Modern Art Figurative Prints

Peter Max, German/American (1937 - ) - USA Film Festival, Dallas (Yellow/Orange), Year: 1973, Medium: Screenprint, signed and numbered in pencil, Edition: 134/300, Image Size: 27...

Peter Max, German/American (1937 - ) - Head, Year: 1969, Medium: Linen Backed Poster, Size: 25 x 36 in. (63.5 x 91.44 cm)

Peter Max, German/American (1937 - ) - In His Garden, Year: 1980, Medium: Lithograph, signed and dedicated in marker, Image Size: 18 x 23.5 inches, Size: 21.25 x 26.25 in. (53.9...

Peter Max, German/American (1937 - ) - American Woman, Year: 1980, Medium: Lithograph, signed and dedicated in pencil, Image Size: 15.5 x 23 inches, Size: 21 x 27.5 in. (53.34 ...

Peter Max, German/American (1937 - ) - Three Lords and a Runner, Year: 1973, Medium: Lithograph, signed and numbered in pencil, Edition: 224/300, Image Size: 15.25 x 22.25 inches...

Peter Max, German/American (1937 - ) - Angel (Yellow), Year: circa 1981, Medium: Etching with Chine Colle, signed and numbered in pencil, Edition: PP 1, Image Size: 7 x 10 inches...

Peter Max, German/American (1937 - ) - Zero Prism, Year: 2001, Medium: Seriolithograph on Wove Paper, signed and numbered in pencil, Edition: 121/500, Size: 28 x 22 in. (71.12 x ...

Peter Max, German/American (1937 - ) - Boat Flyer, Year: 1980, Medium: Lithograph, signed and dedicated in marker, Image Size: 18 x 23.5 inches, Size: 21.25 x 26.25 in. (53.98 ...

Peter Max, German/American (1937 - ) - Profile, Heart and Vase, Year: circa 1981, Medium: Etching with Chine Colle, signed and numbered in pencil, Edition: PP 1, Image Size: 7 x ...

Peter Max, German/American (1937 - ) - Tibetan Lady, Year: 1980, Medium: Lithograph with Hand-Coloring, Image Size: 16.5 x 25 inches, Size: 22 x 30 in. (55.88 x 76.2 cm)

Amleto Dalla Costa, Italian (1929 - ) - Maria, Year: 1978, Medium: Poster, signed and numbered in pencil, Edition: 100/325, Size: 18 x 13.25 in. (45.72 x 33.66 cm)

Ira Moskowitz, Polish/American (1912 - 2001) - Harp Player Beneath The Tree, Portfolio: Song of Songs, Year: 1972, Medium: Lithograph, signed and numbered in pencil, Edition: 100, ...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

Original poster: BALLY, a.k.a. Bally Kick and Bally Globe. Artist: Bernard Villemot. Ready to frame. Note that this is the small format version of the poster. Museum linen backed. A poster that is a combination of both art and advertisement. This is one of the last posters that Villemot created. Grade A Condition. The image shows a woman kicking up her heel, while her shadow is that of a man's leg and shoe. The globe in the background shows that Bally is a worldwide company. Add a touch of elegance and nostalgia to your space with this stunning original Bally vintage poster...

Etching Medium: Limited Edition Print. Paper: Velin Arches 300 g.

Publisher GKM. Unframed. Edition of 150 ex Paper: 300gr. Goya. Signed, dated and numbered. Corneille, one of the founders of the COBRA group, has passed away. He died in Paris on Su...

This exquisite lithograph by Georges Rouault (1871–1958), titled Pierrot Noir (Black Pierrot), from the album Georges Rouault, Divertissement, originates from the 1943 edition publis...

Lithograph in color on Arches paper, hand signed in pencil lower right. Edition of 42/50. Numbered in pencil lower left. Published by Société International d'Art XXème Siècle and p...

Campendonk, Heinrich. SITZENDER HARLEKIN. Engels/Sohn 59. Woodcut, 1922. 15 x 11 3/8 inches; 380 x 290 mm. Signed in pencil. In Excellent condition. Framed.

Walton Ford (b. 1960) is an American artist renowned for his artworks that vividly portray historic wildlife, flora, and fauna reminiscent of naturalist illustrations heightened with...

Unique hand embellished with acrylic & spray paint 17 color hand pulled screen print on mohawk superfine ultrawhite 160 lb cover paper. Hand signed lower right corner by Pose. Hand...

Arnaud D'HAUTERIVES The Dreamer Original lithograph Handsigned in pencil Numbered on /275 copies On vellum 56 x 76 cm (c. 22 x 29.9 in) Excellent condition

Poster/Print on Hardboard. Plate-signed by the artist. Measures 19 x 38.75 inches and is Unframed. Piece is in Fair Condition-signs of wear consistent with age and handling (i.e. cre...

Etching hand colored. Hand signed and numbered. Edition of 100. Excellent condition.

Warrington Colescott Music  Medicine and Sport- 1966 Print - etching  18'' x 17½'' inches Paper Size 30" x 22" inches Edition: signed in pencil, titled and numbered 2/30

Etching hand watercolored realized in 1980s. Hand signed in pencil. Artist proof. Very good condition.

