20th Century Interior Prints

Frank Stella (after) Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Photo lithograph and offset litho on thin board (hand signed) Frame included:: el...

QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by th...

Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minim...

Vintage poster for the 1982 Summer Festival season of the San Francisco Opera. David Hockney designed the whimsical sets and costumes for the San Francisco Opera's production of Igor...

This vintage blank notecard, published by te Neues Publishing, features artwork by Jean-Michel Basquiat and is a rare example of his painting titled "Hardware Store." Elegantly frame...

Artist: Andre Minaux, French (1923 - 1986) Title: Goldfish Year: circa 1979 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 120 Image Size: 21 x 26 inches ...

Original vintage poster: FREEDOM FROM WANT, Ours to fight for ... Original. Artist: Normal Rockwell. Archival linen backed in fine condition, ready to frame. Note: All US Go...

Bernard CATHELIN Nude with Bouquet of Flowers Original stone lithograph Signed in pencil Numbered / 75 ex With dedication to the painter Guy Bardone On Arches vellum 39 x 31 cm (c. 16 x 12 in) REFERENCES : Catalog raisonne Cathelin lithographs...

ROMARE BEARDEN 1970-1980 The Brooklyn Museum, September 26-November 29, 1981 Vintage 1981 Exhibition Poster "Jamming At The Savoy" (image from original 14" x 18" collage on board by ...

Woman is an original lithograph realized by Yves Faucheur in the mid-20th Century. The artwork is in good condition. Hand-signed. E.A. (Artist's Proof). The artwork is depicted t...

Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...

FALLING STAR is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, by the renowned African American artist Romare Bearden. FALLING STAR presents a visual memory from Bearden's childhood in Mecklenburg County North Carolina expressed as a modern collage portrait depicting a black woman set in a nostalgic Southern domestic interior. FALLING STAR's main focus is a black woman standing on the right drinking from a blue and white teacup...

ROMARE BEARDEN 1970-1980 THE LAMP (after the 1984 collage on board by Bearden) Vintage 1984 Commemorative Poster - Brown v. Board of Education 30 Years later: "The Politics of Excel...

This artwork "Mujere" c.1960 is an original color silkscreen by noted Argentinian artist Raul Soldi, 1905-1994. It is hand signed and numbered 12/15 P.A in pencil by the artist. The image size is 22.75 x 17 inches, sheet size is 26.65 x 21.5 inches. It is in very good condition, colors are fresh and bright. About the artist: Raúl Soldi was born in Buenos Aire in 1905. He was an argentine plastic artist of recognized international experience. In 1920 he began drawing and painting. He makes reproductions of Quinquela Martín...

SCHOMBURG LIBRARY is a hand drawn, limited edition lithograph printed using traditional hand lithography methods on archival Arches printmaking paper...

Salvador Dali (1904-1989) - Lady Godiva Lithograph from 1970. Edition of 187/256. Dimensions of work: 68 x 50 cm Publisher: Simeon Wajntraub. On B.F.K Rives paper as stated in t...

FIRST SUNDAY is a hand drawn, early limited edition lithograph by the South Carolina artist JONATHAN GREEN printed in 1993, using hand lithograph...

This original framed graphic art lithographic poster entitled "Chez Panisse Cafe & Restaurant Seventeenth Birthday" was created by David Lance Goines in 1...

Edward Hopper's "First Row Orchestra," originally painted in 1951, captures the quiet anticipation of theatergoers seated in the front row, awaiting a performance. In 1997, Achenbach...

This artwork titled "Thanksgiving" 1995 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 587/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 17.75 x 21 inches, sheet size is 23.75 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...

LADY IN GREEN is an original hand drawn lithograph by the American artist and Pop Art icon, Peter Max printed using traditional hand lithography techniques on archival Somerset paper, 100% acid free. LADY IN GREEN is a vibrant multicolor portrait of an elegant seated woman wearing a green print dress; her elaborate blue and pink hat appears to be releasing free form blue dots and floating yellow black lines. LADY IN GREEN's white serene face contrasts against the black and white stripe chair...

