Small Landscape Prints

"Mythological Scene--Satyr & Goat Herder" is an etching by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching goat herder on th...

Bold and bright depiction of a Victorian house by Virginia J Hughins (Virginia Brubaker DeWolf) (American, 1923-2004). The scene is composed of chunky,...

color etching and aquatint. Edition 1/100 Fantastical Surreal Fantasy

Black and white lithograph realized by Antonio Scordia, with a text by Mino Maccari. Good conditions except for some folds, foxings and yellowing of paper. The text is hand signed ...

Basilica di S.Paolo e Monestero de Monici Casinensi is a vintage offset print realized in the early 20th Century after Giuseppe Vasi. Good conditions. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

Turtle Fountain - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pen...

Porta Chiusa Querquetulana is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Co...

Porta Pertusa is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1710 -...

Orti Farnesiani is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1710...

Piazza del Popolo is a vintage offset print realized after Giuseppe Vasi in the early 20th Century. Good conditions and aged margins with some foxings. Giuseppe Vasi (Corleone,171...

Palazzo Barberini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled o...

"Untitled (Nr. 0200)" Landscape Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminati...

The Voyage of Bernard Plossu is an original vintage poster realized after Bernard Plossu in 1981. Fai conditions with folding and a small cutaway. Poster of the Exhibition at The P...

Milwaukee's iconic spots are captured in watercolor and available as hand-embellished giclée. They are printed on archival quality watercolor paper and specially hand embellished so each giclée is a unique mixed media piece of artwork. The artist Julia Taylor added special original touches to each print in 'The Milwaukee Series 2020' Art: 22" x 21" Growing up in a small farming community in Indiana, I learned to draw early in life. I earned spending money by sketching portraits at county fairs and illustrations in weekly papers. Art teachers in high school and college taught me ways to master drawing fluidly from life. In college, my small stained glass...

La Seine à Chaton is an original etching realized by Louis Marcel Myr in the early 20th Century. Good condition. Artist proof. The artwork is depicted through strong strokes in a ...

Figure is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in the 1970s. The state of preservation of the artwork is excelle...

Medium: Etching and spitbite Year: 2010 Edition: 7 (EV) Image Size: 22 x 17.5 inches Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the A...

Engraving by Emanuele Brugnoli (Bologna, 1859 - Venice, 1944), an artist trained at the Academy of Fine Arts in Bologna under Valentino Solmi. Brugnoli is known for his fine producti...

Autumn Forest is an original old masters artwork realized by Gerhard Haenisch in the 19th Century. Original oil on plate. On the back another motif with a landscape and a house view...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. Stanley shows here the stop the Stanley Party made at the junction of the Bitterroot and Hell Gate, in present day Montana. While there, the Party met with the Flathead Chief by the name Victor, as is shown in the image. The figures and their encampment are dwarfed by the vast landscape around them, indicating the sublimity of these new American territories. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Victor's Camp - Hell Gate Ronde' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXXI' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...

Ancient View of Loeven is an original etching realized by George Braun and Franz Hogenberg in the Late 16th Century, as part of the famous Series "Civitates Orbis Terrarum" (Atlas of...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. The rare edition of only 25 co...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...

The Sea is an original lithograph by Sandro Sanna in 1969. Hand-signed and dated on the lower right. Edition: 79/100. In excellent conditions: as good as new. The artwork represe...

Drypoint and monotype, signed and numbered by the artist. Robinson has been honored as the recipient of the Mario Avati Gravure Laureate Award from the Academie des Beaux Arts in Pa...

Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: 34/60 Hand Signed and Numbered

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Lonely Flag is an original etching and aquatint realized by Leo Guida in 1972. Good condition. Hand signed with pencil by the artist. Leo Guida (1992 - 2017). Sensitive to curren...

Ouverture des Etats Géneral par Louis 16° à Versaille is an original Etching realized by an anonymous artist in the late 18th Century. Good conditions. The artwork is depicted thro...

"Figure by the Cottage in Forest" is an original etching by John Thomas Smith. The miniature landscape shows a pair of cottages in the woods, nestled back into the trees. A river flo...

Groeninga is is an original etching realized by George Braun and Franz Hogenberg in the Late 16th Century, as part of the famous Series "Civitates Orbis Terrarum" (Atlas of the Citie...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. In this image, Stanley documented the encounter with the Gros Ventre people at Milk River. The explorers were invited to the Gros Ventres camp and the two groups exchanged gifts in friendship. The Stevens Party provided "... blankets, shirts, calico, knives, beads, paint, powder, shot, tobacco, hard bread, etc." The image likewise alludes to how, in 1855, Isaac Stevens, concluded a treaty (Stat., L., XI, 657) to provide peace between the United States and the Blackfoot, Flathead and Nez Perce tribes. The Gros Ventres signed the treaty as part of the Blackfoot Confederacy, whose territory near the Three Fork area became a common hunting ground for the Flathead, Nez Perce, Kootenai, and Crow Indians. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Distribution of Goods to the Gros Ventres' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXI' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix...

