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Hedley Fitton RE
Hedley Fitton RE (1857-1929) - 1910 Etching, Shrine of St Edward the Confessor

1910

$717List Price

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Lucian Freud The Egyptian Book 1994 Etching on T.H.S. Saunders paper 18 1/4 x 16 3/4 inches; 46 x 43 cm Edition of 40 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks...
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John Winkler "The Constitutional Convention" Original Signed Etching c.1932 Plate dimensions 13.75" wide x 9.5" high Paper dimensions 19.75" wide x 14....
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John Winkler "The Constitutional Convention" Original Signed Etching c.1932

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John Winkler "The Constitutional Convention" Original Signed Etching c.1932, 1931

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Rococo design for a gate, German mid 18th century etching
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Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750. Published by Martin Engelbrecht (1684–1756). Similar works ar...
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Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...
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Those... Plants Howard Hodgkin red orange green etching watercolour gouache

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Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...
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Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
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