Le Fleuve Scamandre -- DRY STAMP ISSUE

1900

Robert Bonfils: 1886-1972. Well listed French artist with auction results for posters and prints over $8000. This fabulously busy etching measures 12 1/2 inches wide by 9 high. It is...

Jim Dine has expertly sketched the accomplished French poet and coffee trader Arthur Rimbaud. A vignette of dark brown surrounds his thin, fine features, which are defined with a flu...

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...

An original mixed media Photo Etching, Aquatint and Drypoint Printed on Arches Cover titled Leap Fail Leap, created by the artistic collaboration of Robert Flemming and Mizin Shin. ...

George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front Elegantly matted and f...

Philip Pearlstein Untitled Nude, from Atelier International Portfolio, 1985 Etching. on wove paper Hand signed, numbered 78/85, and dated on the lower front with printer's and publis...

Richard Haas Central Synagogue - Lexington Avenue Looking North, 1991 Etching and aquatint on wove paper Signed, dated and numbered 8/35 in graphite pencil on the front; bears the or...

Richard Haas Downtown Los Angeles MOCA (Museum of Contemporary Art), 1991 Etching and aquatint on paper with printers blind stamp SIgned, dated '91 and numbered 14/35 in graphite pen...

César Baldaccini Original Etching Dimensions: 56.5 x 40 cm Signed and Numbered Edition of 99 It is the only original etching ever made by César. César Baldaccini was born in Marseille in 1921. At the age of 12, he left the school to help his father, cooper. At 15 years old, he studied at the Art college of Marseille. He took evening drawing teachings, and then was interested in sculpture until 1939. In 1942, César received a scholarship and went to Paris. He studied ten years at the School of Beaux-Arts; he worked in the studios of Gaumont and Alfred Jeanniot and was named “Grand Massier” (teacher) of this school. At that time, he was living in the same house as Alberto Giacometti. In 1944, short of resources, he went to Marseille, then return to Paris, next year. With the 50s, he made discovered his work through his first exhibitions. One of its works (« The fish ») obtained a place in the Museum of Modern Art in Paris (1955). Henceforth, he exhibited ceaselessly, participating in numerous “Salons” in France and abroad. César received numerous prices there. He got personal exhibitions everywhere (Japan, the United States, Holland, France, Italy, etc.). Important retrospectives came, later. In 1970, he was named professor a foreman to the School of Beaux-Arts in Paris. During his all life, Caesar was stimulated by « the love of the profession » and by an extraordinary will to innovate. The humor of the man did not miss and was noticed through his work. Pablo Picasso was his major reference, also Alberto Giacometti, Germaine Richier, Pablo Gargallo and Julio Gonzales...