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Romare Bearden
MORNING Signed Lithograph, Interior Scene Black Women, African American Culture

1979

$9,000
£6,832.63
€7,876.91
CA$12,731.74
A$13,706.88
CHF 7,340.30
MX$165,163.01
NOK 92,614.25
SEK 84,756.99
DKK 58,859.41

About the Item

MORNING is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. MORNING by the African American master artist and collagist Romare Bearden is from Bearden's Mecklenburg series of images depicting recollections from his childhood in rural Mecklenburg County, NC. MORNING presents an intimate interior scene depicting two black female figures beside a light blue cloth covered round table - the standing woman reassuringly places her arm around the seated woman on the left. Bearden's well known collage technique is used to express this emotional contemporary composition using vibrant, colorful shades of magenta, lime green, blues, yellow, black, grays, light orange, and brown. Familiar domestic elements stage the homey scene comprised of a pot bellied stove, black rocking chair, tall tabletop vase of freshly picked garden flowers, pears, watermelon, pink gingham fabric, and woven basket with dotted fabric. Print size - 21.5 x 27.75 in., unframed, excellent condition, hand signed in pencil by Romare Bearden, inscribed PP (Printer's Proof) aside from edition of 175, print documentation provided. Edition size - 175, plus proofs Year published - 1979 Printer - J K Fine Art Editions Co. NY Print Reference: Figure GG#91 in "A Graphic Odyssey: Romare Bearden as Printmaker" Edited by Gail Gelburd, Published by the University of Pennsylvania Press Artist statement: “When I conjure these memories, they are of the present to me,” NPR quoted Bearden as saying. “Because, after all, the artist is a kind of enchanter in time.” Romare Bearden, in full Romare Howard Bearden, (born September 2, 1911, Charlotte, North Carolina, U.S.—died March 12, 1988, New York City, New York), American painter, whose collages of photographs and painted paper on canvas depict aspects of American black culture in a style derived from Cubism. He is considered one of the most important African American artists of the 20th century. Bearden was born in North Carolina but grew up in New York City and Pittsburgh. He studied at the Art Students League in New York City with George Grosz (1936–37) and at Columbia University (1943). His early paintings were realistic and often religious in theme (e.g., The Annunciation, 1942). After military service during World War II, he lived in Paris (1950–51), studied at the Sorbonne, and traveled extensively in Europe. During this period he developed his mature, semiabstract collage style. He first achieved recognition in the mid-1940s, and by the 1960s he had come to be regarded as the preeminent collagist in the U.S. The narrative structure of Bearden’s paintings is simple and archetypal; ritual, music, and family are his pervasive themes. His works’ complexity lies in their poetic abstraction, in which layered fragments of colour and pattern evoke the rhythms, textures, and mysteries of a people’s experience (e.g., in Family, 1969). Bearden also was a songwriter and book illustrator, and he occasionally designed sets for the Alvin Ailey American Dance Company. In 1990 the Romare Bearden Foundation was established to promote his work and to support African American artists. Artist bio - Encylopedia Britannica
  • Creator:
    Romare Bearden (1911 - 1988, American)
  • Creation Year:
    1979
  • Dimensions:
    Height: 21.5 in (54.61 cm)Width: 27.75 in (70.49 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
    Mint condition, never been framed or mounted, pencil signed P P (Printers Proof) aside from the edition of 175, printers chop embossed on lower left, print documentation provided.
  • Gallery Location:
    Union City, NJ
  • Reference Number:
    1stDibs: LU832317011122

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