Mid-20th Century Figurative Prints

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Jean Cocteau (1889–1963), titled L'œillet de la provocation (The Carnation of Provocation), from the folio Taureaux, Lithographies de Jean Cocteau (Bu...

La Monaca is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fo...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Lis et glaieuls (Lilies and Gladioli), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from ...

Charles CAMOIN Lying Nude on a Sofa, 1946 Original lithograph Signed in pencil bottom right Numbered / 100 On Lana vellum 26 x 36 cm (c. 10.2 x 14 inch) Excellent condition

Jèrémie Plate from The Bible is an original artwork realized by Marc Chagall in 1960. Mixed colored lithograph. The artwork is from the series "The Bible" In 1931, on commission f...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Original vintage poster: Lavocat aliments irradies. Force, Energie par les produits. This is a classic French late Art Deco period poster featuring a buff rugby player almost outpacing a steed - due no doubt to Lavocat, an 'irradiated' food. Even today, the American FDA believes that irradiating food can burn off harmful bacteria, airborne germs, and other microbes which can adversely affect food. We love this poster's depth of color, texture, and oomph - powerful and very, very Art Deco. This poster is an original Art Deco lithograph. This poster is related more to sports and running than food, but food provides energy. Note that the red is cherry red since different monitors produce the red color of this poster in different qualities. Excellent condition, undated on the poster. Behind the rugby runner is a black horse that appears to be neck and neck...

Marc Chagall (1887-1985) The Bible, The Angel Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) REFERENCE: Catalogue raisonné Chagall Lithographe...

This exquisite lithograph by Andre Derain (1880–1954), titled Le Port (The Harbor), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publish...

Pablo Picasso (1881-1973) - Femme La Guerre I Lithograph from 1954. Dimensions of work: 35 x 26.5 cm Publisher: Éditions Cercle d'Art, Paris. The work is in Excellent condition. ...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie I, var. 13 (Series I, Variation 13), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

Figures is a Linocut Print realized by mino Maccari in 1951. Not signed, very good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journalist, winn...

Pasta is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.

The Cat is an Original etching print on paper realized by Giselle Halff in 1950 ca. Good conditions with some foxing. .

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

This artwork titled "Greetziel, North Sea, Germany" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 9 x 6 inches Inscription: Unsigned and unnumbered, as issued Notes: From the volum...

Filiae Herodiadis saltatio is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 19...

Marc CHAGALL Colorful Bouquet of Flowers Stone lithograph in colors (Mourlot workshop) Engraved by Sorlier under the supervision of Marc Chagall Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) INFORMATION : Edited for the portfolio Les Peintres mes amis (Les Heures Claires...

Unknown Artist Nixon + Spiro - Zero, 1968 Extremely rare vintage 1960s Offset lithograph poster 28 × 22 inches Publisher Published by Joe A. Kennedy; printed by Provo Press Unframed,...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°3 (double) Juin 1952, originates from the 19...

This artwork titled "La Collana" is an original color lithograph on Wove paper by renown German/Italian artist Massimo Campigli, 1895-1971. It is hand signed and numbered 46/125 in p...

Medium: Lithograph and stencil on vélin paper Year: 1954 Paper Size: 13.5 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Femmes de Lau...

This exquisite lithograph after Marc Chagall (1887–1985), titled L’Oiseau de feu (The Firebird), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Pa...

This exquisite lithograph by Andre Derain (1880–1954), titled Paysage (Landscape), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publishe...

This exquisite lithograph by Henri Matisse (1869–1954), titled Lithographie VII (Lithograph VII), from the album Repli, Gravures de Henri Matisse (Repli, Engravings by Henri Matisse)...

This exquisite lithograph after Marc Chagall (1887–1985), titled Boris Godounov (Boris Godunov), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Pa...

