Bride Figurative Prints

ALBRECHT DURER (1471-1528) THE VIRGIN AND CHILD SEATED BY A TREE 1513 (Bartsch 35; Meder 34 c-d, Hollstein 34) Engraving a generally good impression. Trimmed slightly into the i...

ARTIST: Salvador Dali TITLE: Gala, mon seul desir MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Jean Schneider, Basel EDITION NUMBER: EA MEASUREMENTS: 20.9" ...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and the intimate psychological nuances of the ballet studio. Executed as a lithograph and pochoir on velin paper, this work measures 13 x 17 inches (33.02 x 43.18 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur au bar (Dancer at the Barre), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 13 x 17 inches (33.02 x 43.18 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches (1945) is one of the earliest and most significant American postwar fine art portfolios devoted to Edgar Degas’s intimate works on paper. Published by The Studio Publications, Inc., New York, and rendered and printed by Albert Carman at City Island, the album sought to faithfully reproduce a group of Degas’s ballet-related drawings through a combination of lithography and hand-applied pochoir coloring. This hybrid technique allowed the edition to preserve the immediacy, tonal subtlety, and gestural delicacy central to Degas’s draftsmanship. Conceived as a fine art publication rather than a commercial book, the portfolio provided American audiences unprecedented access to Degas’s private, spontaneous studies—images that reveal the artist’s fascination with movement, anatomy, and the psychological atmosphere of the rehearsal studio. The album exemplifies the mid-20th-century revival of pochoir as a means of recreating the texture and coloristic nuance of original works on paper, and it remains an important document of how Degas’s legacy was translated into high-quality printed form for collectors, museums, and connoisseurs. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Degas pochoir, Degas lithograph...

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not ...

Artist: Marc Chagall Title: The Ballet Medium: Lithograph Year: 1969 Edition: Unnumbered Framed Size: 22" x 18 1/2" Sheet Size: 14" x 10" Signature: Unsigned Reference: Cramer 78, Mo...

Andreani, Andrea (Italian, about 1558–1610), after Andrea Mantegna (Italian, 1431-1506) Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and...

A delightful abstract lino print with India ink by the artist Christian Julia (1921-1991) depicting figures spinning yarn. Signed to the lower right. Well presented behind glass in a...

Pablo Picasso La Danse des Faunes, 1957 Lithograph on Arches paper Artist's stamped signature, lower right on recto Image: 41.2 x 53 cm Sheet: 48.2 x 63.5 cm Framed: 64 x 53.2 cm Edi...

Original Peter Max’s “Midget Dream #1” vintage psychedelic poster. In very fine condition, never displayed, and ready to frame. Grade...

This exquisite etching by Marc Chagall (1887–1985), titled Nozdriov (Nozdriov), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes originales de Marc Ch...

Etching on wove paper, realized in 1962/63. Image dimension: 31.6x41.7; Sheet dimension 45.4x55.4. Hand signed in pencil lower right. Edition of 2/50, hand numbered. Very good co...

Greek Sculpture is an artwork realized in 19th century. Lithograph on paper.

Original boxing print with the initials P.B. in the upper left corner. Printer Ed. Sagot Editeur, Paris. Professional acid-free archival linen backed and ready to frame. Excel...

Marc Chagall (1887-1985) - Le jardin de pomone (The Garden of Pomona) Lithograph from 1968. Numbered XX/XXV from the edition on Japon paper. The regular edition was 50 on Arches. ...

A group of 14 Blackfeet Indians prints created by the artist Winold Reiss. The Great Northern Railway printed and released these prints in c. 1940. This is for the entire group...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Reuben, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...

'The Portland Vase' Photogravure after Donald Macbeth (1865-1943). Donald Macbeth was a commercial photographer who seems to have held a quasi-official position at the British Muse...

Circle Jerks Keith Morris 70 Screen print on 80# Cream Speckletone Paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey and Keith Morris, da...

This is an original lithograph in colours by Marc Chagall. It is one of the 42 original lithographs that were included in Chagall's seminal work 'Daphnis and Chloe'. This work was pr...

Printed in 1959 in Paris, this lithograph reproduces a drawing taken from a 1955 sketchbook that Picasso made while staying at the Villa La Californie in Cannes.

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Chandelier (The Candelabrum), from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition pu...

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradis II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This luminous composition portrays the splendor of Paradise, filled with light, harmony, and divine presence. Through his poetic use of line and ethereal symbolism, Chagall evokes the spiritual unity between humanity and the divine, capturing the purity and joy of creation. Paradis II reflects the artist’s enduring belief in love and beauty as transcendent forces, transforming a biblical vision into a universal celebration of faith and imagination. The work forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradis II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradis...

Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated '1730' lower left. Titled in French, English, German, and Dutch. A superb...

Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...

​Tom Otterness's offset lithograph print, titled "9/11," serves as a poignant tribute to the tragic events of September 11, 2001. Hand-signed and dated by the artist, this piece feat...

Title: Statue of Liberty V Year: 1981 Medium: Offset lithograph in colors on gloss archival paper Size: 24.5 x 12.5 inches Inscription: Hand signed by Peter Max in ink and unnumbered...

The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...

Tempête à Nice is a photolithograph realized in 1993 after Henri Matisse. Signed on the plate On Milano handmade paper. Very good conditions.

IVER ROSE (1899-1972) BREAD LINE ca. 1935 Lithograph, signed, titled and no. 22/85 in pencil. Image 15” x 17 3/8. Large margins, sheet 18 x 22”. Generally good condition. Some slig...

