pascin to illustrate Heinrich Heine's Aus den Memoiren des Herrn von Schnabelewopski. In 1911, Pascin exhibited his work at Berlin Secession and a year later at the Sonderbund-Aussstellung in Cologne. The artist’s first exhibition in the United States was at the Armory Show in New York, where he exhibited twelve of his works. Upon the outbreak of World War I, Pascin left Paris for London in order to avoid conscription in the Bulgarian Army. In October 1914, he immigrated to New York, where he stayed through 1920 and would later return again in 1927. Pascin was immediately welcomed into an artists circle based around the Penguin Club and became acquainted with John Quinn, an important art collector. A short time after his arrival in New York, Pascin was given a one-man show by the Berlin Photographic Company, a Madison Avenue gallery. While in New York, Pascin became associated with several progressive painters, including Walt Kuhn, Yasuo Kuniyoshi, and Max Weber. Many of these painters were influenced by Pascin’s unique style, in which he combined elements from Expressionism and Cubism with his own personal view of his environment. Pascin used his time in the United States to travel extensively, especially in the southern states and the Caribbean islands, recording his travels in sketches that were widely acclaimed. Pascin married Hermine David in 1918. In 1920, Pascin was awarded American citizenship with support from Alfred Stieglitz and Maurice Sterne. He returned to Paris in October of that same year and met his future mistress, Lucy Krohg, the wife of the Norwegian painter Per Krohg...

Salvador Dali - Nails on Nude - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Hand signed on the right lower margin. Artist's proof. Beautiful etching describes a man sitting under a grapevine. Good condition, except some light ink stains on the lower right. I...

Koskela Reijo, "La Casa delle Monache" (Nuns' House) B/W etching and aquatint on paper. Image Dim: cm 35x49; Dim: cm 39x65. Hand-signed, dated and numbered with pencil on lower margin " 7/25 Tala Img. / Rejo Koskela 1968". In back a blue ink stamp "II Biennale della Grafica, Palazzo Strozzi, Firenze, 30 aprile, 29 Giugno 1970". Wonderful printing proof...

Alexander Calder Lithographic cover from Derrière le miroir c. 1966: Lithographic cover; 15 x 11 inches (folding out to 15 x 22inches; see image 2). Very good overall vintage condit...

The present color collagraph, from the portfolio 'Los Animales,' is an excellent example of Joseph Rozman's pictographic style. Rozman's work often looks to ancient and non-western a...

Inscribed, signed, and dated lower center: "Monoprint H Lee-Smith '69" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is i...

Hand signed and numbered by the artist. Edition of 100. Sheet size 23 x 15 in. Framed. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable of...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

"Brando, Le Vilain Americain" is an original lithograph poster designed by "Ghirardi" for the 1963 film "The Ugly American." 62 1/4" x 47 ...

In this semi-abstract lithograph, numbered 4/25, artist Beck Young explores how memory shapes our inner worlds and environments. At the heart of the composition is glowing, patinated...

Leonor Fini - Prisonners - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsig...

Hand signed and numbered on front. Limited Edition of 65. Image Size: 13 x 11 inches. Artwork is in excellent condition. Additional images are available upon request. Certificate of ...

after Jean Dubuffet - Meadow - Lithograph 1960 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

Salvador Dali - Albert Schweitzer - Original Handsigned Engraving Dimensions: 17.5 x 12.5 cm 1970 Signed in pencil EA Jean Schneider, Basel Reference...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Etching monogrammed in the plate. Illustration for a Robert Ganzo's poem "Lespugue" Editions Marcel Sautier, Paris, 1966. Conditions: Good Conditions Dimensions: 25,5 x 16,5 cm. Vellum paper Référence Czwiklitzer n°55. 1890 Zadkine was born on the 14th of July in Vitebsk, a city in Belarussia, on the Dvina. His father Ephime teaches classical languages at the local seminar. His mother Sophie Lester descended from Scots, who emigrated at the time of Peter the Great. 1905 His parents send him to Sunderland, in the North of England, where his mother’s family lives. He studies English and attends modelling courses at the local Art School. 1905-1909 He travels to London without his parents permission where he attends courses at the Regent Street Polytechnicum. In order to earn his living, he plans to work with a stonecutter. He visits the British Museum and studies classical sculpture there. Returns to Smolensk where he produces his first sculpture. Goes back to London. 1909-1910 Zadkine settles in Paris and studies in the ecole Nationale des Beaux-Arts. Finds a workshop in a building called La Ruche, in the XVe arrondissement. 1911 Zadkine presents statues and drawings at the annual Salon d’Automne and at the Salon des Indépendants. It is the ‘cubists’ who draw his attention in Paris. Is essentially close to Russian students who get together in a cafe of the ‘Quartier Latin’. Has himself called Joe Zadkine until 1914. 1912-1913 Finds a room in the neighbourhood of Montparnasse, in the rue de Vaugirard. Studies Roman sculpture. Zadkine is immortalized by his neighbour, photographer Marc Vaux, in his new workshop. Meets Brancusi, Guillaume Apollinaire, Jacques Lipchitz, Pablo Picasso, Antoine Bourdelle, Leopold Survage and Robert Delaunay. Henri Matisse visits Zadkine’s workshop. 1914-1915 Exhibition at the Freie Sezession in Berlin, at De Onafhankelijken in Amsterdam (Holland) and at the Allied Artists Association in London. Thanks to collector Paul Rodocanachi, he can settle in a workshop in the rue Rousselet. Becomes friends with Modigliani. 1916-1917 Works as a stretcher-bearer on the front. Produces drawings and watercolours dealing with war. Zadkine is discharged in 1917. He says he is ‘bodily and spiritually’ ruined by the war. After his stay in the Epernay hospital he recovers in Bruniquel, in the southwest of France. 1918-1919 Makes a series of 20 war etchings...

René Lenig Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions René Lenig was one of the great painters of the “Ecole de Paris” and of the second mid twenty century.

Original Lithograph by Jean Cocteau Title: Europe Our Homeland Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Co...

Etching and aquatint in colour on chamois-coloured wove paper, printing plate size approx. 25.8 x 20.8 cm, sheet size approx. 54.8 x 41.8 cm, handsigned on the lower right, numbered ...

Alexander Calder Lithographic cover from Derrière le miroir c. 1966: Lithographic cover sheet; 15 x 11 inches (folding out to 15 x 22inches; see image 2). Very good overall vintage ...

Marino Marini - Horse and Rider - Original Lithograph 1963 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Lithograph after a drawing by Jean Cocteau Title: Profil Signed in the plate Dimensions: 33 x 46 cm Edition: 600 Luxury print edition from the portfolio of Sciaky 1961

Salvador Dali - Nude with Flower - from "Les Amours de Cassandre" Original Etching From the suite on Silk made for editions 9 to 34 Dimensions: 38,5 ...