This exquisite lithograph by Marc Chagall (1887–1985), titled Couple Devant L’arbre (Couple Before the Tree), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition published by Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York, and printed by Mourlot Freres, Paris, October 1960. This lyrical composition reflects Chagall’s enduring themes of love, nature, and spiritual harmony. Couple Devant L’arbre portrays two lovers standing tenderly before a radiant tree—a symbol of life, unity, and divine connection. Bathed in Chagall’s signature palette of luminous blues, greens, and reds, the figures appear suspended between dream and reality, evoking both earthly affection and cosmic transcendence. The work captures the artist’s unique ability to merge personal intimacy with universal emotion, transforming a simple moment of devotion into an emblem of timeless love and renewal. Executed as a lithograph on velin paper, this work measures 12.216 x 9.875 inches (31.03 x 25.08 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its close collaboration with Chagall and its technical perfection in fine art lithography. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Couple Devant L’arbre (Couple Before the Tree), from The Lithographs of Chagall, Volume I, 1960 Medium: Lithograph on velin paper Dimensions: 12.216 x 9.875 inches (31.03 x 25.08 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 292. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 43. Condition: Well preserved, consistent with age and medium Provenance: From the album The Lithographs of Chagall, Volume I, published by Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York, 1960 Notes: From the album, The Lithographs of Chagall, Volume I, 1960. Published by Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York; printed by Mourlot Freres, Paris, October 1960. Excerpted from the album, This album, which was designed and compiled by Fernand Mourlot and Andre Sauret, was finished in October 1960. The reproductions were printed on the presses of Draeger Freres, and the original lithographs on the presses of Mourlot Freres. The Imprimerie Nationale de France is responsible for the typography. There exists a special edition, in French, of this album composed of C examples on velin d'Arches numbered from I to C, and including two original lithographs, in a limited edition of C copies, numbered and signed by the artist, and a series, with margins, of the XII original lithographs contained in this album. About the Publication: The Lithographs of Chagall, Volume I, published in 1960 by Andre Sauret, Monte Carlo, and George Braziller, New York, marks the beginning of a monumental five-volume catalogue project chronicling Marc Chagall’s prolific achievements in lithography. Conceived and supervised by Fernand Mourlot—Chagall’s long-time printer and collaborator—the series celebrates the technical brilliance and emotional depth of Chagall’s printmaking. Volume I features twelve original lithographs alongside meticulously printed works that trace the evolution of Chagall’s imagery from the 1920s through the 1950s. The publication exemplifies the partnership between artist, printer, and publisher that defined mid-century fine art printing in France, uniting precision craftsmanship with poetic expression. Through its themes of love, faith, and nature, this volume encapsulates Chagall’s world—a visionary synthesis of the earthly and the divine. The Lithographs of Chagall series remains one of the most significant undertakings in modern printmaking, a testament to both Chagall’s imagination and Mourlot’s unmatched mastery of the lithographic process. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Couple...

R.B. Kitaj POGANY, 1966 17 colour Screenprint and Photo-screenprint 24 × 36 inches Pencil signed and numbered from the Limited Edition of 70 Hand-signed by artist, Signed & numbered ...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Kiss after Roy Lichtenstein Roy Lichtenstein was a prominent American pop artist known for his bold, comic strip-inspired paintings. Emerging in the 1960s, his work featured bright...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Poisson Bleu (The Blue Fish), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This enchanting composition exemplifies Chagall’s poetic imagination and his symbolic use of color to express emotion, spirituality, and dreamlike wonder. In Le Poisson Bleu, a radiant blue fish glides across a fantastical landscape, surrounded by floating figures and luminous forms that evoke the harmony between nature and the divine. The deep blue tones suggest both serenity and transcendence, capturing the mystical lyricism that defines Chagall’s vision. The work transforms the natural motif into a metaphor for freedom, renewal, and the boundless vitality of life. Executed as a lithograph on velin paper, this work measures 9.06 x 15.75 inches (23.01 x 40 cm), with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, celebrated for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Le Poisson Bleu (The Blue Fish), from Chagall, 1957 Medium: Lithograph on velin paper Dimensions: 9.06 x 15.75 inches (23.01 x 40 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1957 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 198. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34. Condition: Well preserved, consistent with age and medium Provenance: From the album Chagall, published by Maeght Editeur, Paris, 1957 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. About the Publication: The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, stands among the most celebrated achievements of mid-century art publishing. Each lithograph within the volume reflects Marc Chagall’s synthesis of visual poetry and spiritual resonance, revealing the painter’s unique ability to weave emotion and imagination into color. Through the technical excellence of the Mourlot atelier, Chagall’s luminous palette and ethereal forms were translated into lithography with remarkable fidelity. Conceived under the direction of Aime Maeght, the album highlights the enduring dialogue between artist, printer, and publisher—a creative partnership that elevated the printed image to a work of fine art and helped define the legacy of modernist bookmaking. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Le...