Raoul DUFY (1877-1953) Peaches and Cherries Lithograph Signed in the plate On paper 30 x 24 cm (c. 11.8 x 9.4 in) Excellent condition

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left, 'Epr. d' Artist' (Epreuve d'Artist / Artist's Proof); also indistinctly inscri...

INTRODUCTION FOR A BLUES QUEEN(Uptown At Savoy) is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival printmaking paper, 100% acid free, in an edition size of 175. INTRODUCTION FOR A BLUES QUEEN 1979 from Romare Bearden's colorful JAZZ series of musical imagery, is an abstract live music scene that captures the energy inside a jazz club where a female blues singer...

MAX THE SAX by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. MAX THE SA...

This artwork titled "Poker Night at the Club" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, b.1943. It is hand signed and numbered 240/350 in pen...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

"Inspiration" is an original lithograph by Marc Chagall published in the "Lithographs of Marc Chagall vol. II". The book was published in a limited edition of 6000. Size: 12.5 x 9.5...

The Poker Game by Israel Rubinstein, Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 250 Image Size: 27 x 38 inches S...

Original FREEDOM OF SPEECH, large size format, 1943 vintage poster. Archival linen backing with the original fold marks restored and ready to frame. This is the most popular and most requested among the Four Freedoms posters...

Max Bill Geometric composition, 1975 Original lithograph Unsigned and unnumbered as usual Limited edition of 575 copies On Arches vellum, size 35 x 27 cm (c. 14 x 10 in) Excellent ...

La Negresse (The Negress) Etching & drypoint, 1909 Unsigned (as issued in the portfolio) From the album "Les Bars" (8 plates plus cover illustration) Editi...

"Die Segen" (Sins/Blessing) - 1986 Collograph On Paper Original 1986 Collograph on paper titled "Place Setting" ("Sins/Blessing") by Patricia Pearce (Am...

JUMPIN JIVIN' is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the American artist James Denmark printed on archival Somerset...

SPANISH STILL LIFE WITH GARLIC by the Spanish artist Carlos Pradal, is an original hand drawn, stone lithograph printed by hand in Paris France using traditional hand lithography techniques on buff color archival printmaking paper, 100% acid free. SPANISH STILL LIFE WITH GARLIC presents a modern still life portrait depicting abstract vegetables - three round onions with a head of garlic positioned toward the center. A broad sweeping charcoal black wash dominates the background creating a dramatic staging for the red and orange vegetable shapes; the off white color of the paper forms the garlic bulb creating contrast for this expressive, energetic Spanish still life composition. Print size - 17 x 20.25 inches, unframed, very good condition, pencil signed by Pradal, inscribed E.A.(Epreuve Artiste) with personal dedication to the master printer Image size - 13 x 16.25 inches Year - c. 1974 About the artist: Carlos Pradal(1923-1988) Spanish ceramist, painter and illustrator was the son of Republican deputy Gabriel Pradal from Almeria, Andalusia. In 1939, his family was forced into exile and settled in France, in Toulouse. In 1956 he obtained a Spanish license and became an auxiliary teacher. He practiced drawing and painting at the same time, following the lessons of Raoul Bergougnan. In 1972, he moved to Paris, where he became a friend of the painters Peinado and Orlando Pelayo. When Franco died...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

Le Petit Chien Sur Le Fauteuil (The Little Dog on the Armchair). Lithograph in colors on paper. Hand signed lower right by Rene Gruau. Hand numbered 139/300 lower left. Sheet siz...

Flowers on Window Sill by Guy Charon, French (1927) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 250, EA Image Size: 25.5 x 19.5 i...

Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary...

This artwork titled "Winter's Tales" 1995 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 409/950 in pencil...

