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Achille-Emile Othon Friesz, Landscape at La Ciotat, Fauves, VII, 1972 (after)1969
1969
$956
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About the Item
This exquisite lithograph after Achille-Emile Othon Friesz (1879–1949), titled Paysage a La Ciotat (Landscape at La Ciotat), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy, 1972, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on November 24, 1972. The work conveys Friesz’s synthesis of expressive structure, measured rhythm, and atmospheric clarity, capturing in lithographic form the poised luminosity, natural architecture, and chromatic restraint that characterize his mature landscapes.
Executed as a lithograph on velin d’Arches paper, this work measures 20 x 26 inches (50.8 x 66 cm). Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier.
Artwork Details:
Artist: After Achille-Emile Othon Friesz (1879–1949)
Title: Paysage a La Ciotat (Landscape at La Ciotat), from the folio Fauves, VII (Fauves, VII), Collection Pierre Levy
Medium: Lithograph on velin d’Arches paper
Dimensions: 20 x 26 inches (50.8 x 66 cm)
Inscription: Signed in the plate and unnumbered as issued
Date: 1972
Publisher: Fernand Mourlot, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the folio Fauves, VII, Collection Pierre Levy, 1972
Notes:
Excerpted from the folio (translated from French), The seventh in a series dedicated to Mr. Pierre Levy's collection, was printed in M examples on Arches velin. Printing was finished on November 24, 1972 by Mourlot for lithographs of the paintings of the Fauves and by Fequet and Baudier for typography. Fernand Mourlot, Paris 1972.
About the Publication:
Fauves, VII (Fauves, VII), published in 1972 by Fernand Mourlot, Paris, is the seventh folio in the landmark series dedicated to the Pierre Levy collection, one of the most important private holdings of twentieth century French art. Conceived as both a scholarly document and a visual compendium, the series sought to preserve and disseminate key works from the Fauvist movement by translating major paintings into finely executed lithographs. Created in collaboration with Mourlot Freres—the preeminent lithographic workshop in France—the folio reflects the atelier’s longstanding commitment to capturing the tonal architecture, chromatic nuance, and expressive force of early modern French painting. Issued in a single edition on Arches velin, the publication stands as a vital contribution to the study and preservation of Fauvism, illuminating the movement’s continuing relevance within the broader history of modern art and affirming the pivotal role of Pierre Levy’s collection in shaping its historiography.
About the Artist:
Achille-Emile Othon Friesz (1879–1949) was a French painter and engraver whose sweeping artistic journey—from radical Fauvist colorism to a disciplined, classically balanced modernism—firmly established him as a central figure in the evolution of twentieth century art, creating alongside transformative innovators such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. Born in Le Havre and trained at the Ecole des Beaux-Arts, Friesz emerged at the forefront of Fauvism with close friends Georges Braque, Raoul Dufy, and Albert Marquet, contributing to the explosive 1905 Salon d’Automne with his vivid chromatic intensity and emotionally charged brushwork. Over time, he transitioned toward a more structured aesthetic inspired by Paul Cezanne, Corot, and classical French landscape traditions, ultimately developing a refined personal style defined by solid forms, harmonious palettes, and strong linear rhythms that bridged the gap between early avant-garde experimentation and the return-to-order impulses of interwar modernism. His luminous landscapes of Normandy, Provence, and the Mediterranean, along with his still lifes and figure studies, influenced later artists from the School of Paris to postwar modernists and contemporary painters seeking a synthesis of expressive intuition and compositional order. His influential teaching at the Academie Scandinave and the Academie de la Grande Chaumiere further extended his impact across generations. Celebrated in major exhibitions during his lifetime and collected by institutions worldwide, Friesz remains a pivotal figure whose work continues to resonate for its balance of innovation and tradition. The highest auction record for his work was achieved by Paysage (circa 1908), which sold for 675000 EUR at Sotheby's Paris on June 12, 2024.
Othon Friesz Paysage a La Ciotat Lithograph Mourlot Pierre Levy Collection 1972.
- Creation Year:1969
- Dimensions:Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement Style:
- After:Achille-Emile Othon Friesz (1879 - 1949, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465217230342
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