Women Figurative Prints

Etching on antique cream laid paper with a partial watermark (likely Arches), 12 1/8 x 6 1/8 inches (308 x 156 mm), full margins. Signed and dated in pencil in the lower right margin...

Works by Jon Corbino (1905-1964) feature drama. Here he's showing us the chaos produced by a major earthquake in rural Montana in 1936 -- an actual historical event. The horses (ear...

Peter Doig (British, b. 1959). Lapeyrouse Wall, 2004 Etching and aquatint printed in colors on wove paper Signed and dated in pencil by the artist Edition 30/30 Published by the arti...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Pablo PICASSO (1881-1973), The Little Old man with a Mask, 1954 Original lithography (Mourlot workshop) Unsigned Printed date in the plate On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 ...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

This exquisite lithograph after Andre Derain (1880–1954), titled Denise et Claire Levy (Denise and Claire Levy), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain betwe...

OUT CHORUS(RHYTHM SECTION) is a limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking paper, 100% acid free, in an editio...

Etching on cream wove paper, 4 1/2 x 7 inches (114 x 177 mm), wide margins, signed in pencil in the lower right. Laid down to non-archival board with the mat affixed, obscuring the verso and the sheet edges. The visible portion of the sheet is clean with minor toning around the mat window opening. The signature is unobscured and clear. Best known as the original illustrator of Enid Blyton...

Mucha, Alfons Maria 1860 - 1939 Lefevre-Utile - Sarah Bernhardt Lithograph 1903 Dimensions: 27.5 x 20 in. (70 x 51 cm) Framed: 28 x 35.5 Inches Printe...

FAMILY IN BLUE is an original hand drawn limited edition lithograph by the Trinidadian-American artist, Geoffrey Holder an actor, dancer, choreographer...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows an angel in red dress floating in the sky. The print is signed by the a...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; ...

Mid Century Nocturnal Horses with Riders Under Moonlight Lithograph Limited Edition Compelling nocturnal lithograph of two women on horseback by ...

Elisa and the Dragon is an Etching realized by Leo Guida in 1971s. Good condition, proof artist. Hand signed, titled and dated by the artist with pencil on the lower margin. Artis...

Jacqueline Kennedy I, from 11 Pop Artists I. Screenprint in silver, on wove paper. Artist's stamped signature on the reverse and numbered. From the edition of 200. Published by O...

Satirical view of two humpback whales viewing a plastic back floating by. Sances is well known for his murals and prints featuring whales, including an upcoming exhibition "Or the W...

Al Hirschfeld Sex and the City, 2002 Color lithograph on Arches cover paper with deckled edges Pencil signed and numbered 274/300 on the front 20 × 20 inches Unframed Classic color l...

ARTIST: Salvador Dali TITLE: Our Historical Heritage Joseph MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 175/400 MEASUREMENTS: 26" x 19.87" YEAR: 1975 ...

Artist: Henri Matisse (after) Title: Le Jarre II Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Framed Size: 20 1/2" x 15 1/4" Sheet Size: 14"...

In 1988, the Musée Picasso-Château Grimaldi in Antibes hosted a retrospective exhibition of André Brasilier's work, showcasing his artistic journey and contributions. Brasilier, born...

This exquisite lithograph by Henri Matisse (1869–1954), titled Femme au Chapeau (Woman with a Hat), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates from the ...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "FEMME AU TUB" (Woman with Tub) From the series, “Elles”, c. 1896 Wittrock 159, Adhemar 204 From the edition of 100; per Wittrock Original color crayon brush and splatter lithograph, five colors, printed on wove paper Printed without margins to deckled edge of paper Bearing Artist’s Monogram Stamp...

b. 1911, Beverly, MA Will Barnet is an American artist, known for his paintings, watercolors, drawings, and prints, depicting human figures and animals, both in casual scenes of daily life and in transcendent, dreamlike worlds. He was a key figure in New York’s Indian Space...

Artist - Salvador Dali (Spanish, 1904-1989) Title - PRINCE OF CUPS, Tarot Card Series Publisher - DALART N.V. Year published - 1979 Medium - Lithograph on Arches Cover 270 gsm. 100% acid free, signed in pencil, inscribed 2/5 PP (Printers Proof) by Salvador Dali on lower print margin, publishers mark "DALART N.V. Copyright 1979" blindstamp embossed on lower left print margin. Fine impression, vivid colors, unframed, in very good condition. Print documentation provided.. Listed in the Albert Field's OFFICIAL CATALOGUE OF THE GRAPHIC WORKS OF SALVADOR DALI, Reference #79-15. PRINCE OF CUPS from the Tarot Series 1979, is a surrealist style limited edition lithograph by Salvador Dalí (1904 – 1989) Printed on archival Arches paper, 100% acid free. PRINCE OF CUPS depicts a freely drawn, black line portrait of a young Prince wearing his golden yellow crown, sporting a white ruffle collared shirt, looking slightly sideways posed behind a golden chalice...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows a woman sitting on chair with her feet on a Moon. There is parisian arc...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches. Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City. Impressions of this work are in the permanent collections of the Amon Carter Museum of Art, Illinois State Museum, and the New York Public Library. ABOUT THE IMAGE Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...

