Building Interior Prints
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Art Subject: Building
Bibliotheques des Beaux Arts de Paris
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large format and framed in simpl...
Category
2010s Interior Prints
Materials
Photographic Paper
Hidden Cities III: Continuum, by Peter Milton
By Peter Milton
Located in Palm Springs, CA
Peter Milton’s Hidden Cities: Continuum transforms the grandeur of the Galleria Vittorio Emanuele into a layered meditation on architecture, memory, and the passage of time. The Gall...
Category
Early 2000s Contemporary Interior Prints
Materials
Engraving, Etching
Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category
1770s Old Masters Interior Prints
Materials
Etching
Principal Mosque Boulak, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Principal Mosque at Boulak" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in ...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Tombs of the Memlooks, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Tombs of the Memlooks, Cairo, with an Arab Funeral" by David Roberts, from his Egypt and Nubia volumes of the large foli...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Mosque of Ayed Bey, Suez, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Mosque of Ayed Bey, in the Desert of Suez" by David Roberts, from his Egypt and Nubia volumes of the large folio edition...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Tombs of Caliphs
the Citadel, Cairo: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Tomb of the Caliphs, Cairo - The Citadel in the Distance" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Pantheon (Rome) - large scale photograph of iconic architectural elements
By Frank Schott
Located in San Francisco, CA
Pantheon (Rome) by Frank Schott
from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center
...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
"Hidden Staircase", Contemporary, Abandoned Architecture, Black and White Photo
Located in Franklin, MA
Rebecca Skinner’s “Hidden Staircase” is a black and white photo of a decaying stairwell with peeling paint and ornate wrought-iron railings. The...
Category
2010s Contemporary Black and White Photography
Materials
Black and White, Archival Pigment
Reggia di Venaria Reale 8, Torino, Italy
Located in New York City, NY
48 x 60 inches - edition of 5
Chromogenic Print – Unframed
Signed by the artist - Certificate of Authenticity
Free Shipping – Ask us foar custom framing options.
As a world-renowned...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, C Print
Fireside Christmas
Located in San Francisco, CA
This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed.
About the artist:
Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university.
During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates.
Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...
Category
Late 20th Century American Realist Figurative Prints
Materials
Etching
Rainbow Apartments, Milan - Italian Architecture Photograph
Located in Cambridge, GB
Rainbow Apartments, Italian architecture photograph from Richard Heeps series A Short History of Milan.
A Short History of Milan' began in ...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
"Burned Out", Contemporary, Abandoned Theater, Black and White Photograph
Located in Franklin, MA
Rebecca Skinner’s “Burned Out” is a 20 x 30 inch black and white image of an abandoned theater with decayed, empty seats and a deteriorating ceiling, symbolizing forgotten history an...
Category
2010s Contemporary Black and White Photography
Materials
Metal
La Sorbonne Amphitheatre
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large...
Category
2010s Interior Prints
Materials
Photographic Paper
Carcere ascura
Located in Fairlawn, OH
Carcere ascura
Etching, 1743
Signed in the plate bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort.
Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper.
Visible watermark verso
Small printer crease in the bottom right below the caption plate.
Image size: 14 1/2 x 9 1/2 inches
Reference: Robison 3 iii/VI
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Interior Prints
Materials
Etching
Vintage Wimpy, Norfolk - British Diner Interior Color Photograph
Located in Cambridge, GB
Vintage Wimpy, interior photograph by Richard Heeps. The timeless combination of blue seating and red tables create a nostalgic cinematic aesthetic.
This artwork is a limited editio...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Slots, Las Vegas - Vintage interior contemporary color photography
Located in Cambridge, GB
Classic vintage Vegas Casino at the Flamingo Las Vegas. This art deco interior has the South Beach Miami vibe, opened in 1946 it is the oldest in ...
Category
Early 2000s Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
"Grande Hall", Contemporary, Abandoned Architecture, Staircase, Color Photograph
Located in Franklin, MA
Rebecca Skinner’s “Grande Hall” portrays intricate classical architecture, high ornate ceilings, arched doorways, and a striking green-carpeted staircase, evoking historic elegance. ...
