Pierre-Yves Trémois

Le Singe à l électronique, by Pierre-Yves Trémois

1976

Sexual tension and ambiguity in this dynamic etching of a man making advances on a sleeping woman. in the background a beast approaches another man. Signed, titled and numbered in pe...

Signed, titled and numbered in pencil from the edition of 30. Miguel Condé is a superb Mexican figurative painter, draftsman and etcher. He was Born in 1939 in Pittsburgh, Pennsylva...

Signed and titled by the artist from the edition of 40. A print from early in Houtin's career A fanciful unstructured poem, with plants, designs and words flowing through the image...

Signed, titled and numbered by artist. This is #1 of 50 from the edition, from the archives of Galerie Michèle Broutta in Paris. Hélène Csech is a Postwar & Contemporary artist who ...

The Monkey  is a Contemporary artwork realized in the 1972  by the italian artist  Leo Guida. Etching on paper. Mint conditions.  Artist proof. Hand-signed n pencil.

Monkey  is an Etching, realized by Sergio Barletta in 1970s. Hand-signed on the lower right. Numbered, Edition,40/50. In very good conditions. This wonderful lithograph represents a beautiful monkey, very rappresentative. The inscription " Caro fratello, il fatto sta in questo. io ho 1500 cm cubici di cervello, e tu solo 500; per questo noi ci estingueremo presto, (tu sopravviverai io no), e le formiche erediteranno la terra. Con i ragni, i lombrichi e le amebe palustri." Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, lay-outs, writings and illustrations for Avinews, bimonthly for tour operators and so on. During the eighties he starts a long co-operation with satirical weekly “Il Sale”, complemented by a book with Ottaviano edizioni in Milan and others publications in Turin and Rome, all of satirical drawings. In this period he collaborates with Linus, the most important Italian comics monthly, and Harakiri, a humour weekly published in France. Personal and group exhibitions of paintings, collages, drawings, photographs Galleria Marino  – Roma, 1965 Galleria Levi – Milano, 1966   Galleria Petronio – Bologna, 1967 Galleria d’arte moderna Villa Reale – Milano, 1967 Palazzo Costanzi – Trieste, 1967 Galleria del Naviglio – Milano, 1967 Galleria Marino – Roma, 1967 Galleria Libreria Renzo Cortina – Milano, 1968 Galleria Libreria Renzo Cortina – Milano, 1969 Society Art’s Club – Messina, 1970 Galleria Marino – Roma, 1970 Galleria Libreria Renzo Cortina – Milano, 1972 Galleria Marino – Roma, 1972 Galleria Il Diaframma – Milano, 1973 Galleria Libreria Renzo Cortina – Milano, 1974 Galleria Il Ventaglio – Firenze, 1975 Galleria Marino – Roma, 1975 Palazzo Gonfalonieri – Milano, 1976 Bedford House...

The Monkey  is a Contemporary artwork realized in the 1972  by the italian artist  Leo Guida. Etching on paper. Mint conditions.  Edition of 12/30 Hand-signed and numbered in pen...

The Monke is a print on cream-colored paper, realized by Latis (Emmanuel Peillet) in the 1970s. Phototype print. Good conditions