A rare and beautiful 18th century bible illustration by a female artist. Engraving on cream laid paper with a "V" shaped watermark, 8 x 4 5/8 inch...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on laid paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbered in ...

Original Swiss Kaffee Rahm Pilatus ; Swiss coffee cream poster. Linen backed. The coffee-colored woman poises with a coffee cup on her head, pouring s...

This artwork "Little Chinese Girl" 1982 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 24.5 x 22 inches, sheet size is 28 x 24.5 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Vintage jockstrap ad poster, 1975. Offset lithograph on paper measures 18.5 x 12.75 inches. Copyright Winifred Bonney. Original offset period print on perio...

Ellen Tiberino (1937-1992). Head of Woman, ca. 1980. edition 450. Offset print on paper, image measuring 15.5 x 21 inches. 21.5 x 27 inches in matting. Hand signed and numbered i...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Les Baigneuses (The Bathers), from the album Les Lithographies de Renoir (The Lithographs of Renoir), origin...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Howard Kanovitz American, 1929–2009 1980 East End Trilogy Lithograph Paper Size 32½ × 24 in (82.6 × 61 cm) Marked pp Printers Proof Howard Kanovitz was a pioneering painter in the P...

Lithograph on vélin paper. Paper size: 9.25 x 12.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

A rare, signed image from a lesser-known female impressionist printmaker. c. 1900. Etching with drypoint on cream laid paper with a partial watermark, 11 x 5 1/4 inches (280 x 133 m...

Jean Jansem (1920-2013) Ballerine sur fond vert, 1995 Lithographie sur papier Arches, justifiée et numérotée 48/100 Signée en bas à droite 22 x 17 cm / 32 x 26 cm Bibliographie: ...

Elizabeth Taylor Exhibition Vintage Art Poster Andy Warhol, a leading figure in the Pop Art movement, revolutionized the art world with his iconic works that celebrated consumer cu...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

19th century European Group of 13 hand-colored English and Continental fashion plates and costume designs. Each an etching with hand coloring in watercolor. Various sizes and condit...

Original United Air Lines Hawaii vintage travel poster. Archival linen backed in excellent condition, ready to frame. The images shown are of the ...

This exquisite lithograph by Georges Rouault (1871–1958), titled Arlequin (Harlequin), from the album Georges Rouault, Divertissement, originates from the 1943 edition published by E...

Artist: Chagall, Marc Title: The Angel Date: 1960 Medium: Lithograph Unframed Dimensions: 12.5" x 9.5" Signature: Unsigned Edition: Book Edition Literature: Mourlot 288 Publi...

Louis Icart, French (1888 - 1950) - Madame Bovary, Year: 1929, Medium: Color Etching, Signed in Pencil, Image Size: 16 x 20.5 inches, Frame Size: 40 x 43 inches, Reference: Figu...

Pencil signed black and white lithograph original limited edition pencil signed , Guilde De La Gravure. Mid 20th Century, part of my private collection. Very Good condition.

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 13 x 17 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Degas, Ten Ballet Sketches,...

ARTIST: Salvador Dali TITLE: Divine Comedy Purgatory Canto 28 MEDIUM: Woodblock SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 133/150 MEASUREMENTS: Paper: 13" x 10.5" Fra...

An original 1930 Art Deco lithograph poster by French artist Maurice Dufrene. Rayon des Soieries Maurice Dufrene, (1876–1955) Date: 1930 Lithograph Size: 46 x 30 in. (116.84 x 76.2 c...

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Alphonse Mucha OriginalJOB Lithograph Paris, France 1898 Condition: (B+) condition. Linen Backed with beautiful frame under plexiglass ready to hang. No Issues. Poster: 60.85 x 4...

ARTIST: Salvador Dali TITLE: Poems Secrets Frontispiece MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 75/145 MEASUREMENTS: 15.15"...

Vintage Poster Inter-Art-Galery Exhibition is a vintage poster realized in 1987, for the exhibition held at Inter Gallery. Vintage offset and lithograph poster. Good conditions. Marc Chagall (Lëzna, 1887 – Saint-Paul-de-Vence, 1985). Chagall was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Ten of Staves from Lyle Stuart Tarot Print Suite [Intended for a James Bond Movie] Year: 1978 Medium: ...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

EVENING THOUGHTS is an original limited edition lithograph by the Harlem Renaissance, social realist African-American artist ERNEST CRICHLOW (1914-2005). Printed in 2002 at JK Fine A...