Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Joseph Constantine Stadler
Queens College, Cambridge 19th-century engraving by J Black for Ackermann

1815

On Hold
$306.17
On Hold
£225
On Hold
€262.70
On Hold
CA$423.27
On Hold
A$460.77
On Hold
CHF 245.97
On Hold
MX$5,562.57
On Hold
NOK 3,092.78
On Hold
SEK 2,874.54
On Hold
DKK 1,962

About the Item

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. J Black (early 19th century) after William Westall (1781 - 1850) Queen's College from the Private Walk (1815) Hand-coloured aquatint 23 x 30 cm Published by Rudolph Ackermann (1764 - 1834). Queens' College, Cambridge, with the Mathematical Bridge over the River Cam in the background. William Westall was a British landscape artist. He was born in Hertford and enrolled at the Royal Academy schools in 1799. He later became the draughtsman for a voyage to Australia and the South Seas. After being shipwrecked, he travelled to Canton in China and to India, staying in Bombay for several months. He returned to England in 1805 but later set off for Madeira and Jamaica. He became a member of the Society of Painters in Water Colours (1811) and an associate of the Academy (1812). Following a mental breakdown, he regularly visited the Lake District and published ‘Views of the Valley and Vale of Keswick’ (1820). His series of aquatints of the Thames, the great universities, and England's public schools for Ackermann are among his most popular works. Rudolph Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
  • Creator:
    Joseph Constantine Stadler (1780 - 1822)
  • Creation Year:
    1815
  • Dimensions:
    Height: 9.06 in (23 cm)Width: 11.82 in (30 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
    Good. Some gentle age toning.
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU795313057962

More From This Seller

View All
Westminster Abbey Chantry Chapel Screen engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854) Screen Over the Chantry of Henry V, Westminster Abbey (1812) Hand-coloured aquatint 26 x 31 cm Published by Rudolph Ackermann...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

Westminster Abbey South Aisle engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Frederick Mackenzie (1788 - 1854) East End of South Aisle, Westminster Abbey (1812) Hand-coloured aquatint 31 x 24 cm Published by Rudolph Ackermann...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

St John s College, Cambridge Library engraving by the Havells for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. D Havell (1785 - 1822) after William Westall (1781 - 1850) The Library of St John's College, Cambridge (1815) Hand-coloured aquatint 24 x 29.5 cm Published by Rudolph Ackermann...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

Jesus College, Cambridge 1815 engraving by Joseph Stadler for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Jesus College...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

Westminster Abbey St Erasmus Chapel 1812 print by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck after Frederick Mackenzie (1788 - 1854) East Side of St Erasmus' Chapel, Westminster Abbey (1812) Hand-coloured aquatint 28 x 19 cm Published by Rudolph Ackermann...
Category

1810s Realist Prints and Multiples

Materials

Aquatint

Venice etching, view of Santa Maria della Salute
Located in London, GB
Venetian View of Santa Maria della Salute Etching and aquatint 14 x 18 cm Signed in bottom left and right hand corners. View of Santa Maria della Salute from Riva degli Schiavani ...
Category

20th Century Realist Landscape Prints

Materials

Etching, Aquatint

You May Also Like

Flowers of Utopia - Original handsigned etching
By Jean-Baptiste Valadie
Located in Paris, IDF
Jean-Baptiste VALADIE Flowers of Utopia Original etching and aquatint Handsigned in pencil Limited /50 copies On vellum 50 x 66 cm (c. 20 x 26 in) Excellent condition
Category

Late 20th Century Realist Nude Prints

Materials

Etching, Aquatint

Reclining Nude - Original handsigned etching
By Jean-Baptiste Valadie
Located in Paris, IDF
Jean-Baptiste VALADIE Reclining nude Original etching and aquatint Handsigned in pencil Limited /125 copies On vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition
Category

Late 20th Century Realist Nude Prints

Materials

Etching, Aquatint

Le Chat et Les Fleurs
By Édouard Manet
Located in Middletown, NY
Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...
Category

1860s Realist Figurative Prints

Materials

Etching, Aquatint

Communipaw, NY; January Thaw
By Thomas Moran
Located in Middletown, NY
A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...
Category

Late 19th Century Realist Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Printemps Breton
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category

1920s Realist Landscape Prints

Materials

Engraving, Drypoint, Etching, Aquatint

L’Hiver a Paris ou La Neige a Paris
By Félix Hilaire Buhot
Located in New York, NY
Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...
Category

1870s Realist Landscape Prints

Materials

Drypoint, Etching, Aquatint