Women Figurative Prints

Giancarlo Impiglia, Italian/American (1940 - ) - At the Bar, Year: 1987, Medium: Screenprint, signed, numbered and titled in pencil, Edition: 45/300, Size: 30.25 x 28 in. (76.84 ...

"Guys and Dolls" Broadway Musical Tony Awards Signed Nathan Lane & Faith Prince Al Hirschfeld (1903-2003) "Guys and Dolls" Lithograph on heavy pape...

SHARING THE CHORES is a hand drawn, limited edition lithograph by the acclaimed Charleston SC artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper...

Jean Pichore workshop, 1500-1541 Crucifixion Metal cut engraving printed on vellum with vintage hand coloring c. 1500-1541 Miniature (image) size: 4 3/4 x 3 1/8" Including decorated ...

We are all crying out for peace, But none is crying out for justice. Not just all about peace, But equal rights and justice. It’s a must-have. Slavery then, advanced colonization no...

This artwork titled "Mirror Pass" 1977 is an original color screenprint by noted Native American artist Earl Biss, 1947-1998. It is hand signed, dated and numbered 37/100 in pencil by the artist. The artwork (image) size is 29 x 21 inches, framed size is 38.5 x 30 inches. Custom framed in a wooden silver and blue frame, with fabric matting. It is in excellent condition. About the artist: Born in Washington state, Earl Biss became a well-known Native American artist. He was raised by his grandmother on the Crow reservation in Montana and earned a scholarship to the Institute of American Indian Art in Santa Fe where he studied jewelry design. He attended the San Francisco Art Institute and then traveled widely in Europe where he was heavily influenced by the impressionist style of Monet and other European artists. His paintings have a dream-like, abstract quality with Indian figures merging with the landscape. He worked on numerous paintings, sometimes as many as twenty, simultaneously. On October 18, 1998, he died from a stroke while in his studio painting. • 1965 - 1966 Studied at the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico. Was a member of the inaugural class. The IAIA was founded in 1962. • Studied under Fritz Scholder, Charles Loloma, Alan Houser...

This vibrant Art Deco poster, created to promote the operetta La Veuve Joyeuse (The Merry Widow), is a striking example of 1930s graphic design and French theatrical advertising, cre...

En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...

Wistful Love (Mono-omoi koi) is a beautiful colored print realized after Kitagawa Utamaro, printed in 1956 by Edizioni Beatrice d'Este, a publishing house in Milan. Screen print on ...

Alphonse MUCHA (1860-1939) "Flowers" Variante 2 Rare original lithograph Each flower, carnation, iris, lily and rose, is signed at the lower part of the plate "Mucha". This lithogra...

Together with "Bouteilles" one of the largest and most sought after lithographs by Le Corbusier, printed by Mourlot on Arches after a collage by LC....

Paul Kostabi Invention Giclée print on handmade paper Year: 2013 Size: 24.02x17.32in Signed by hand Edition: 30 COA provided Ref.: 924802-1188 Paul Indrek Kostabi (also known as Ena; born October 1, 1962 in Whittier, California) is an American artist, musician, music producer and audio engineer. He is the brother of artist Mark Kostabi. Kostabi was a founding member of the bands Youth Gone Mad, White Zombie, and Psychotica. Kostabi currently performs with Tony Esposito in the group Kostabeats and with Walter Schreifels band Dead Heavens. Kostabi became part of the CBGB Festival in 2014 exhibiting paintings alongside photographers Bob Gruen, Michael Lavine...

'Maenad in Frenzy' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the im...

Construction d’un temple – Plate n. 3  is a b/w original etching realized in 1973 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction d’un temple en ruine à la déesse Vanadé ”, this wonderful original print   came into being from the collaboration of four years between the French author and a member of the Nouveau-Roman , Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). At first, Robbe-Grillet wrote a text, to which Delvaux then replied with a wonderful engraving; Robbe-Grillet then responded with a second text. This is how the building blocks of this beautiful book came together: it was constructed like a temple.  The book was printed in an edition of 187 copies, of which  only 40 contain the illustrations by Paul Delvaux .  Our copy is unnumbered and printed on  “Arches”  ivory colored paper with the  Bateau Lavoir watermark  (on the lower right corner), and  “Richard Bas ” watermark (on the lower left margin). This beautiful artwork, representing an enigmatic composition with seven women realized like ancient Greek marble...

