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Raoul Dufy, Portrait of Mademoiselle Kessler, Faces of Children, 1968 (after)1968
1968
$716
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£545.80
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€623.54
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CA$1,007.51
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A$1,103.54
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CHF 581.01
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NOK 7,404.50
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About the Item
This exquisite lithograph and pochoir after Raoul Dufy (1877–1953), titled Portrait de Mademoiselle Kessler (Portrait of Mademoiselle Kessler), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition reflects Dufys lyrical sensitivity to line, color, and rhythm, translating the elegance and immediacy of the original drawing into a refined modern print.
Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 14.96 x 11.024 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris.
Artwork Details:
Artist: After Raoul Dufy (1877–1953)
Title: Portrait de Mademoiselle Kessler (Portrait of Mademoiselle Kessler), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968
Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued
Dimensions: 18.5 x 14 inches overall; image size 14.96 x 11.024 inches
Inscription: Signed in the plate and unnumbered as issued
Date: 1968
Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris
Printer: Daniel Jacomet et Cie, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris
Notes:
Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade.
About the Publication:
Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the project inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draftsmanship to collectors, institutions, and scholars.
About the Artist:
Raoul Dufy (1877–1953) was a French painter, printmaker, designer, and illustrator celebrated for his radiant use of color, lyrical brushwork, and joyous depictions of modern life that made him one of the most beloved artists of the twentieth century. A central figure of Fauvism, Dufys exuberant compositions captured regattas, orchestras, seaside scenes, and urban pleasures in shimmering harmonies of light and movement, translating the rhythm of everyday life into visual music. Influenced by Henri Matisse and Paul Cezanne and shaped by the revolutionary ideas of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Dufy forged a style that balanced structure with spontaneity, joy with sophistication. Born in Le Havre, he studied at the Ecole des Beaux Arts in Paris and, after encountering the Fauves at the 1905 Salon dAutomne, embraced pure color as his primary language. His work extended far beyond painting into textiles, ceramics, illustration, and stage design, including collaborations with Paul Poiret and the monumental mural La Fee Electricite, created for the 1937 Paris International Exposition. Dufys philosophy centered on the logic of color and the musicality of line, producing works of enduring vitality and optimism. His influence is evident in later painters such as Nicolas de Stael, Richard Diebenkorn, and David Hockney. Today, his works are held in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, and the Tate Modern. His highest auction record was achieved by La Fee Electricite, which sold for approximately 6767200 USD at Christies London on June twenty five, two thousand seven, reaffirming his legacy as one of the most radiant and influential colorists of the modern era.
Raoul Dufy lithograph, Portrait de Mademoiselle Kessler, Visages d Enfants Jacomet, Daniel Jacomet pochoir, Dufy after drawing, Parisian printmaking twentieth century.
- Creation Year:1968
- Dimensions:Height: 18.5 in (46.99 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement Style:
- After:Raoul Dufy (1877-1953, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465217383872
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