Category
2010s Contemporary Interior Prints
Materials
Archival Pigment, Color
"Looking Up", Contemporary, Abandoned, Metal Print, Black and White Photograph
Located in Franklin, MA
Rebecca Skinner’s “Looking Up” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. A fisheye lens gives the ornate, iron st...
Category
2010s Contemporary Black and White Photography
Materials
Metal
Home 4
Located in New York, NY
ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...
Category
2010s Interior Prints
Materials
Photographic Paper
Foyer II, Milan - Italian architecture color photography
Located in Cambridge, GB
Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...
Category
2010s Art Deco Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Palace Cinema Theatre (Square), Ho Chi Minh City - Interior, Color, Photography
Located in Cambridge, GB
Taken in Ho Chi Minh City this luxurious mid-century private movie theatre has a stunning colour palette. The symmetry, style and interior design give it that 'accidentally Wes Ande...
Category
2010s Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Eliza Southwood, Oranges and Lemons, Limited edtion architectural print
Located in Deddington, GB
Eliza Southwood
Oranges and Lemons
Unframed Limited Edition Silkscreen Print of 100
Silkscreen Print on Paper
Size: H 76cm x W 56cm
Signed and title...
Category
21st Century and Contemporary Contemporary Interior Prints
Materials
Screen
Massimo Listri - Kunsthistoriches Museum III, Wien, Austria
Located in New York City, NY
MASSIMO LISTRI
Kunsthistoriches Museum III, Wien, Austria, 2014
60 x 48 inches
150 x 120 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso label
Unframed (Fra...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Tunisian Architecture - Photolithograph by Bettino Craxi - 1995
Located in Roma, IT
Tunisian Architecture is an original photolithography realized by Bettino Craxi in 1995.
Hand-signed and artist's proof. Published in the portfolio: "Tunisiaca 1995: d'aprés Auguste...
Category
1990s Contemporary Figurative Prints
Materials
Lithograph
Veduta interna delle Sostruzioni ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Veduta interna delle Sostruzioni dei Portici del tempio d'Ercole in Tivoli (...) is an original etching realized by Luigi Rossini.
From the series “Le antichità de’ contorni di Roma (...)” it is an artist's proof with real technical virtuosity, with sharp details, representing the walkways under the portici of Hercules Temple in Tivoli.
Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1824”.
In very good conditions.
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
1820s Modern Interior Prints
Materials
Etching
Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Interior Prints
Materials
Etching
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
Located in Fairlawn, OH
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
Etching, 1748
From: Vedute di Roma, Plate 8
An early Roman printing, published by Bouchard e Gravier
Watermark: Fleur de Lys in a double circle
Signed in the plate
Condition: Small margins as are common with Bouchard published impressions.
Centerfold (as usual)
Rich impression with good contrasts
Plate/Image size: 15 7/8 x 24 1/8 inches
Sheet size: 17 3/8 x 24 3/4 inches
Reference: Focillon 723
Wilton-Ely 138
Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states
This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image.
The Papal Basilica of St. Paul Outside the Walls...
Category
1740s Old Masters Interior Prints
Materials
Etching
Sight Lines II : The Green Room
By Peter Milton
Located in New York, NY
SIGHT LINES II : THE GREEN ROOM. This archival digital print was created in 2010. This original print was directly drawn into the computer by Peter Milto...
Category
21st Century and Contemporary American Realist Figurative Prints
Materials
Digital
One Tomb of the Caliphs, Cairo: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "One of the Tombs of the Caliphs, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Gate of Victory of El Hakim, Cairo: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Bab En Nasr, or Gate of Victory, And Mosque of El Hakim, Cairo" by David Roberts, from his Egypt and Nubia volumes of th...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Island Philae, Looking Down the Nile: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Island of Philae, Looking Down the Nile" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...
Category
1840s Realist Landscape Prints
Materials
Lithograph
"Krispy", Contemporary, Indiana School, Classroom, Black and White Photograph
Located in Franklin, MA
Rebecca Skinner’s “Krispy” was photographed in a classroom at a deserted school in Gary, Indiana. The black and white photograph has a satin finish and is infused directly into metal...