"Clown Blanc a la Mandolin" is a signed, Limited Edition Lithograph from the artist YVES GANNE (French, b. 1931). It measures 26.75 x 21 inches and is unfra...

Luis Miguel Valdés (Cuban, 1949). ´Luneta' (Lunette), 2008 SilkscreeN Edition of 40 Overall Size: 55 x75 cm. (22.75 x 29.5 in.) Surface: Canson Paper 200 g. Hand-signed, COA (Certifi...

  “I paint portraits because I am obsessed with the beauty of close-up human faces. I have always spent hours watching faces from behind a camera with a good zoom, and I guess that i...

A monotype created with oil based etching inks and oil paint printed from a plexiglass matrix. Expressive, Figurative image with stark light and shadow.

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Judy Chicago (b. 1939) is a world-renowned American artist and preeminent figure of the Feminist Art movement of the 1970s. Throughout her career, Chicago has consistently challenge...

Lithograph hand retouched. Hand signed and numbered in pencil. Edition of 50. Very good condition, with some minor foxing.

This original etching and aquatint is hand signed by the artist in pencil "Moore" at the lower right margin. It is also numbered in pencil from the edition of 50, at the lower left m...

Théo Tobiasse Title: Jerusalem roule le long de ma gorge Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

Mid-Century original lithograph entitled " Chamonix " hand signed by Joan Gardy Artigas and numbered 12/75 on arches vellum rag paper from the 1966-70 edition. Presented in period 19...

Artist: LeRoy Neiman (American, 1921-2012) Title: Casino Year: 1972 Medium: Silkscreen, signed and marked A P ( Artist Proof)  in pencil Edition: AP Paper  Size: 31¾  x 26 inches LeRoy Neiman was a sports artist, a chronicler of contemporary lifestyles and a creator of the action-subject. He is credited with reviving figure painting during the years of the abstract movement when the figure, and realism in general, were abandoned. Neiman paints with a technique that often starts with his own Impressionistic style and continues with a process that looks very similar to the action paintings of the Abstract Expressionists. Accident and chance seem to play significant roles in determining the final appearance of his creations. This is seen in Neimans spontaneous application of paint and color. He paints quickly to grasp moments in time. His works are held in the collections of both the Baseball...

Lithograph realized in 1980s. Hand signed in pencil. Artist proof. Very good condition.

Original, limited edition color etching, new to market. Making contact with a textured green ground, a larger pair of feet supports a smaller pair that are perched atop of them. We s...

Braque is known to have spent years working on this project, the illustrations for Lettera Amorosa by René Char. This exquisite work from the book utilizes sweeps of color to create ...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage a L'estaque (Landscape at L'Estaque), from the folio Fauves, VII, Collection Pierre Levy, 1972, originates ...

Title: Abstract Flowers Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as is...

Ditone print on Hahnemühle Photo Rag 308 g/m2 Edition 83 of 100 60 x 43 cm (23.6 x 16.9 in) Signed and numbered on the front Mint. Sold with accompanying book Images of edition numb...

Acrylic paint on canvas, image of a nude angel unfurling her wings against a turbulent seascape. Torres is best known to most people for his monumental mural "Pope of Broadway", a p...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Char (The Chariot), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the...

Pierre Bonnard - The Sun Original Lithograph Dimensions: 32 x 24 cm Verve . Revue Artistique et Litteraire. Vol. V, Nos 17 et 18. Signed in the plate Unumbered as issued

The shepherds  is a contemporary artwork realized by Remo Brindisi in  the 1980s. Screenprint on paper. Hand signed on the right margin. Edition XLVII/L prints.  In very good condi...

Wifredo Lam - Knight - Original Lithograph Published in the deluxe art review, XXe Siecle 1963 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

40" x 16" Unframed Limited Edition Giclee on Canvas of 5 Hand Singed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the vie...

Artist: Walasse Ting Title: Lady with Vase  Year: 1981 Medium: Lithograph on Somerset paper    Size: 22'' x 30'' inches Edition: signed and numbered in pencil 196/200 Walasse Ting (...

Hand signed and numbered screen print in colors on paper. Edition of 300. Sheet size 33 x 39 inches. Image size approx 26 x 33 inches. Frame size approx 37 x 43 inches. Artwork ...

An original woodcut print by the listed Italian-Argentinian artist Victor Luciano Rebuffo (1903-1983). Entitled 'Fotografo De La Ribera' Photographer of the Ribera. Pencil signed, ti...

Original Lithograph by Jean Cocteau Title: He ! He! Toro 1961 Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de Diffusion Artistiq...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original lith...

Created as an original screenprint in 1974 by Milton Glaser, Art and Learning is hand-signed in pencil, titled and numbered, measuring 23 x 29 in. (58.4 x 73.7 cm), unframed, from th...

ARTIST: Salvador Dali TITLE: Pilgrim's Journey MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 301/400 MEASUREMENTS: 22.75" x 17" YEAR: 1978 FRAMED: No...

Jacques Camus The Yellow Castle, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfo...

Whimsical in nature, the exuberant application of color captures a quality of spontaneity and experimentation. Famous for the "Dupe of Being" in which he strives to combine the tragi...