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Art Subject: Bride
Minaret El Rhamree in Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Minaret of the Mosque El Rhamree" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publish...
Category

1840s Realist Landscape Prints

Materials

Lithograph

An Election Ball
Located in Middletown, NY
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fres...
Category

Mid-19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

After the Party FS II.183 (Warhol estate stamped)
Located in Aventura, FL
Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...
Category

1970s Pop Art Interior Prints

Materials

Paper, Screen

Sportsmen
Located in Plano, TX
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category

Early 1900s Post-Impressionist Figurative Prints

Materials

Drypoint, Etching

Sportsmen
Sportsmen
$800 Sale Price
54% Off
Original Four Years in the Fight, The Women of France vintage WW1 poster
Located in Spokane, WA
Original "Four Years in the Fight: The Women of France, We Owe Them Houses of Cheer" vintage war poster. Archival linen backed, ready to frame. By Lucien Jonas. Excellent colors a...
Category

1910s American Realist Portrait Prints

Materials

Lithograph

GLORY Signed Linocut, Opaque Taupe, Buff Paper, Profile Portrait Black Woman
Located in Union City, NJ
GLORY is a hand pulled, original limited edition relief print by the American and Mexican woman artist, printmaker and sculptor, Elizabeth Catlett. GLORY was created using linocut pr...
Category

Early 2000s Contemporary Portrait Prints

Materials

Linocut

AFTERNOON REHEARSAL Signed Lithograph, Ballerinas, Dance Studio, Tulle TuTu
Located in Union City, NJ
AFTERNOON REHEARSAL is an original hand drawn lithograph(not a photo reproduction or digital print) by Douglas Hofmann printed using hand lithography techniques on archival Arches pa...
Category

1990s Photorealist Figurative Prints

Materials

Lithograph

The Lonely House at Asajigahara.
Located in Middletown, NY
A scene from a series of ghost stories and spooky rural legends. Tokyo: Matsuki Heikichi, 1896. Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry pa...
Category

Late 19th Century Edo Figurative Prints

Materials

Watercolor, Handmade Paper, Woodcut

SHOUT Signed Lithograph, Preacher Black Church, African American Culture
Located in Union City, NJ
SHOUT by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniques on archival Rives BFK paper, 100% acid free. ...
Category

Early 2000s Contemporary Figurative Prints

Materials

Lithograph

Original Penelope" vintage 1913 opera poster
Located in Spokane, WA
Original linen-backed stone lithograph opera poster for Penelope. Done in 1913 by the great lithographer Georges Rochengrosse who created several opera ...
Category

1910s Art Nouveau Figurative Prints

Materials

Lithograph

Print Porcelain Plaque Last Supper Painting after Leonardo in Carved Wood Frame
Located in Firenze, IT
A lovely early 20th century printed porcelain miniature of The last supper painting after Leonardo Da Vinci in Italian Cenacolo. This Swiss Fr...
Category

Early 20th Century Renaissance Figurative Prints

Materials

Porcelain, Color

“Chinese Female Figures in Interior #2”
Located in Southampton, NY
Chinese print in colors of female figures in interior. Unknown artist. Unsigned.. Circa 1930. Condition is very good. Under glass. Possibly a portion of a larger Chinese scroll. ...
Category

1930s Academic Interior Prints

Materials

Color

Kumasaka Chōhan to Ushiwakamaru - One of a Diptych Original Woodcut Print
Located in Soquel, CA
Kumasaka Chōhan to Ushiwakamaru is a Japanese Ukiyo-e print created between 1848 and 1854 by artist Utagawa Kunisada (Japanese, 1786-1864). The print is a Diptych, and is part of the...
Category

1850s Realist Figurative Prints

Materials

Printer s Ink, Rice Paper, Woodcut

Bernard Schardt, Appeal Denied (NYC Courtroom)
Located in New York, NY
Bernard Schardt worked on the the WPA in NYC during the Depression. (During this period, off and on, he lived with friend and colleague Jackson Pollock...
Category

