Modern Art Figurative Prints

COOL BLUE is an original, handmade, limited edition lithograph by the woman artist Robin Morris printed using hand lithography techniques on archival Coventry paper, 100% acid free. ...

La Pique is a contemporary artwork realized after Pablo Picasso (1881-1973). Color linocut realized in smaller size after a linocut by Pablo Picasso of 1959. Passepartout included...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

Luis Miguel Valdes (Cuba, 1949) 'La Lengua Castellana (Blue)" (The Spanish Tongue/Language), 2015 woodcut, manual intervention on paper 47.3 x 84.7 in. (120 x 215 cm.) Edition of 10 ...

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

Lithograph realized in the early 1980s. Hand signed and numbered. Edition of 100. Hand signed and numbered.

Lithograph realized in 1970s. Hand signed. Not numbered, as issued. Very good condition,

Language of the Birds - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as ...

Homage to Pablo Picasso Title "Susanna and the Elders" - Lithographic colored print -

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Tanzpaar unter Bäumen by Otto Lange is a striking example of German Expressionism, defined by bold contrasts, rhythmic lines, and strong emotional intensity. The composition depicts ...

Lithograph on vélin d’Arches paper. Signed in pencil and unnumbered, as issued. Good condition. Notes: From the folio, Jacques Villon, Huit Lithographies Originales, 1962. Published ...

Camille HILAIRE Circus : The Musician Clown Original lithograph Handsigned in pencil On Vellum 74 x 53 cm (c. 30 x 21 in) Excellent condition

"Surgeon" is an original artwork by Alex Eckman-Lawn made of hand-cut paper and layered to create a dimensional illusion. This piece measures 11"h x 9"w x 1.25"d and is shipped in th...

Lithograph realized by Edouard Goerg (1893-1969) between 1940s and 1950s. Hand signed and numbered in pencil. Edition of 39/150. Very good condition.

The Minotaur - The Divine Comedy is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. ...

TECHNICAL INFORMATION: Jim Dine Watercolored By Jim Dine 2015 Watercolor and copperplate etching 42 x 56 1/2 in. Edition of 6; each piece is unique Pencil signed, dated and numbered...

Framed 23 x 27.57 in No. 945- in the Catalogue Raisonne of Chagall's lithographs From the publication Derrière le Miroir, issue no. 235, published by Éditions Maeght in Paris. The ...

Portrait of Garibaldi  is a screen print realized by the italian artist Giangiacomo Spadari in 1982. Hand-signed and dated on the lower right, numbered, edition of 137/150 prints on...

Stars with Low Sun, 2024 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musici...

Reduced to angular shapes, the female model in this Pablo Picasso print is portrayed in the Cubist style founded and propagated by the artist himself. Relying on invented perspective...

Paul KLEE (after) Analysis of Various Evils Lithograph and stencil (Jacomet process) Printed signature in the plate On canson vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : Thi...

Artist Proof annoted "EA" Handsigned by the artist in pencil

This exquisite lithograph by Jean Lurcat (1892–1966), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), origin...

Jacques Camus The Dove and the Snake, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" p...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

Limited edition of 90 prints, numbered and hand signed. Beginning of 1970s.

Title: Umbrella Man at Sea Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as...

Title: Without Borders Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as iss...

Artist: Peter Max (1937) Title: Quiet Lake Year: 2000 Edition: 306/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.375 x 8.5 inches Condition: Excellent Inscriptio...

ARTIST: Salvador Dali TITLE: Sports The Golfer MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: XII/CI MEASUREMENTS: 23.87" x 18.87 YEAR: 1973 FRAMED: N...

This artwork titled "Cabeza con Pajaros" 1958, is an original colors lithograph on Wove paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 273/30...

Artist: Peter Max (1937) Title: Tropical Flowers Year: 1978 Edition: A.P.;45, plus proofs Medium: Silkcreen on Arches paper Size: 22 x 27.25 inches Condition: Excellent Inscription: ...

PARIS RAGE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. PARIS RAGE depicts a colorful, fun portrait of three young women in Paris...