Salvador Dali (1904-1989) Purgatory 13 - The Second Terrace Color woodcut on paper Printed signature 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFE...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Cheval et le Cavalier (The Horse and the Rider), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, N...

Salvador Dali A logician devil (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10 in) References: -...

The Creation of Earthly and Sea Animals is an artwork realized by Salvador Dalí in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 an...

Marc Chagall (1887-1985) - Maternity and Centaur Original Lithograph from 1957. Dimensions of work: 23 x 20 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Marc Chagall "Samuel Called by God" from the series The Bible, which consists of 105 original etchings. Original hand colored etching 1958 Hand initialed "M.Ch" in pencil Numbered ...

The King and I - Original 1974 Lobby Card #3 Vintage The King and I Lobby Card: A widow accepts a job as a live-in governess to the King of Siam's children. Director: Walter Lang ...

Hand signed and numbered. Edition of 50 prints. From the book "Idea e Spazio" including 12 etchings by Marino Marini and poems by Egle Marini. Ref.: Toninelli n. 80. Image dimensio...

Libra from Signs of the Zodiac by Salvador Dali is from a series of 12 limited edition lithographs. This original hand signed lithograph is Libra, the seventh astrological sign ...

This exquisite lithograph after Maurice Utrillo (1883–1955), titled Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), originates from the 1956 edition published by Editions d'Art Manuel Bruker, Paris, and printed by Mourlot Freres, Paris, June 5, 1956. The work embodies Utrillo's mastery of atmospheric nuance, architectural harmony, and poetic stillness, distilling the emotional resonance and delicate tonal balance that define his vision of the French landscape. Executed as a lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper, this work measures 13.18 x 10.55 inches (33.5 x 26.8 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Eglise d Amiens (Church of Amiens), from the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo) Medium: Lithograph on papier velin Vidalon blanc, fabrique au Moulin de Vidalon, Canson paper Dimensions: 13.18 x 10.55 inches (33.5 x 26.8 cm) Inscription: Unsigned and unnumbered, as issued Date: June 5, 1956 Publisher: Editions d'Art Manuel Bruker, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Eloge de Maurice Utrillo (In Praise of Maurice Utrillo), published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Freres, Paris, June 5, 1956 Notes: Excerpted from the album (translated from French), This album was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnes for typography and by the Mourlot Freres for lithographs. It was shot on Vidalon blanc. Two hundred numbered examples from I to CC, including the first XX with a suite on velin paper of the Marais. It has been attached to each example a simulated fac of the Sonnet d'Utrillo: "Lyric art...

Jules CAVAILLES Carnival of Nice : Battle of Flowers Original lithograph Handsigned in pencil Limited / 50 copies On vellum 97 x 63 cm (c. 33 x 25 in) Excellent condition

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme V/VI (Woman V/VI), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition published and printed...

The Jewish Welfare Board. Original World 1 vintage poster, very good condition; archival linen-backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y. There is a tiny ch...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Marguerite, from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the 1945 issue published ...

La Monaca is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fo...

Original Lithograph by Jean Cocteau Title: Poets Signed in the plate Dimensions: 50 x 35 cm Jean Cocteau Writer, artist and film director Jean Cocteau was one of the most influenti...

Vintage chinese woodcut print depicting a theatrical mask. Realized in the mid-20th Century. Framed under glass.

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Lithograph on vélin paper. Paper size: 9.25 x 12.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 12.5 x 9.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Pablo PICASSO (1881-1973) Diurnes, Noisy, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE : ...

Don Quixote is an etching and drypoint print on ivory-colored China paper, realized by Wladyslaw Jahl in 1951. The artwork belongs to a limited edition of 125 specimens. Good condi...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur, 1948. Publ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Agar dans le desert (Hagar in the Desert), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Rev...