1930s Ashcan School Figurative Prints

Materials

Intaglio

Julian Schnabel, Portraits, Nemo Librizzi
Located in New York, NY
Julian Schnabel NEMO LIBRIZZI 1998 25-color silkscreen with poured resin 38 x 36 inches (97 x 91 cm) Signed and numbered edition of 90 Suite of 3 Also available Born in Brooklyn,...
Category

1990s Contemporary Figurative Prints

Materials

Screen

GERTRUDE Hand Drawn Lithograph, Young Black Girl Portrait, Sunflower
Located in Union City, NJ
GERTRUDE by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniqu...
Category

Early 2000s Contemporary Portrait Prints

Materials

Lithograph

La Negresse (The Negress)
Located in Fairlawn, OH
La Negresse (The Negress) Etching & drypoint, 1909 Unsigned (as issued in the portfolio) From the album "Les Bars" (8 plates plus cover illustration) Editi...
Category

Early 1900s Art Nouveau Interior Prints

Materials

Etching

Reggia di Caserta, Caserta, Italy
Located in New York City, NY
Giacomo da Prato Reggia di Caserta, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...
Category

19th Century Victorian Interior Prints

Materials

Lithograph

Original Soldiers - Sailors and Women Guests Welcome to the YWCA Hostess House
Located in Spokane, WA
Original poster: SOLDIERS-SAILOR AND WOMEN GUESTS welcome to the Y.W.C.A. hostess house "A bit of home within the camps". A sailor shakes the hand of a man while a woman is standing and smiling at them. Linen-backed original WW1 poster...
Category

1910s American Realist Portrait Prints

Materials

Lithograph

THE RAG GATHERERS
Located in Santa Monica, CA
JAMES ABBOTT McNEILL WHISTLER (1834-1903) THE RAG GATHERERS 1858 (Glasgow 29 v/v, - K.23) Etching on laid paper, signed and dated in the plate, image 5 7/8” x 3 ½”, full sheet 8 x...
Category

1850s Impressionist Interior Prints

Materials

Etching

A Letter from Picasso
Located in San Francisco, CA
This artwork titled "A Letter from Picasso" 1974 is a color lithograph on Wove paper by noted American artist George Charles Deem, 1932-2008. It is hand signed and numbered 157/300 i...
Category

Late 20th Century American Realist Figurative Prints

Materials

Lithograph

"James Bond 007 - Live and let die", UK 1973
Located in Cologne, DE
Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour Keywords: James Bond, 007, action, Thriller, Great Britain, adventure, live ...
Category

1970s Modern Interior Prints

Materials

Color

Cafe Rouge, Impressionist Lithograph by Edward M. Plunkett
Located in Long Island City, NY
Edward M. Plunkett, American (1922 - 201?) - Cafe Rouge, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 14.5 x 22 inches, Size: 2...
Category

1980s Impressionist Interior Prints

Materials

Lithograph

Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category

1760s Old Masters Figurative Prints

Materials

Etching

Chez Le Patissier - Original Etching by J.E. Laboureur - 1924
Located in Roma, IT
Hand signed. Signed and titled on plate. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 50 years ago by an a...
Category

1920s Modern Figurative Prints

Materials

Etching

Elegant Couple at Maxim s Café - Original Etching Handsigned
Located in Paris, IDF
Alméry Lobel-Riche Elegant Couple at Maxim's Café Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excelle...
Category

Early 20th Century Modern Interior Prints

Materials

Etching

The Fortune - Etching and Aquatint by Franco Gentilini - 1970s
Located in Roma, IT
The Fortune is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. ...
Category

1970s Contemporary Figurative Prints

Materials

Etching, Aquatint

Don Juan
Located in Missouri, MO
Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...
Category

1920s Art Deco Figurative Prints

Materials

Engraving, Aquatint

Don Juan
Don Juan
$2,800 Sale Price
20% Off
Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale Etching 1743 Signed in the bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 20 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category

1740s Old Masters Interior Prints

Materials

Etching

Ruine di Sepolcro antico
Located in Fairlawn, OH
Ruine di Sepolcro antico Etching, 1743 Signed in the plate bottomleft in the caaption plate From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Coniditon: Excellent/Very good Image size: 14 5/8 x 9 3/4 inches Reference: Robison 17 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category