THE LAMP is a hand drawn limited edition color lithograph by the renowned American master artist Romare Bearden, proofed and printed using hand lithography in 19 colors plus silver f...

Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...

Red Grooms, American (1937 - ) - Guggenheim, Year: 1972, Medium: Lithograph Poster on Cartridge Paper (unsigned), Size: 39 in. x 26 in. (99.06 cm x 66.04 cm), Description: Depict...

Artist: Artist: Dan May (American, 1955-) Title: "Living Room" *Signed and numbered by May in pencil lower left Year: 1981 Medium: Original Screenprint on unbranded white wove paper ...

Set of three lithographs enhanced with gouache by Maurice Dufrène. Three original plans of "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906. These three plans ...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

(After) Wassily KANDINSKY Composition Lithograph in colors, 1965 Signed and dated in the plate Frame size : 62 x 50 cm (c. 24,4 x 19.6 inch) Subject size : 48 x 36 cm (c. 19 x 14 in...

THE DANCE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. THE DANCE is a modern and sleek Art Deco style portrait portraying a couple dancing close together. The male figure dressed in a deep blue suit, red bow tie and slick black hairstyle leads his dance partner - a woman with wavy long blonde hair wearing a form fitting red dress, their forms contrasting against the cool gray blue interior wall and black and white checkerboard floor...

Artist: Alice Neel (1900-1984) Title: The Family Year: 1982 Medium: Lithograph on Arches paper Edition: 57/175, plus proofs Size: 31.25 x 27 inches Condition: Excellent Inscription: ...

SABBATH ANGELS is an original hand drawn lithograph(not a photo reproduction or digital print) by the American artist/sculptor Chaim Gross, presenting an impressive sculptural drawing of two majestic female angels welcoming the sabbath as two lit candlesticks glow beneath the wings of the yellow angel. SABBATH ANGELS was hand proofed and printed from lithographic plates on archival Arches paper, 100% acid free. SABBATH ANGELS is a contemporary style angel portrait measuring 14 x 20.5 inches, image size is 9.25 x 15 inches, a very fine impression pulled from hand drawn lithography plates. Printed in transparent watercolor shades of light blue, light brown red, yellow and graphite black for the pencil drawing using the age-old hand printing methods first used in fine art lithography printmaking. Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

BROWN LADY II is an original hand drawn lithograph by the American artist and Pop Art icon, Peter Max printed in an edition of 100, using traditional han...

HONKY TONK is an original hand drawn, limited edition lithograph by the African American artist James Denmark printed using traditional hand lithography techniques on archival Somerset paper, 100% acid free. HONKY TONK is a colorful collage portrait depicting a seated black musician - a male guitar player wearing blue jeans and a brown slouchy cap playing his blues guitar. HONKY TONK is a warm interior scene printed in vivid shades of red orange, red, dark blue, light yellows, cream, tan, browns, and black creating an inviting honky-tonk music setting. Print size - 38 x 23 inches, unframed, mint condition, hand signed and numbered by James Denmark, Certificate of Authenticity included Image size - 31 x 17 in. Edition size - 250, plus proofs Year published - 1996 Publisher - Mojo Portfolio...

MECKLENBURG AUTUMN is an original limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking...

Julian Schnabel NEMO LIBRIZZI 1998 25-color silkscreen with poured resin 38 x 36 inches (97 x 91 cm) Signed and numbered edition of 90 Suite of 3 Also available Born in Brooklyn,...

Ordinary Places Sixteen Piece Installation, British vintage interior photography by Richard Heeps. Richard Heeps 'Ordinary Places' Series...

This original graphic art lithographic poster entitled "Chez Panisse Restaurant and Cafe" was created by David Lance Goines in 1989 in his Berkeley studio...

Artist: Ralph Goings, American (1928 - 2016) Title: Blue Napkin Holder Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300; 40 AP's Image Size: 18 x 25 inches...

Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...