Jedd Garet

1990 Jedd Garet American Dance Festival 1990

1990

Paper Size: 55.75 x 43.75 inches ( 141.605 x 111.125 cm ) Image Size: 51.75 x 42.5 inches ( 131.445 x 107.95 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling A...

Paper Size: 36.5 x 24.75 inches ( 92.71 x 62.865 cm ) Image Size: 23.75 x 23.5 inches ( 60.325 x 59.69 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or...

Paper Size: 38 x 25 inches ( 96.52 x 63.5 cm ) Image Size: 32.5 x 23 inches ( 82.55 x 58.42 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age S...

This untitled work by Fred Karl Dahmen, printed on a large sheet of heavy textured paper typical of etching, showcases his mastery in creating depth and contrast through abstract for...

Untitled is a beautiful retouché on paper, realized by the Belgian artist Fredy Lapenna. This original print, representing a fantastic composition with a naif style and a fresh styl...

Expo 84 - Studio Marconi - Milano is a poster on coated paper realized in 1984 by Chin HSIAO EXPO 84 - STUDIO MARCONI - MILANO Printed by Stamperia Artistica Nationale - Torino Good...

Jennifer Losch Bartlett American Dance Festival 1978, 1978 Lithograph on wove paper Pencil signed and numbered 163/150 31 × 23 inches Unframed This limited edition print was designed by Jennifer Bartlett for the American Dance Festival in 1978. It is ; this is the hand signed and numbered limited edition lithograph - not to be confused with the separate poster edition which was not on the same lithographic paper. About Jennifer Bartlett: Jennifer Bartlett (b. 1941, d. 2022) was known for her room-sized installations ranging in medium, that explored her immediate environments including houses, mountains, trees, gardens, and the ocean. Inspired by Minimalism, she started working on square steel enameled plates in 1968 on which she went on to create her most notable works. Rhapsody (1975–1976), a polyptych first installed at Paula Cooper Gallery filling the entirety of the gallery, included hundreds of these painted steel plates. That work is now part of the permanent collection of the Museum of Modern Art, New York. Her work moved from Abstract Expressionism to Minimalism to Conceptualism with some works touching on all at once. Working in two dimensions and occasionally moving to three, her works often started in a controlled, mathematical abstraction and moved to more painterly realism. Bartlett’s first survey exhibition was held in 1985 and traveled to the Walker Art Center, the Brooklyn Museum, and the Museum of Art, Carnegie Institute. In 2006, her early enameled steel plate paintings were surveyed at the Addison Gallery of American Art. Klaus Ottman curated her second traveling survey exhibition in 2013­–14, Jennifer Bartlett: History of the Universe—Works 1970–2011, which traveled to the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum. In 2014, the Cleveland Museum of Art exhibited all three of her monumental plate...

Edward Landon, 'Untitled Fantasy', color serigraph, 1983, edition 30, Ryan 214. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, on off-whi...