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Fiona HamiltonBranches Purple, Limited edition print, Landscape, Tree, Nature art2021
2021
$102.80
£75
€87.73
CA$142.26
A$152.70
CHF 81.30
MX$1,808.54
NOK 1,027.46
SEK 938.36
DKK 655.36
About the Item
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest of the tree line. The use of gampi chine collé with it's delicate sheen, helps to give an ethereal glow to the majestic tree to elicit an emotional sublime connection. This body of work is based on the book by Suzanne Simard, Finding the Mother Tree. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene.
ADDITIONAL INFORMATION:
Drypoint, etching on paper
Height: 56cm
Width: 38 cm
Depth: 0.1
Image height: 56cm
Image width: 38cm
- Creator:
- Creation Year:2021
- Dimensions:Height: 22.05 in (56 cm)Width: 14.97 in (38 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: WYCHWOOD ART GALLERY 1stDibs: LU632314874692
About the Seller
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Established in 2014
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Typical response time: 3 hours
- ShippingRetrieving quote...Shipping from: Deddington, United Kingdom
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Located in Deddington, GB
This print of a pine tree uses kitakata Japanese tissue chine collé to depict the warmth and colour of early autumnal light. It is then backed onto Hahnemule printmaking paper. The subject matter is from Ashton Court Estate in Bristol. This body of work is based on the book by Suzanne Simard, 'Finding the Mother Tree'. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene. My work explores the ecological sublime and an appreciation of the majesty of nature. I use detailed intaglio etching, drypoint, lithography and chine collé to draw the viewer into an ethereal landscape that has an impact on our sense of place in relation to the natural world. I use primarily black and white with natural tones of chine collé and sometimes layers of lithographic texture to introduce warmth to the stark palette and to invoke a sublime emotional connection. I work from sketches, photographs, notes and memory to create my prints.
ADDITIONAL INFORMATION:
Black & White, Chine Collé, Drypoint, Drypoint print, