Items Similar to Queens
College, Cambridge 19th-century engraving by J Black for Ackermann
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Joseph Constantine StadlerQueens
College, Cambridge 19th-century engraving by J Black for Ackermann1815
1815
On Hold
$306.17
On Hold
£225
On Hold
€262.70
On Hold
CA$423.27
On Hold
A$460.77
On Hold
CHF 245.97
On Hold
MX$5,562.57
On Hold
NOK 3,092.78
On Hold
SEK 2,874.54
On Hold
DKK 1,962
About the Item
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
J Black (early 19th century) after William Westall (1781 - 1850)
Queen's College from the Private Walk (1815)
Hand-coloured aquatint
23 x 30 cm
Published by Rudolph Ackermann (1764 - 1834).
Queens' College, Cambridge, with the Mathematical Bridge over the River Cam in the background.
William Westall was a British landscape artist. He was born in Hertford and enrolled at the Royal Academy schools in 1799. He later became the draughtsman for a voyage to Australia and the South Seas. After being shipwrecked, he travelled to Canton in China and to India, staying in Bombay for several months. He returned to England in 1805 but later set off for Madeira and Jamaica. He became a member of the Society of Painters in Water Colours (1811) and an associate of the Academy (1812). Following a mental breakdown, he regularly visited the Lake District and published ‘Views of the Valley and Vale of Keswick’ (1820). His series of aquatints of the Thames, the great universities, and England's public schools for Ackermann are among his most popular works.
Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
- Creator:Joseph Constantine Stadler (1780 - 1822)
- Creation Year:1815
- Dimensions:Height: 9.06 in (23 cm)Width: 11.82 in (30 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:Good. Some gentle age toning.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795313057962
About the Seller
4.8
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2014
1stDibs seller since 2017
361 sales on 1stDibs
Typical response time: 13 hours
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
More From This Seller
View AllWestminster Abbey Chantry Chapel Screen engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854)
Screen Over the Chantry of Henry V, Westminster Abbey (1812)
Hand-coloured aquatint
26 x 31 cm
Published by Rudolph Ackermann...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
Westminster Abbey South Aisle engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854)
East End of South Aisle, Westminster Abbey (1812)
Hand-coloured aquatint
31 x 24 cm
Published by Rudolph Ackermann...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
St John
s College, Cambridge Library engraving by the Havells for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
D Havell (1785 - 1822) after William Westall (1781 - 1850)
The Library of St John's College, Cambridge (1815)
Hand-coloured aquatint
24 x 29.5 cm
Published by Rudolph Ackermann...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Jesus College...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
Westminster Abbey St Erasmus
Chapel 1812 print by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck after Frederick Mackenzie (1788 - 1854)
East Side of St Erasmus' Chapel, Westminster Abbey (1812)
Hand-coloured aquatint
28 x 19 cm
Published by Rudolph Ackermann...
Category
1810s Realist Prints and Multiples
Materials
Aquatint
Venice etching, view of Santa Maria della Salute
Located in London, GB
Venetian View of Santa Maria della Salute
Etching and aquatint
14 x 18 cm
Signed in bottom left and right hand corners.
View of Santa Maria della Salute from Riva degli Schiavani ...
Category
20th Century Realist Landscape Prints
Materials
Etching, Aquatint
You May Also Like
Flowers of Utopia - Original handsigned etching
By Jean-Baptiste Valadie
Located in Paris, IDF
Jean-Baptiste VALADIE
Flowers of Utopia
Original etching and aquatint
Handsigned in pencil
Limited /50 copies
On vellum 50 x 66 cm (c. 20 x 26 in)
Excellent condition
Category
Late 20th Century Realist Nude Prints
Materials
Etching, Aquatint
Reclining Nude - Original handsigned etching
By Jean-Baptiste Valadie
Located in Paris, IDF
Jean-Baptiste VALADIE
Reclining nude
Original etching and aquatint
Handsigned in pencil
Limited /125 copies
On vellum 50 x 65 cm (c. 20 x 26 in)
Excellent condition
Category
Late 20th Century Realist Nude Prints
Materials
Etching, Aquatint
Le Chat et Les Fleurs
By Édouard Manet
Located in Middletown, NY
Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...
Category
1860s Realist Figurative Prints
Materials
Etching, Aquatint
Communipaw, NY; January Thaw
By Thomas Moran
Located in Middletown, NY
A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park.
New York: 1884. Etching with aquatint on cream laid p...
Category
Late 19th Century Realist Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Printemps Breton
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category
1920s Realist Landscape Prints
Materials
Engraving, Drypoint, Etching, Aquatint
L’Hiver a Paris ou La Neige a Paris
By Félix Hilaire Buhot
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category
1870s Realist Landscape Prints
Materials
Drypoint, Etching, Aquatint
More Ways To Browse
Tarot Art
Vintage Brooklyn Bridge Print
Warhol Mick Jagger
Whistler Lithograph
American Neon Sign
Andrew Wyeth Print
Andy Warhol Soup Prints
Andy Warhol Statue Of Liberty
Anthropomorphic Animals
Beethoven Art
Chagall Bouquet
Chahine Edgar
Chaim Gross Lithograph
Christo Gates
Corot Etching
Crazy Horse
Drolatiques De Pantagruel
Ephraim Moshe Lilien







