Medium Interior Prints

Robert Longo, Untitled (Eric, from Men in the Cities), 2025 11 colour silkscreen on 410gsm Somerset Tub Sized Satin Radiant White paper with matte varnish seal Hand-signed and num...

Artist: Andre Minaux, French (1923 - 1986) Title: Goldfish Year: circa 1979 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 120 Image Size: 21 x 26 inches ...

Banksy, Banksquiat (Grey), 2019 Screenprint on grey card, hand-signed in white crayon 70 x 75 cm (27.6 x 29.5 in) Edition 52 of 300 Mint condition, accompanied with a COA from Pes...

ROMARE BEARDEN 1970-1980 The Brooklyn Museum, September 26-November 29, 1981 Vintage 1981 Exhibition Poster "Jamming At The Savoy" (image from original 14" x 18" collage on board by ...

This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...

This artwork "Mujere" c.1960 is an original color silkscreen by noted Argentinian artist Raul Soldi, 1905-1994. It is hand signed and numbered 12/15 P.A in pencil by the artist. The image size is 22.75 x 17 inches, sheet size is 26.65 x 21.5 inches. It is in very good condition, colors are fresh and bright. About the artist: Raúl Soldi was born in Buenos Aire in 1905. He was an argentine plastic artist of recognized international experience. In 1920 he began drawing and painting. He makes reproductions of Quinquela Martín...

Salvador Dali (1904-1989) - Lady Godiva Lithograph from 1970. Edition of 187/256. Dimensions of work: 68 x 50 cm Publisher: Simeon Wajntraub. On B.F.K Rives paper as stated in t...

FALLING STAR is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, by the renowned African American artist Romare Bearden. FALLING STAR presents a visual memory from Bearden's childhood in Mecklenburg County North Carolina expressed as a modern collage portrait depicting a black woman set in a nostalgic Southern domestic interior. FALLING STAR's main focus is a black woman standing on the right drinking from a blue and white teacup...

QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by th...

LADY IN GREEN is an original hand drawn lithograph by the American artist and Pop Art icon, Peter Max printed using traditional hand lithography techniques on archival Somerset paper, 100% acid free. LADY IN GREEN is a vibrant multicolor portrait of an elegant seated woman wearing a green print dress; her elaborate blue and pink hat appears to be releasing free form blue dots and floating yellow black lines. LADY IN GREEN's white serene face contrasts against the black and white stripe chair...

This artwork titled "Thanksgiving" 1995 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 587/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 17.75 x 21 inches, sheet size is 23.75 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

Bell Tower In Stockholm, 2013 Giclée print in colours on 350gsm Hahnemühle Museum Etching paper. signed and numbered in pencil Edition of 295 printed by GTZ Fine Art Editions, New York, published by Washington Green...

Bonanza Café, iconic photograph from Richard Heeps Dream in Colour series, it was the cover artwork on his book Man's Ruin. The photo takes you back to small town Americana with the ...

MAX THE SAX by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. MAX THE SA...

Artist: Alice Neel (1900-1984) Title: The Family Year: 1982 Medium: Lithograph on Arches paper Edition: 57/175, plus proofs Size: 31.25 x 27 inches Condition: Excellent Inscription: ...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Ter-Ur Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: From the edition of 250 Image Size: 24.5...

THE LAMP is a hand drawn limited edition color lithograph by the renowned American master artist Romare Bearden, proofed and printed using hand lithography in 19 colors plus silver f...

FIRST SUNDAY is a hand drawn, early limited edition lithograph by the South Carolina artist JONATHAN GREEN printed in 1993, using hand lithograph...

Edgar DEGAS (1834-1917) (after) The Dance Center at the Paris Opera Lithograph after a painting by the artist Signed in the plate On vellum, 56 x 76 cm (c. 22 x 29.9 in) Very good ...

Artist: Artist: Dan May (American, 1955-) Title: "Living Room" *Signed and numbered by May in pencil lower left Year: 1981 Medium: Original Screenprint on unbranded white wove paper ...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

"The Doorway of Baalbec" is a 19th century full folio sized duotone lithograph, representing plate 81 in the Egypt and Nubia volumes of David Roberts’ large folio edition, published ...

MECKLENBURG AUTUMN is an original limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking...

Flowers on Window Sill by Guy Charon, French (1927) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 250, EA Image Size: 25.5 x 19.5 i...

THE DANCE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. THE DANCE is a modern and sleek Art Deco style portrait portraying a couple dancing close together. The male figure dressed in a deep blue suit, red bow tie and slick black hairstyle leads his dance partner - a woman with wavy long blonde hair wearing a form fitting red dress, their forms contrasting against the cool gray blue interior wall and black and white checkerboard floor...

JUMPIN & JIVIN' is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the American artist James Denmark printed on archival Somerset pap...

Salvador Dali (1904-1989) - Le cheval de triomphe Lithograph from 1970. Edition of 187/254. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. ...

BIG OLIVES, LITTLE OLIVES is a hand drawn, pencil signed limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook(1926-2008). Printed in 1986 using hand lithography techniques on archival Arches paper, 100% acid free. BIG OLIVES, LITTLE OLIVES presents a humorous piano bar scene depicting a lively group of night club patrons enjoying their cocktails as they enthusiastically sing along with the debonair piano player giving the viewer a true feeling of merriment in this quintessential Beryl Cook image. BIG OLIVES, LITTLE OLIVES is a warm, colorful interior scene printed in shades of golden brown, black, red, blue, lavender, purple, green, orange, pink, peach, gray, and beige. BIG OLIVES, LITTLE OLIVES is one of Beryl Cook's most loved images - the edition is SOLD OUT, this is a rare unsigned printers proof aside from the numbered edition from the master printers private collection, stamped legend on verso with provenance information. Print size - 27 x 27 inches, UNSIGNED Printers Proof, unframed, excellent condition Edition size - 300 plus proofs Year published - 1990, printed at JK Fine Art Editions Co. NYC Beryl Cook's unique artistic humor documented familiar social situations...