Category
2010s Contemporary Black and White Photography
Materials
Metal
Massimo Listri - Hermitage Museum IV, St. Petersburg (Portrait of Interiors)
Located in New York City, NY
MASSIMO LISTRI
Massimo Listri - Hermitage Museum IV, St. Petersburg (Portrait of Interiors), 2018
48 x 60 inches
120 x 150 cm
Edition of 5
Chromogen...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Temple of Wady Dabod, Nubia: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Temple of Wady Dabod, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Tombs of the Mamelukes, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Tombs of the Mamelukes, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published ...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Aquaduct of the Nile, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Cairo: The Aquaduct of the Nile from the Island of Rhoda" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
1840s Realist Landscape Prints
Materials
Lithograph
Massimo Listri - Palazzo Reale I, Amsterdam
Located in New York City, NY
MASSIMO LISTRI
Palazzo Reale I, Amsterdam, 1991
60 x 48 inches
150 x 120 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso label
Unframed (Framing options ava...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Christ Church Cathedral Oxford etching E W Sharland print College University
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Edward W Sharland (1884-1967) - British
Christ Church Cathedral...
Category
1920s Realist Interior Prints
Materials
Etching
Massimo Listri - Reggia di Caserta VII, Italy
Located in New York City, NY
MASSIMO LISTRI
Reggia di Caserta VII, Italy, 1993
60 x 48 inches
150 x 120 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso label
Unframed (Framing options a...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Biblioteca dei Girolamini, Napoli
Located in New York, NY
"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
C Print
Musei Vaticani, Sala delle Muse, The Vatican
Located in New York City, NY
48 x 60 inches - edition of 5
Chromogenic Print – Unframed
Signed by the artist - Certificate of Authenticity
Free Shipping – Ask us foar custom framing options.
As a world-renowned...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, C Print
Sammezanno I, Tuscany, Italy
Located in New York City, NY
MASSIMO LISTRI
Sammezanno I, Tuscany, 2005
40 x 48 inches
100 x 120 cm
Edition of 5
48 x 60 inches
120 x 150 cm
Edition of 5
71 x 88.5 inches
180 x 225 cm
Edition of 5
Framing op...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Rome details III, Rome, Italy
Located in New York City, NY
Giacomo da Prato
Rome details III, Rome, Italy
40 x 40 inches
edition of 10
Archival Pigment Print
Mounted and Framed
Certificate of Authenticity
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Braccio Nuovo, Musei Vaticani, The Vatican
Located in New York City, NY
48 x 60 inches - edition of 5
Chromogenic Print – Unframed
Signed by the artist - Certificate of Authenticity
Free Shipping – Ask us foar custom framing options.
As a world-renowned...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, C Print
Massimo Listri - Rijksmuseum Library, Amsterdam
Located in New York City, NY
MASSIMO LISTRI
Massimo Listri - Rijksmuseum Library, Amsterdam, 1994
60 x 48 inches
150 x 120 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso label
Unframed...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Palazzo del Quirinale, Sala Napoleonica, Rome, Italy
Located in New York City, NY
48 x 60 inches - edition of 5
Chromogenic Print – Unframed
Signed by the artist - Certificate of Authenticity
Free Shipping – Ask us foar custom framing options.
As a world-renowned...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, C Print
Massimo Listri - Reggia di Caserta II, Italy
Located in New York City, NY
MASSIMO LISTRI
Reggia di Caserta II, Italy, 1993
60 x 48 inches
150 x 120 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso label
Mounted on aluminum, framed ...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Massimo Listri - Trinity College Library, Dublin, Ireland
Located in New York City, NY
MASSIMO LISTRI
Trinity College Library, Dublin, Ireland, 2012
60 x 48 inches
150 x 120 cm
Edition of 5
Chromogenic Print
Signed, dated, and ...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
View from Midtown, New York City - Manhattan Cityscape Skyline Photograph
Located in Cambridge, GB
New York Cityscape, panorama photograph capturing the Manhattan skyline from Richard Heeps series, The Streets of New York.