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Landscape is an original Contemporary artwork realized by Nazareno Gattamelata in the 1970s. Original etching. Image size: 9 x 12 Good conditions. Landscape is an original work de...

St. Peter and Tiber is an original Contemporary artwork realized by Nazareno Gattamelata in the 1970s. Original etching. Image size: 18 x 24 Good conditions. St. Peter and Tiber ...

The Tiber and Saint Peter is a black and white etching realized by Nazareno Gattamelata in the second half of 20th century. Hand signed by the artist on the lower right margin: Gat...

Figures on the Bridge in Rome is a black and white etching realized by Nazareno Gattamelata in the 1980s. Hand signed by the artist on the lower right margin: Gattamelata. Numbere...

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. The signature is engraved on the plate the lower left. At the top of the paper, the inscription “Interieur de Geneve”, while at the bottom, below the image, the inscription “JMP Pilet & Cougnard Editeurs Geneve”. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

Naples port is an etching on paper realized in 1750 after Michelangelo Specchi. Signed on the plate Bellicard 1750, Rome, on the lower left inside the image. With the description o...

Horse and Stable in Twilight is an original etching artwork realized after Giuseppe Viviani. Hand-signed on the lower right in pencil by the artist's wife. Numbered in pencil on t...

City of Loja (ancient name: Loxa) is an original etching realized by Georg Braun and Franz Hogenberg as part of the famous Atlas "Civitates Orbis Terra...

View of Rome is an offset print artwork on paper, realized by G. Engelmann. The artwork is signed on the plate. In very good condition. The artwork represents the roman landscape ...

Roman Arch (Arch of Janus) is an original screen print on paper realized by Italian artist Marco Orsi (1926 - 1999). Hand-signed on the lower right in penc...

Roman Arch (Arch of Constantine) is an original screen print on paper realized by the Italian artist Marco Orsi (1926 - 1999). Hand-signed on the lower rig...

19th century original watercolor piece depicting quaint market. Piece is framed, wired, and hand signed by artist - Angelini. Fully framed, this piece measures 18.75 in x 12 in. Both...

Landscape is an original etching artwork by an anonymous artist. Hand-signed on the lower right (illegible) Numbered, edition 20 /99. The state of preservation is very good except...

This Map of Roan is an original etching realized by G. Braun and F. Hogenberg within the famous Atlas "Civitates Orbis Terrarum". The state of preservation of the artwork is aged wi...

Turtle Fountain - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Image Dimensions: 24.5 x 32 cm Ha...

Rome-Porta Settimiana is an original etching artwork realized by the Italian artist Giuseppe Malandrino. Hand-signed by the artist on the lower right in pencil. Image Dimensions: 24...

Venice is an original modern artwork realized in the 1939 in Italy by the italian artist Giovanni Korompay (Venice, 1904 – Rovereto, 1988). Original Etching on paper. Sigled in pencil by the artist on the lower right corner. Numbered, titled and dated in pencil by the artist on the lower left corner: "Venice" 1938 98/100. Edition of 100 prints. Image Dimensions: 25 x 19.5 cm Excellent conditions. Giovanni Korompay (Venice, 1904 - Rovereto, 1988) was an Italian painter. After being a pupil of Ettore Tito at the Academy of Fine Arts in Venice, in 1922 he joined Futurism by creating works of pure abstract rhythms (see "Rumore di locomotiva", 1922). After the war he tried, together with a few others, to reorganize the Futurist movement by organizing the "International Exhibition of Futurist Painting and Sculpture" which was held in Bologna in 1951. Korompay was also a sculptor: among others, his bronze monument...

"Castel" is an original lithograph on paper, realized by Francesco Gonin in 1880. Good conditions. The artwork represents a magnificent castel, through harmonious hatchings by delica...

Maps is an original etching realized by G. Braun and F. Hogenberg as part of the so called "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas of Cities of the World) ...

Map of the Netherlands is an original etching realized by George Braun and Franz Hogenberg, as part of the "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas of Citi...

This View of Lyon is an original etching realized by George Braun and Franz Hogenberg as part of the Series "Civitates Orbis Terrarum". The “Civitates...

This view of Antiqvera is an original etching realized by George Braun and Franz Hogenberg, as part of the famous Series "Civitates Orbis Terrarum". ...

This View of Vesontio is an original etching realized by George Braun and Franz Hogenberg, as part of the famous Series "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (A...

This View of Kempten in Allgau, the Ancient Campidonia, is an original etching realized by George Braun and Franz Hogenberg as part of the famous series "Civitates Orbis Terrarum". ...

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 19.8 x 15.5 cm ...