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Shepard FaireyDecay Reset (Berlin, Cultural Disruption, Counterculture, ~26% OFF LIMITED TIME)2025
2025
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About the Item
Shepard Fairey
Decay Reset
Screen Print on 80# Cream Speckletone paper
Year: 2025
Size: 24 x 18 inches (60.96 x 45.72 cm)
Edition: 450
Signed, dated and numbered by hand
COA provided
*Edition number may vary from the image shown.
Nearly three decades after their first intersection, the worlds of Obey Giant and Lodown Magazine converge once again. In the mid-1990s, Shepard Fairey and Thomas Marecki—also known as “Marok”—crossed paths in San Diego at a moment when both were still shaping their creative identities. Lodown Magazine was in its early stages, and Fairey’s artistic trajectory was only beginning to take form. What united them was a shared urgency: to disrupt complacency, to fuse activism with culture, and to build independent platforms outside established systems.
Their respective backgrounds—ranging from Cold War-era West Berlin to 1990s Southern California—were informed by signals of freedom transmitted across borders, cultures, and subcultures. These influences fostered a restless drive to question authority and challenge dominant narratives through art, publishing, and self-initiated action.
Today, those signals appear fragmented. Fairey situates this work within a broader moment of cultural and political rupture, marked by eroded trust, institutional failure, and the collapse of assumed global stability. Rather than offering nostalgia, the artwork confronts the present: a period defined by decay, but also by the necessity of renewal.
The composition frames decay as a warning and reset as a collective challenge. For Fairey, meaningful change does not originate from entrenched power structures, but from the ground up—through art, unfiltered voices, and newly forged networks of resistance and connection. The work functions as both reflection and provocation, asserting that the moment for recalibration is not approaching—it has already arrived.
Decay and Reset, Obey Giant collaboration, Lodown Magazine project, cultural disruption art, political reset imagery, activist collaboration artwork, counterculture history, post-Cold War influence, resistance networks art, contemporary protest imagery, cultural critique print, Shepard Fairey collaboration, activism through art, independent publishing culture, social transformation art
Shepard Fairey, Obey Giant, contemporary political art, activist artist, social justice art, visual activism, graphic propaganda style, cultural commentary art, contemporary American artist, protest art imagery, political pop art, conceptual printmaking, activist graphic design, fine art prints, street art influence
- Creator:Shepard Fairey (1970, American)
- Creation Year:2025
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:1stDibs: LU608317452202
Shepard Fairey
Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art.
A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of prints, posters, stickers and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture and political power.
Find a collection of Shepard Fairey original art on 1stDibs.
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