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Charles François DaubignyLe Buisson (The Bush); Chalcographie du Louvre, vol. IV, plate 1091855
1855
$450
£344.33
€394.09
CA$635.52
A$690.70
CHF 370.15
MX$8,386.32
NOK 4,647.03
SEK 4,309.42
DKK 2,943.39
About the Item
Chalcographie du Musee du Louvre, 1855.
Etching on cream wove paper, 17 5/16 x 19 3/16 inches (439 x 488 mm); sheet 17 3/4 x 20 1/8 inches (451 x 519 mm), full margins. Scattered mat tone, age tone and areas of staining in the margins from non archival framing materials. The image area remains largely in very good condition. Presented in a handsome gilt wood frame. Fifth state (of 5).
An impression of this work can be viewed in the permanent collection of the Metropolitan Museum of Art Object No. 30.22(4.109)
[Delteil 87 v].
- Creator:Charles François Daubigny (1817 - 1878, French)
- Creation Year:1855
- Dimensions:Height: 17.29 in (43.9 cm)Width: 19.22 in (48.8 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:Seller: BH16241stDibs: LU1979217228922
Charles François Daubigny
Charles-François Daubigny, (15 February 1817 – 19 February 1878), Daubigny was born in Paris, into a family of painters and was taught the art by his father Edmond François Daubigny and his uncle, miniaturist Pierre Daubigny. Initially Daubigny painted in a traditional style, but this changed after 1843 when he settled in Barbizon to work outside in nature. Even more important was his meeting with Camille Corot in 1852 in Optevoz (Isère). On his famous boat Botin, which he had turned into a studio, he painted along the Seine and Oise, often in the region around Auvers. From 1852 onward he came under the influence of Gustave Courbet. In London he met Claude Monet, and together they left for the Netherlands. Back in Auvers, he met Paul Cézanne, another important Impressionist. It is assumed that these younger painters were influenced by Daubigny. Daubigny's finest pictures were painted between 1864 and 1874, and these for the most part consist of carefully completed landscapes with trees, river and a few ducks. It has been said that when Daubigny liked his pictures he added another duck or two, so that the number of ducks often indicates greater or less artistic quality in his pictures. He was named by the French government as an Officer of the Legion of Honor. Daubigny died in Paris in 1878.
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