1740s Old Masters Interior Prints

Materials

Etching

Sight Lines II : The Green Room
Located in New York, NY
SIGHT LINES II : THE GREEN ROOM. This archival digital print was created in 2010. This original print was directly drawn into the computer by Peter Milto...
Category

21st Century and Contemporary American Realist Figurative Prints

Materials

Digital

Temples of Aboo-Simbel, From the Nile: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Temples of Aboo-Simbel, From the Nile" by David Roberts, from his Egypt and Nubia volumes of the large folio edition...
Category

1840s Realist Landscape Prints

Materials

Lithograph

L Occasion Rococo Vintage Print, 1930, Unframed, Excellent Condition
Located in Brooklyn, NY
Drawings by French Masters of the XV-XVIII Centuries. From a selection of 40 reproductions of the originals preserved in the Albertina Collection in Vienna. With an introduction and...
Category

1930s Rococo Interior Prints

Materials

Offset

Woman with Apples (Sepia), Lithograph by Branko Bahunek
Located in Long Island City, NY
Woman with Apples (Sepia) Branko Bahunek, Croatian (1935) Lithograph, Signed in Pencil Edition of 50 Size: 28.5 in. x 21 in. (72.39 cm x 53.34 cm)
Category

1990s Figurative Prints

Materials

Lithograph

“Red Room, White Pitcher” Red Toned Interior Still Life
Located in Houston, TX
Red toned interior still life depicting a white pitcher, two beverage bottles, three yellow ripe mangoes and one unripe, and a shape that resembles a sliced cantaloupe--all on top of...
Category

Early 2000s Abstract Still-life Prints

Materials

Acrylic, ABS, Giclée

The Little Wanderer (Framed 19th Century Antique Figure Etching)
Located in New Orleans, LA
(Sorry for the reflections on the glass in the photos.) A little boy runaway has returned home, hat in hand, to the relief of his poor beleaguered mother (burdened with four other children, apparently) and the upbraiding of his grandmother. So many fabulous details in this 19th-century etching, in addition to its amazing engraving work (every bit of it originally incised on a metal plate!). Placard on back says "Published exclusively for members of the Crosby Opera House Art...
Category

1860s Interior Prints

Materials

Etching

Theater
Located in New York, NY
Michele Zalopany was born in Detroit, Michigan. She attended the Columbus College of Art and Design from 1973 to 1974 and the Cleveland Institute of Art from 1976 to 1978. She earned her Bachelor of Fine Arts degree from the School of Visual Arts in 1981. Through her labor-intensive mezzotints, Zalopany employs realism to depict fictitious scenes, bearing witness to the disintegration of what was once the fulcrum of the American economy in Detroit. Zalopany’s work is widely represented in many public and private collections in the United States and in Europe including The National Gallery of Art, The Yokohama Museum of Art, The Whitney Museum of American Art, The Walker Art Center, The Museum of Fine Art in Boston, The Cleveland Museum of Art, The Royal College of Art in London, and numerous others. Her work has been exhibited in galleries that include P.P.O.W., John Good...
Category

1990s Contemporary Interior Prints

Materials

Mezzotint

Theater
$720 Sale Price
52% Off
Danseuse Orientale - b/w Etching by Charles Courtry - 1880s
Located in Roma, IT
Danseuse Orientale is an original artwork realized by Charles Courtry in the second half of the XIX Century. Original etching after Eugène Delacroix. Artist Proof on laid paper, ava...
Category

1880s Modern Figurative Prints

Materials

Etching

The Great Depression 3, dramatic, black white, noir, mystery, genre
Located in Brooklyn, NY
Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...
Category

2010s Surrealist Figurative Prints

Materials

Monotype, Archival Paper

L examen (The Examination)
Located in Middletown, NY
Heliogravure on light weight Japan paper, full margins. Titled in pencil in the lower right margin. In good condition with some minor handling creases, dog-eared lower right corner, ...
Category

Late 19th Century Victorian Figurative Prints

Materials

Photogravure

Joseph Hirsch, (Cutting the Beard)
Located in New York, NY
A man with lots of whiskers is trimming his facial hair while looking in a mirror. The male figure and his beard are carefully drawn but Hirsch has cleverly just briefly sketched in ...
Category