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant le Tableau (Before the Painting), from the album The Lithographs of Chagall, Volume II, originates from the 1963 ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edition published by Editions des Quatre Chemins, Paris, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925. The work exemplifies Matisses mastery of pure line and the expressive economy of form that defined his graphic art of the 1920s, transforming simplicity into lyrical harmony. Executed as a lithograph on velin Lafuma Navarre paper, this work measures 8 x 10 inches (20.32 x 25.4 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of the Daniel Jacomet et Cie workshops, Paris. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse) Medium: Lithograph on velin Lafuma Navarre paper Dimensions: 8 x 10 inches (20.32 x 25.4 cm) Inscription: Unsigned and unnumbered, as issued Date: 1925 Publisher: Editions des Quatre Chemins, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 3. Condition: Well preserved, consistent with age and medium Provenance: From the album Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925 Notes: Excerpted from the album (translated from French), This album was printed in C examples on velin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on velin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal et Cie, in Paris; the boards having been executed by the Daniel Jacomet et Cie workshops in Paris. About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that captures the artist’s mastery of contour and proportion through a series of delicately rendered lithographs. Realized under the direction of the Daniel Jacomet et Cie workshops—renowned for their exceptional skill in fine art printmaking—the album showcases Matisse’s fascination with the purity of line and the human form. Issued in a limited printing of examples on both velin d’Arches and velin Lafuma papers, it reflects the refined aesthetics and technical excellence that characterized the interwar Parisian print ateliers. The publication represents a pivotal stage in Matisse’s evolution as a draughtsman, bridging the intimate immediacy of his drawings with the permanence of fine print. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Crayon...

Artist: Salvador Dali Title: Venus, Mars and Cupid Medium: Engraving with stencil color on Rives paper Year: 1971 Edition: 81/150 Sheet Size: 29 5/8" x 22" Image Size: 22 3/4" x 15" ...

Henry MOORE Figures and Shadows, 1951 Original lithograph (Printed in Desjobert Workshop) Printed signature in the plate On wove paper 31 x 24 cm (c. 12 x 10 in) REFERENCES : Henry...

After Pablo Picasso Le Peintre Et Son Modele, 1964 Original Lithograph on Arches paper unsigned 25.4 x 19.1 cm - sheet 35.6 x 29 cm - framed Edition of 2000 Limited edition lithogra...

Pablo Picasso (1881-1973) - La Grande Corrida Etching from 1934. The edition of 50 on Montval paper. Dimensions of work: 56.8 x 77 cm. Reference: Bloch 1330; Baer 433. The work ...

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

This exquisite lithograph after Henri Matisse (1869–1954), titled Fusain (Charcoal), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edi...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Ya es Hora. is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.Very g...

Black and white iithograph realized by Franco Marzilli. Hand signed in pencil. Edition of 100. Not numbered.

A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...

Ancient Roman Fresco / Naval Battle from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th Century. Signed on the plat...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, L'indicatif présent ou l'infirme del qu'il est, 1938. Published by Éditions Sou...

KATHE KOLLWITZ (1867-1945) GEFALLEN (Killed in Action) 1920 (Klipstein 153 (1st state, a of c of 2 states) Lithograph on laid paper. Image 16 ¼ x 15 ¼ inches, Large Full Sheet, 25 ½...

Le Peintre Flamand is an original contemporary artwork realized in 1969 by Antoni Clavé. A mixed colored lithograph on vélin d'Arches. Artist Proof...

Patas A Bandeau Noir is an etching realized in 1771 by Jacques Mesnil. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descr...

Original "The Navy Put 'Em Across": Vintage WWI Recruitment Poster by Henry Reuterdahl, 1918. Linen-backed. An extraordinarily scarce and historically rich piece of American propag...

Mulier e Latere Viri ("Woman from the Side of Man") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969...

Duchesse De Berry is an original print realized by Octave Tessaert (1800-1874), in the mid-19th century. Lithograph on paper. Good condition. 

Willibrord Haas (*1936 Schramberg), The completely naked prostration, 1999. Etching, 32.5 cm x 23.5 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in lead by...

'Sculptured Drum, Temple of Artemis, Ephesus' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above...

Artist: Damien Hirst (1965) Title: For the Love of God (with diamond dust) Year: 2009 Medium: Silkscreen, glazes, and diamond dust on wove paper Edition: 591/1000 Size: 12.75 x 9.5 i...

Satiricon is a colored lithograph, realized in 1970 by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with the Surrealist movement. Not signed nor numbered. In very good condition. From series "Satiricon de Petron". The artwork represents a portrait of a nude woman with her delicate beauty expressed perfectly through confident strokes by bright and harmonic colors. Leonor Fini (1907-1966) was an emblematic painter, illustrator, writer, scene painter and draftswoman; one of her favorite subjects was human bodies painted with hybrid shapes, as animals, plants or minerals. Her subjects are neither naked nor dressed, their body is crossed by nervous tissues, veins and blood vessels.

Eugène DELACROIX (1798-1863) Tasso in the Madhouse Engraving after a drawing Signed on the plate On vellum 38 x 50 cm INFORMATION: In 1839, Delacroix painted his famous painting "T...

The Arrival of the Angel is an old master artwork realized by Simone Cantarini in 17th Century. Black and white etching. Image dimensions: 21x17 Mo...

'Villagio indiano nell' Isola Quadra-Voncuver / Interno di Una capanna di Vakosei' (Indian Village on Quadra Island, Vancouver / Interior of a Vakosei hut) Italian lithograph, c184...

La lealtad - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 17 from of...