This artwork is a limited edition of 25 gloss photographic print from negative, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame. It is signed and numbered on reverse accompanied by a certificate of authenticity.
Handmade to order, this artwork is available unframed and in other sizes.
It pairs well with other Richard Heeps artworks in our 1stdibs store.
“Richard Heeps' seductive, highly-saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for this subject matter – be it cool, descriptive interiors, still life or landscape.” His distinctive style pushes the limits of photography. The collectable and affordable, hand-printed colour photographs combine the best in traditional processing with the latest archival materials – from photographic paper to mounting with a 100% cotton museum board. His artwork has been bought by many international collectors.
Exhibitions Include: Royal Academy of Arts London, Photoville Brooklyn, The Photographers Gallery London, The Spitz Gallery London, Kettle's Yard Cambridge, Norwich Arts Centre. The Civic Centre Thurrock, 20-21 Visual Arts Centre Scunthorpe, Rochester Art Gallery, Preston Hall...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Sala dei Busti, Museo Pio Clementino - Musei Vaticani XII
Located in New York City, NY
48 x 60 inches - edition of 5
Chromogenic Print – Unframed
Signed by the artist - Certificate of Authenticity
Free Shipping – Ask us foar custom framing options.
As a world-renowned...
Category
2010s Contemporary Color Photography
Materials
Archival Paper, C Print
Massimo Listri - Gipsoteca di Canova a Possagno, Italy (Portrait of Interiors)
Located in New York City, NY
MASSIMO LISTRI
Gipsoteca di Canova a Possagno, Italy (Portrait of Interiors), 2019
48 x 60 inches
120 x 150 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso ...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Galveias
Located in Pampilhosa da Serra, PT
"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues"
Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...
Category
2010s Baroque Color Photography
Materials
Paper, Photographic Paper
Reggia Venaria Reale III, Torino
Located in New York City, NY
MASSIMO LISTRI
Reggia Venaria Reale III, Torino, Italy, 2007
Italian Interiors Photograph
48 x 40 inches
120 x 100 cm
Edition of 5
60 x 48 inches
150 x 120 cm
Edition of 5
88.5 x ...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Library, Parma, Italy - Europe Interiors
Located in New York City, NY
Archival Pigment Print - UNFRAMED
21 x 26 inches - edition of 7
32 x 40 inches - edition of 7
44 x 55 inches - edition of 10
59 x 79.5 inches – edition of 5
Ask us for custom fra...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Massimo Listri - Hermitage Museum VII, St. Petersburg (Portrait of Interiors)
Located in New York City, NY
MASSIMO LISTRI
Massimo Listri - Hermitage Museum VII, St. Petersburg (Portrait of Interiors), 2018
48 x 60 inches
120 x 150 cm
Edition of 5
Chromoge...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Ca’Rezzonico, Venice, Italy
Located in New York City, NY
David Burdeny
Ca Rezzonico, Venice, Italy, 2012
Archival Pigment Print
Signature Label
Price for Print only. Ask us for framing options.
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Massimo Listri - Queluz Palace, Sintra, Portugal, 1992
Located in New York City, NY
Massimo Listri
Queluz Palace, Sintra, Portugal, 1992
71 x 88.5 inches
180 x 225 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso label
Unframed (Framing opti...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Massimo Listri - Palazzo Reale, Stockholm, Sweden
Located in New York City, NY
MASSIMO LISTRI
Massimo Listri - Palazzo Reale, Stockholm, Sweden, 2012
60 x 48 inches
150 x 120 cm
Edition of 5
Chromogenic Print
Signed, dated, and numbered on verso label
Unrame...
Category
2010s Post-Modern Color Photography
Materials
Photographic Paper, C Print
Interiors VII: The Train from Munich
By Peter Milton
Located in Middletown, NY
Interiors VII: The Train from Munich
Robert E. Townsend, 1991.
Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113].
When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...
Category
1990s American Modern Interior Prints
Materials
Charcoal, ABS, Engraving, Etching
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