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Jean TinguelyOriginal 1967 exhibition poster by Jean Tinguely - Le Rotozaza1967
1967
$1,608.65
£1,198.21
€1,350
CA$2,215.24
A$2,411.24
CHF 1,277.63
MX$28,998.79
NOK 16,244.72
SEK 14,886.49
DKK 10,286.11
About the Item
This original 1967 exhibition poster was designed by the celebrated Swiss kinetic artist Jean Tinguely for his groundbreaking show Le Rotozaza at Galerie Alexandre Iolas, located at 196 Boulevard Saint-Germain in Paris.
Featuring Tinguely’s own frenetic sketches and handwritten notes, this poster is as much an artwork as the mechanical sculpture it promotes. The chaotic web of arrows, measurements, and mechanical schematics reflects Tinguely’s obsession with movement, spontaneity, and entropy. It reads like a blueprint of creative madness—visual proof of an artist engineering machines that were as unpredictable as they were absurd.
Le Rotozaza was part of Tinguely’s series of self-destructing, motorized sculptures. These works blurred the line between performance, object, and conceptual art, aligning Tinguely with the Nouveau Réalisme movement while foreshadowing contemporary installation and kinetic practices.
Printed in limited quantities and bearing Tinguely’s unmistakable visual language, this poster is a coveted collector’s item. It encapsulates the spirit of 1960s avant-garde Paris: daring, mechanical, rebellious, and wonderfully unhinged.
Exhibition - Engine - Mechanical
Mourlot
- Creator:Jean Tinguely (1925-1991, Swiss)
- Creation Year:1967
- Dimensions:Height: 25.6 in (65 cm)Width: 19.3 in (49 cm)
- Medium:
- Period:
- Condition:Good condition.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792216837852
Jean Tinguely
Jean Tinguely (1925 – 1991) was a Swiss painter and sculptor, married to Niki de Saint Phalle. He is best known for his sculptural machines or kinetic art, in the Dada tradition; known officially as metamechanics. Tinguely's art satirized the mindless overproduction of material goods in advanced industrial society. Born in Fribourg, Tinguely grew up in Basel, but moved to France in 1952 with his first wife, Swiss artist Eva Aeppli, to pursue a career in art. He belonged to the Parisian avantgarde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (Nouveau Realisme) in 1960. His best-known work, a self-destroying sculpture titled Homage to New York (1960), only partially self-destructed at the Museum of Modern Art NY, although his later work, Study for an End of the World No. 2 (1962), detonated successfully in front of an audience gathered in the desert outside Las Vegas. Tinguely married fellow Swiss artist Eva Aeppli in 1951. In 1971, Tinguely married his second wife, Niki de Saint Phalle with whom he collaborated on several artistic projects such as the Hon – En Katedral or Le Cyclop.
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