Mid-20th Century Ashcan School Figurative Prints

Materials

Lithograph

Sala dei Busti, Museo Pio Clementino - Musei Vaticani XII
Located in New York City, NY
48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...
Category

2010s Contemporary Color Photography

Materials

Archival Paper, C Print

Massimo Listri - Gipsoteca di Canova a Possagno, Italy (Portrait of Interiors)
Located in New York City, NY
MASSIMO LISTRI Gipsoteca di Canova a Possagno, Italy (Portrait of Interiors), 2019 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso ...
Category

2010s Post-Modern Color Photography

Materials

Photographic Paper, C Print

La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Interior Prints

Materials

Laid Paper, Drypoint, Etching, Aquatint

Fridas Studio
Located in Toronto, ON
32" x 33" Unframed Limited Edition Hand Embellished Giclee of 290 Hand Signed by Damien Elwes
Category

21st Century and Contemporary Interior Prints

Materials

Giclée

“Chinese Female Figures in Interior”
Located in Southampton, NY
Chinese print in colors of female figures in interior. Unknown artist. Signed lower right. Circa 1930. Condition is very good. Under glass. Possibly a portion of a larger scroll. ...
Category

1930s Academic Interior Prints

Materials

Color

Monstrosities of 1824; Plate 7
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full...
Category

Mid-19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

THE SMITH’S YARD
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124) lithograph, 1895, on wove paper, from the edition of 3000, published by The Inter...
Category

1890s Impressionist Interior Prints

Materials

Lithograph

Four French Louis XIV period chimney-piece design engravings by Jean Dolivar
Located in Melbourne, Victoria
'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.' Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670. 210mm ...
Category

Mid-17th Century Baroque Interior Prints

Materials

Engraving, Etching

Velasquez Les Menines by Salvador Dali 1974 Lithograph
Located in Paonia, CO
Velasquez Les Menines is one of six graphics from the series Changes in Great Masterpieces published by Sidney Lucas, 1974. Master Dali has given us a...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Anglo Parisian Salutations, or Practice par Excellence!
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
Category

Early 19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

Les Belles et la Bête: Before the Hunt
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category

1970s American Modern Interior Prints

Materials

Archival Paper, Engraving, Etching

Vinyl Record Collection, Stockton-on-Tees - British Vintage Interior Color Photo
Located in Cambridge, GB
Vinyl Collection, vintage interior photograph from Richard Heeps series, Forward to the Past. Richard was commissioned by Preston Hall Museum in Stockton-on-Tees to document the Muse...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894
Located in San Francisco, CA
James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894 Original 19th century color engraving Engraved by James Dobie after artwork b...
Category

Late 19th Century Interior Prints

Materials

Engraving

Monstrosities of 1822; Plate 5
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....
Category

Early 19th Century Victorian Figurative Prints

Materials

Watercolor, Etching

Rustics of Japan – English School, 18th century
Located in Middletown, NY
A Method of Riding as Practised by the Rustics of Japan. One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earlies...
Category

Late 18th Century English School Interior Prints

Materials

Watercolor, Handmade Paper, Engraving

Le Curé de Cucignan
Located in Middletown, NY
A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 4). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 112] A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...
Category

1880s French School Interior Prints

Materials

Drypoint, Etching, Aquatint, Laid Paper

Original AJANTA INDIA Bodhisattva Padmapani vintage travel poster 1959
Located in Spokane, WA
Original Ajanta India vintage travel poster from 1959. Archival linen backed in Grade A condition, ready to frame. Note that a later edition of this poster was printed but the im...
Category

1950s Old Masters Figurative Prints

Materials

Lithograph

PUNCHINELLO IN THE HOUSE OF DEATH.
Located in Portland, ME
Bellows, George (American 1882-1925). PUNCHINELLO IN THE HOUSE OF DEATH.Mason 151 Lithograph, 1923. Edition of 60. Titled and signed in pencil by Bellows, and also signed "Bolton Bro...
Category

1920s Interior Prints

Materials

Lithograph