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant le Tableau (Before the Painting), from the album The Lithographs of Chagall, Volume II, originates from the 1963 ...

This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also numbered 19 in pencil from the edition of 75, at the l...

Edition of 100 prinst on verge crème, numbered and signed by the artist in pencil. Hand signed. Full margins. Belonging to the suite “L’Album des peintres-graveurs”. Ref. Cat. Cai...

This lithograph from the portfolio "Egon Schiele" is a reproduction of "Melanie Schiele", an original artwork realized by Egon Schiele in 1906. The portfolio, that includes 10 lithog...

'Melancholic Muses II', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection of...

RENOIR, PIERRE AUGUSTE (1841 -1919) "La Danse à la Campagne", 2nd plate (The Country Dance (second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State on smooth wove paper With the stamped signature, as issued Image Size: 8 5/8” x 5 1/3” Fine strong and tonal impression with full margins The most famous etching...

'Boeuf Ecorche' is an original color lithograph, signed by Claude Weisbuch – and it is a quintessential example of the contemporary artist's interest in the old masters. In the image...

Julian Schnabel NEMO LIBRIZZI 1998 25-color silkscreen with poured resin 38 x 36 inches (97 x 91 cm) Signed and numbered edition of 90 Suite of 3 Also available Born in Brooklyn,...

Marie LAURENCIN Two Girls with a Dog (1928) Stone Lithograph Printed in Atelier Mourlot Printed signature in the plate On China paper 42 x 31 cm (c. 17 x 12") Excellent condition

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Belongs to the series "The Bible". Edition of 275+30 out of commerce copies. N...

Fernand Léger (1881-1955) Femme sur fond jaune (Woman Against Yellow Background), 1952 Created in 1952, this original color lithograph is hand signed in ink by Fernand Léger (1881 - 1955) in the lower right margin. Printed by Fernand Mourlot, Paris out of the total edition of 150 unnumbered proofs on Arches wove paper. We at Bloomsbury Fine Art & Antiques can...

Bernadette Peters Signed "Annie Get Your Gun" Tony Award Broadway Musical Al Hirschfeld (1999) Annie Get Your Gun Lithograph on heavy paper Sight: 21 1/2 x 16 inches Numbered V/L [?...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Pas de Deux I (David Salle and Janet Leonard) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 110/150. From the edition of 17...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Tour Eiffel Verte (The Green Eiffel Tower), from the album Chagall, originates from the 1957 edition published by Mae...

This artwork titled "Dolores" c.1940 is an original soft ground etching and aquatint by noted German/American artist Emil Ganso, 1895-1941. It is hand signed and numbered 6/100 in pe...

Title: 9-11, Peace on Earth, 2001 Year: 2001 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 18 inches Inscription: Hand signed by Peter Max in ink and unnumbe...

A scarce impression by Dehn, the spirit of sedultive culture personified. Lithograph on white wove paper with deckle edges, 13 1/2 x 17 1/8 inches (343 x 435 mm), full margins. Sign...

Artist: Itzchak Tarkay (1935-2012) Title: Gossip Year: Circa 2000 Medium: Silkscreen on wove paper Size: 13.5 x 11.5 inches Edition: 493/750, plus 100 Remarques Condition: Excellent ...

PARIS OPERA ORIGINAL VINTAGE FRENCH TRAVEL POSTER AFTER MARC CHAGALL Marc Chagall (1887-1985) was a pioneering Russian-French artist, ...

Original poster, Marine Nationale. Engagements, devancements d'appel. Service des engagements de la Marine: 3, avenue Octave Greard, Paris VII “Bureau d'engagement, LYON, Caserne de la Part-Dieu". Archival linen backed in Grade A condition, ready to frame. Images shown are...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise I (Moses I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Littera...

Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...

Marc Chagall (1887-1985) The Circus : The Artist and his Double, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog rais...

Rare lithograph by surrealist artist Leonor Fini. This signed print is in perfect condition and from a very searched series untitled Satyricon and dealing with Antique Rome and its f...

Figures is a Linocut Print realized by mino Maccari in 1951. Not signed, very good condition. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journalist, winn...

