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s Pop offset lithograph Art Museum Berkeley Signed/N
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Richard LindnerRichard Lindner - rare 1960
s Pop offset lithograph Art Museum Berkeley Signed/N1969
1969
$1,000
£762.22
€879.14
CA$1,420.30
A$1,526.26
CHF 818.93
MX$17,978.42
NOK 10,297.10
SEK 9,406.34
DKK 6,570.33
About the Item
Color lithograph with offset lettering
Pencil signed and numbered 129/200 in pencil on the front
Unframed
This signed limited edition was published on the occasion of Richard Lindner's one person exhibition at Berkeley's University Art Museum from June 17 to July 27, 1969. It is from the signed and numbered edition of 200; there was, separately, an unsigned poster edition.
RICHARD LINDNER BIOGRAPHY
The life of the painter Richard Lindner, who was German by birth and American by adoption, is particularly relevant to his entire oeuvre. Born of a German Jewish father and an American mother, Lindner spent his youth in Nuremberg, Dürer’s city, and trained as an artist at the Kunstakademie in Munich. During his formative years he was particularly impressed by a visit to the collection of paintings by the mentally disturbed amassed by the psychiatrist and art historian Hans Prinzhorn at Heidelberg University.
During 1927 and 1928 Lindner lived in Berlin, where he witnessed the development of the Neue Sachlichkeit (New Objectivity), a movement that left an indelible mark on all his subsequent paintings. In 1929 he returned to Munich, where he married his classmate Elisabeth Schülein and began to work as artistic director for the important firm of publishers Knorr
Hirth. When Hitler came to power, Lindner, like so many other German Jews, abandoned his home country and went to live in Paris, where he continued to work as a graphic designer until 1939.
In 1941 Lindner emigrated to the United States and settled in New York, where he began to contribute illustrations to the magazines Fortune, Vogue and Harper’s Bazaar and soon became the most fashionable graphic designer. Despite being granted American nationality in 1948, Lindner never felt fully American, though he did consider himself a New Yorker. It was precisely in New York where he took up painting comparatively late in life, in 1952. The free and cosmopolitan lifestyle of the legendary American city awakened his artistic talent and the subjects of his paintings — gangsters, prostitutes or people from the theatre, circus or music hall — were inspired by the underworld around Times Square or taken from American mass culture. At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. He remarried in 1969; his second wife Denise Kopelman was a young French art student. Shortly afterwards the Lindners began to spend half the year in Paris. He started to earn recognition for his work in the 1970s.
-Courtesy Thyssen-Bornemisza National Museum, Madrid Spain
- Creator:Richard Lindner (1901-1978, American)
- Creation Year:1969
- Dimensions:Height: 30.5 in (77.47 cm)Width: 23 in (58.42 cm)
- Medium:
- Movement Style:
- Period:
- Condition:gentle handling around edges otherwise fine.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745217485612
Richard Lindner
Richard Lindner (1901 – 1978) was a German-American painter. Lindner's mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 Lindner moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained in Munich until 1933, when he was forced to flee to Paris. Once in Paris, Lindner became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when World War II broke out in 1939 and later served in the French Army. In 1941, Lindner moved to the United States and worked in New York City as an illustrator of books and magazines. There he made contact with New York artists and German emigrants such as Albert Einstein, Marlene Dietrich, and Saul Steinberg. In 1948, Lindner became an American citizen. Lindner taught at a number of institutions including the Pratt Institute, Brooklyn, Hochschule fur bildende Kunste in Hamburg and Yale University School of Art and Architecture. His paintings often used the sexual symbolism of advertising and investigated definitions of gender roles in the media.
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