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Ferjo, Fernando de Jesus OliveiraIMPERIAL COLUMNS (MIRO CHAGALL)2005
2005
$625
$1,25050% Off
£477.85
£955.7050% Off
€547.49
€1,094.9850% Off
CA$881.57
CA$1,763.1350% Off
A$959.80
A$1,919.6050% Off
CHF 512.50
CHF 1,025.0150% Off
MX$11,586.31
MX$23,172.6250% Off
NOK 6,443.09
NOK 12,886.1750% Off
SEK 5,992.82
SEK 11,985.6450% Off
DKK 4,089.50
DKK 8,17950% Off
About the Item
Giclee on canvas. Hand signed and numbered by the artist. AP edition. Canvas is not stretched.
Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.
- Creator:Ferjo, Fernando de Jesus Oliveira (1946, Brazilian)
- Creation Year:2005
- Dimensions:Height: 29.625 in (75.25 cm)Width: 23.5 in (59.69 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Aventura, FL
- Reference Number:1stDibs: LU72537442522
Ferjo, Fernando de Jesus Oliveira
Where Dream Meets Reality Surrealist artist Ferjo creates a whimsical world of contradictions. A fish and strawberry adorn the canvas to represent life; a butterfly is suspended in the air to represent freedom. And such is the multifaceted work of Brazilian-born artist Ferjo, whose art—created in his signature Surrealist style—make up a body of work as diverse as the items floating in his artwork. “A teacher at my school told me I had something that nobody had—this ability to paint portraits and landscapes,” the artist says. “It’s more difficult because there are millions of artists who paint classically. That’s why I paint ‘dream and reality.’ There’s almost a classical theme, and at the same time, it’s a dream when you look at it.” Born Fernando de Jesus Oliveira, Ferjo was raised in São Paulo, Brazil, where his artistic skills were recognized early on. In 1974, the young artist was invited to attend the Pennsylvania Academy of Fine Arts on an exchange program after being commissioned to produce a portrait of an American family. The artist considers his time in school beneficial but believes true artistic talent comes from within. After a stint producing portraits for the Brazilian Board of Tourism, he left his country to take up permanent residence in the United States, where he joined forces with publisher Katherina Perry in 1994. Like many great contemporary painters, influences from Dali and Picasso, among other Masters, are evident in his art, but Ferjo takes it a step further in a series dedicated to the artists in which their famous works appear as paintings on the walls of his Surreal worlds. “Those are the artists that inspire me, and I pay tribute to them,” he says. “I put their paint in my paint.”
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Marc Chagall, Tribe of Judah, from The Jerusalem Windows, 1962 (after)
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This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Judah, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre Sauret, Editeur, Paris, and printed by Mourlot Freres, Paris, June 7, 1962. This radiant composition embodies Chagall’s deep engagement with spiritual symbolism and his unparalleled command of color, representing the Tribe of Judah—one of the twelve tribes of Israel—as a luminous expression of strength, faith, and divine grace. Tribe of Judah reflects the artist’s poetic vision, uniting the biblical and the universal through a synthesis of vibrant color and dreamlike form. The composition evokes the transcendent beauty and spiritual energy that define Chagall’s monumental stained-glass windows for the Hadassah-Hebrew University Medical Center in Jerusalem, where light and faith merge into a single radiant harmony.
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Artwork Details:
Artist: After Marc Chagall (1887–1985)
Title: Tribe of Judah, from Marc Chagall, The Jerusalem Windows
Medium: Lithograph on velin paper
Dimensions: 15 x 11 inches (38.1 x 27.94 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1962
Publisher: Andre Sauret, Editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Marc Chagall, The Jerusalem Windows, published by Andre Sauret, Editeur, Paris, June 7, 1962
Notes:
Excerpted from the album, This album, which was compiled by Andre Sauret, was completed on June 7, 1962. The texts by Jean Leymarie were composed by hand in "Romain du roi" and were printed by The Imprimerie Nationale de France. The thirty-six preparatory color designs, some of which are in twenty colors, were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs and the two original lithographs by Marc Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres.
About the Publication:
Marc Chagall, The Jerusalem Windows (Les Vitraux de Jerusalem), published in 1962 by Andre Sauret, Editeur, Paris, stands as one of the artist’s most celebrated illustrated albums and a cornerstone of modern printmaking. The publication documents Chagall’s monumental stained-glass windows created for the synagogue of the Hadassah-Hebrew University Medical Center in Jerusalem—an artistic and spiritual masterpiece dedicated to the twelve tribes of Israel. Conceived in collaboration with master printer Charles Sorlier and the renowned Mourlot Freres atelier, the album compiles the artist’s original color studies through vibrant lithography, achieving a remarkable luminosity that mirrors the glowing transparency of stained glass. The accompanying text by art historian Jean Leymarie offers profound insights into Chagall’s vision, faith, and symbolism. Completed on June 7, 1962, this edition embodies the union of fine art, craftsmanship, and devotion, capturing the transcendent beauty of Chagall’s windows and their universal message of peace and faith.
About the Artist:
Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928).
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