Zena Kavin, 'The Visitor', lithograph, c. 1935, edition 20. Signed, titled, and numbered '9/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (7/...

This exquisite lithograph after Edgar Degas (1834–1917), titled Croquis de danseurs (Sketch of Dancers), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and the intimate psychological nuances of the ballet studio. Executed as a lithograph and pochoir on velin paper, this work measures 13 x 17 inches (33.02 x 43.18 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Croquis de danseurs (Sketch of Dancers), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 13 x 17 inches (33.02 x 43.18 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches (1945) is one of the earliest and most significant American postwar fine art portfolios devoted to Edgar Degas’s intimate works on paper. Published by The Studio Publications, Inc., New York, and rendered and printed by Albert Carman at City Island, the album sought to faithfully reproduce a group of Degas’s ballet-related drawings through a combination of lithography and hand-applied pochoir coloring. This hybrid technique allowed the edition to preserve the immediacy, tonal subtlety, and gestural delicacy central to Degas’s draftsmanship. Conceived as a fine art publication rather than a commercial book, the portfolio provided American audiences unprecedented access to Degas’s private, spontaneous studies—images that reveal the artist’s fascination with movement, anatomy, and the psychological atmosphere of the rehearsal studio. The album exemplifies the mid-20th-century revival of pochoir as a means of recreating the texture and coloristic nuance of original works on paper, and it remains an important document of how Degas’s legacy was translated into high-quality printed form for collectors, museums, and connoisseurs. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Degas pochoir, Degas lithograph...

Nicolás Lara (Cuba, 1943) 'Nikoleto Von Lara' silkscreen on paper 27.2 x 19.3 in. (69 x 49 cm.) Edition of 100 ID: LAR1276-001-100 Unframed Hand-signed by author Excellent condition

Hush (Chiton) is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  ...

Dos Cabezas Rufino Tamayo, Mexican (1899–1991) Date: 1975 Aquatint Etching, signed and numbered in pencil Edition of 18/75 Size: 22 x 30 in. (55.88 x 76.2 cm) Printer: Ediciones Poli...

Pablo Picasso Le Vieux Roi (The Old King) Seigneur et deux filles, 1959 Original Lithograph on Arches light paper with Mourlot watermark, signed in the stone with a red signature. p...

THÉO TOBIASSE – "CANTATE 51 DE BACH POUR LES JOURS DE LUMIÈRE" ⚜ Lithograph on paper ⚜ Hand signed and numbered ⚜ Conservation framed SYMPHONIC FIGURATION FROM TOBIASSE’S FEMME SERI...

Rare and beautiful lithograph by Edouard Manet . "La Barricade " illustrates a group of soldiers executing a band of rebels on a street corner. This artwork deals with a subject in...

Twenty hand-signed, numbered, and titled images based on the selected work of Maupsassant. Portfolio containing 20 lithographs based on selected tales by de Maupassant, printed on h...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...

Bernard BUFFET New York : Statue of Liberty, 1986 Original lithograph Handsigned in pencil Justified EA (artist proof) On Arches vellum 76 x 58 cm (c. 30 x 22 inch) REFRENCES : Catalogue raisonne Bernard Buffet lithograph...

This beautiful color woodblock print by Paul Jacoulet was printed in 1940. This limited-edition work is numbered on the verso: 102 from the edit...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Pierre aux trois croquis (Pierre with Three Sketches), from the album Les Lithographies de Renoir (The Litho...

Beautiful WPA era NYC street scene by American artist, Albert Sway (b.1913). Jiggers on Broadway, ca. 1935. Lithograph on paper, image measures 9 x 13 inches. Full sheet measuring 11...

Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...

Artist: Philippe Noyer (1917-1985) Title: Femme a L'Eventail Year: circa 1969 Medium: Lithograph on Arches paper Edition: 25/50 E.A., 375, plus proofs Size: 29 x 41.75 inches Conditi...

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

Medium: original etching. Printed in 1965 and published by The Collectors Guild. Plate size: 9 x 3 1/2 inches (225 x 90 mm). Sheet size 11 1/4 x 6 1/4 inches (285 x 157 mm). Not sign...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Medium: Limited Edition Etching Style: Cubism Painting Size: 8.75 x 7.75 inches Frame Size: 11.75 x 8.25 inches Condition: This artwork is in great condition for its age. Signature...