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THOMAS BARTEK, WINTER STILL LIFE SERIGRAPH, 1973

1973

Original poster designed by Pierre Mendell (1929 – 2008) & Klaus Oberer (*1937) promoting an exhibition 1988 at Die Neue Sammlung in Munich on "Italian ...

Alexander Calder Plate 5 (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Plate 5 Portfolio: Derriere le M...

Alexander Calder Card Players (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Card Players Portfolio: Derriere le Miroir #212 Year: 1...

"Napoli" Serigraph 29" x 45.5" Edition 46/150 by Thomas Pradzynski Serigraph on paper Provenance: Private collection Comes in a frame (as shown on ...

A bright and vibrant still life by pop artist Hunt Slonem. The silkscreen print is hand-signed and numbered in pencil, nicely framed. Spell III by Hunt Slonem, American (1951) Date:...

Lemons is a screen print realized by Leo Guida in 1972s. Good condition, no signature, titled with pencil. Artist sensitive to current issues, artistic movements and historical tec...

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and fle...

From 8 Plants x 6 = 48 series. Unique color inkjet print variants on Hewlett Packard Satin-Gloss photo paper. Each is hand signed and dated by the artist. Sheet size 11 x 8.5 inches...

Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...