"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

The 3 Sirens (2012) by HUSH 24 colour Screen Print + 2 varnishes on 300gsm Somerset Velvet. Collage pattern emboss in image & crest 600mm x 600mm with 30mm border Limited Edition of ...

The print comes from edition limited to 10. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Uni...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a sitting woman. The composition is in blue and dark brown. Monotype on textured p...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a sitting woman. The composition is monochromatic in blue with black accents. Mono...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a sitting woman. The composition is in green and dark brown. Monotype on textured ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...

Filius Prodigus is a Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed...

Vox Clamantis is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

Veni, Domine Jesus is a Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sig...

Proelium Magnum in Caelo is a Color lithograph on heavy rag paper realized in 1964 by Salvador Dalì, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani betw...

Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and dated on plate o...

Et Cognoverunt Eum in Fractione Panis is a Color lithograph on heavy rag paper realized in 1964, It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between ...

The Dreaming Cowboy is an Original Linocut Print realized by Mino Maccari in 1951. Not signed, very good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engrave...

Screen print on paper realized by Franco Bocchi in 1980s. Hand signed and numbered in pencil. Edition of 200 prints. Excellent condition. Franco Bocchi was born in Cologne (BS) o...

This artwork titled "Amos" 1960 is an original woodcut on paper by noted American artist Leonard Baskin, 1922-2000. It is hand signed, titled and numbered 35/50in pencil by the artis...

Guitar Player is a Lithograph realized by Alfredo Romagnoli in 1970s. The artwork is in good condition on a white cardboard. Hand-signed by the artist on the lower right corner. Alfredo Romagnoli (January 5, 1915 in Genzano di Roma - March 21, 2008 in Rome) was an Italian painter. He studied first at the School of Sacred Art...

This exquisite lithograph by Marc Chagall (1887–1985), titled Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Saint-Germain des Pres reflects Chagall’s poetic vision of Paris, capturing the neighborhood’s spiritual and cultural essence through his unique blend of memory, color, and imagination. The work embodies Chagall’s ability to transform the familiar into the transcendent, merging architectural harmony with human emotion and dreamlike symbolism. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Saint-Germain des Pres (Saint-Germain of the Fields), from the folio Derriere le miroir, No. 67–68 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, 1995, illustration 24; Mourlot, Fernand, and Marc Chagall. Chagall Lithographe I: 1922–1957. Andre Sauret, 1960, illustration 100. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 67–68, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 Notes: On the occasion of the ‘Paris’ exhibition, Marc Chagall created for this triple issue of Derriere Le Miroir XII pages of Lithography. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Saint-Germain des Pres 1954, Chagall Saint-Germain of the Fields, Chagall Derriere le miroir No. 67–68, Chagall Mourlot lithograph, Chagall Maeght...

Alfredo Sosabravo (Cuba, 1930) 'Circo fantástico', 2001 silkscreen on paper 25.2 x 30.4 in. (64 x 77 cm.) Edition of 100 Unframed ID: SOS1289-002-100 ________________________________...

Untitled 1994 Serigraphic 7.5x 5.5 in COA by Belkis Ayon State

Etching with drypoint, 1912, on Arches wove paper, a fine impression printing with plate tone and much burr, hand signed and numbered. Eiditon of 50 prints (there were also ten  hors...

Artist: Dran Title: Géométrie (Children Painting on Walls) Size: 25.6 x 19.7 Inches Medium: Lithograph on Fine Art Paper Edition: of 50 Year: 2019 Notes: Lithograph signed & nu...

Etching and drypoint realized in 1968. Table from the Series "Les Amours de Cassandre", published by Argillet, Paris. Edition of 56/95 on japanese paper, hand colored. Hand signed...

Color lithograph on Arches paper, with watermark. From the suite "The Four Ages of Man". Edition of 217/300. Published by Galerie Spectra, Zurich. Hand signed and numbered in penci...

Color lithograph on paper. Unsigned and unnumered, as issued. Dry stamp of Il Torchio. Very good condition.