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Rembrandt van RijnBeggar Seated on a Bank by Rembrandt Van Rijn1630
1630
$64,500
£49,314.14
€56,501.18
CA$90,977.70
A$99,051.52
CHF 52,890.36
MX$1,195,706.93
NOK 664,926.37
SEK 618,458.90
DKK 422,036.27
About the Item
Rembrandt van Rijn
1606-1669 Dutch
Beggar Seated on a Bank
Etching on paper
New Hollstein's first state of two
Signed and dated in plate "RHL 1630" (lower center)
This remarkable 1630 etching represents one of Rembrandt's most intriguing autobiographical works, where the young master transforms himself into a street beggar with extraordinary form. Created when Rembrandt was only twenty-four and still establishing his career, this compelling composition demonstrates both his technical mastery of etching and his fearless approach to self-examination.
The composition presents a figure in ragged clothing and scraggly beard, his hand extended in supplication, yet the features are unmistakably those of the young Rembrandt himself. The artist's contracted brow and open mouth mirror expressions found in his contemporary self-portraits, particularly the Self Portrait Open Mouthed, as if Shouting from the same year. The etching technique demonstrates Rembrandt's growing mastery of the medium, with delicate line work capturing both the texture of worn fabric and the psychological intensity of the subject's expression.
The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and was then enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman, known for his historical paintings. Rembrandt was an exceptionally gifted student and mastered his art in a mere six months. Now 22 years old, he returned to Leiden and was soon so highly regarded that he was able to take students of his own.
Now considered one of the greatest artists of all time, almost every major institution has examples of his etchings. Additional second-state etchings of this portrait reside in esteemed collections worldwide, including the National Gallery of Art, the Art Institute of Chicago, the Princeton Art Museum and more.
Created 1630
Provenance:
Ex collection Roltz, inscribed and dated in pen and ink verso 1693
Colnaghi, London
Arthur H. Harlow
Co., New York
Private collection, The Netherlands
Literature:
Bartsch 174
White/Boon 174
The New Hollstein Dutch 50
Holm Bevers/Peter Schatborn/Barbara Welzel, Rembrandt: the Master
his Workshop, Yale University Press, New Haven
London, 1991, fig. 3a, p. 174
Christopher White
Quentin Buvelot, Rembrandt by himself, National Gallery Publications Limited, London, 1999, no. 24, p. 129
Erik Hinterding/Ger Luijten/Martin Royalton-Kisch, Rembrandt the Printmaker, Fitzroy Dearborn Publishers, Chicago
London, 2000, no. 6, p. 93
Clifford S. Ackley, Rembrandt's Journey: Painter-Draftsman-Etcher, Museum of Fine Arts Boston, 2003, no. 25, p. 91
Gary Schwartz, The Rembrandt Book, Harry N. Abrams, New York, 2006, no. 483, p. 289
Erik Hinterding, Rembrandt Etchings from the Frits Lugt Collection, Thoth Publishers, Bussum, 2008, no. 141, vol. II p. 158
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1630
- Dimensions:Height: 20.25 in (51.44 cm)Width: 16.25 in (41.28 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:Seller: 32-14571stDibs: LU18617054962
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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