AUTUMN OF THE ROOSTER is an original hand drawn, limited edition lithograph by the American master artist and collagist Romare Bearden printed usi...

Hothead, 2016 Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp 82 x 78 cm - Framed 80 x 75 cm - Sheet Edition of 250 It comes with COA from t...

Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...

Frank Stella (after) Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Photo lithograph and offset litho on thin board (hand signed) Frame included:: el...

This early 19th century framed 35" x 31" engraving by artist Amand-Durand depcits an etching of 'Jesus and the Woman at the Well,' after the Dutch master, Rembrandt van Rijn. This poignant Biblical story is depicted by Arman-Durand in Rembrandt style...

Original 1918 Red Cross Poster - "Have YOU a Red Cross Service Flag?" - Illustrated by Jessie Willcox Smith, Linen Backed. Restored horizontal fold mark and restored small tears along the bottom. This poster is, after all, more than 107 years old. Own a Piece of History! 1918 "Have You a Red Cross Service Flag?" Poster ✨ Step back into history with this original 1918 Red Cross poster. It is a poignant and touching piece of WWI-era Americana, beautifully preserving a time of nationwide unity and heartfelt service. Illustrated by the celebrated artist Jessie Willcox Smith, this lithograph captures the tender moment of a child hanging a Red Cross service flag in the window—a symbol of hope, sacrifice, and pride in supporting humanitarian efforts during World War I. The poster radiates warmth, with Smith’s signature style of innocence and emotional depth shining through in the delicate depiction of the boy, the adorned window, and the serene winter backdrop. The vibrant red and white cross emblem on the service flag is a focal point of the artwork, inspiring viewers to reflect on the values of compassion and generosity that the Red Cross championed during this period. As a significant historical artifact and a beautiful piece of early 20th-century American illustration, this poster would be an exceptional addition to any serious collection of WWI memorabilia...

Original linen-backed stone lithograph opera poster for Penelope. Done in 1913 by the great lithographer Georges Rochengrosse who created several opera ...

CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Penci...

Title: Doughlah G.E.P., 1968-71 Year made: 2023 Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp Edition of 250 It comes with COA f...

Lev Meshberg, Soviet-American (1933 - 2007) - Vivaldi, Year: 1986, Medium: Lithograph on Arches, signed, numbered and dated in pencil, Edition: Presentation Proof, Size: 30 x 22 ...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

New York City Subway Car interior photograph by Richard Heeps. This atmospheric photograph of a New York City Subway Car captures the cinematic essence of riding the subway. The pers...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

David Shrigley, My Rampage is Over, 2019 21 Colour Screenprint with Varnish Overlay on Somerset Satin Tub Sized 410gsm Paper 29 1/2 × 22 in (76 × 56 cm) Edition of 125 / This bein...

Günther Förg (Füssen 1952 – 2013 Freiburg) Six Rectangles, 1991 Medium: Woodcut in colors on card stock Dimensions: 56 x 80 cm (60 x 84 cm) Unknown edition size: Hand-signed and date...

A grouping of four framed engravings of Hawaii, Tahiti, Tonga and Vancouver Island from the atlas of the official British Admiralty sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42. These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...

This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed. About the artist: Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university. During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates. Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...

Artist: Ralph Goings, American (1928 - 2016) Title: Blue Napkin Holder Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300; 40 AP's Image Size: 18 x 25 inches...

S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura) Etching, 1748 From: Vedute di Roma, Plate 8 An early Roman printing, published by Bouchard e Gravier Watermark: Fleur de Lys in a double circle Signed in the plate Condition: Small margins as are common with Bouchard published impressions. Centerfold (as usual) Rich impression with good contrasts Plate/Image size: 15 7/8 x 24 1/8 inches Sheet size: 17 3/8 x 24 3/4 inches Reference: Focillon 723 Wilton-Ely 138 Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image. The Papal Basilica of St. Paul Outside the Walls...

Original “Eat Less” 1918 vintage First World War poster. This is a less seldom seen poster variation. The other version has the wording, "This is What God Gives Us." The image i...

Lariat Motel, photograph from Richard Heeps Dream in Colour series. The neon in this classic Americana roadside sign glows in the evening light. It was captured in its original site ...

This artwork titled "Peaches" 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 548/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 17.5 x 21 inches, sheet size is 23.5 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

Artist: Hunt Slonem, American (1951 - ) Title: Chez Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 22 x 29 inches Size: 26 in. x 30 in....

Screenprint in colours, 1998. From 'Meine Kindheit - Schmerz und Heilung, UNICEF'. Signed in pencil, numbered from the edition of 100. Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm

American artist Mark Ryden has been a champion of the Pop Surrealist aesthetic for decades, and with that he’s established a massive catalog of works that continue to be cherished to...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...

Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.

The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.). Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings. Shag's work is categorized as lowbrow art...

ROOM SERVICE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. ROO...

Fima (born Efraim Roeytenberg) (1914 – 2005) was an Israeli artist born in China. He spent most of his career in France. Ephraim (Yafim) Roeytenberg, known as "Fima" or "Pima", was b...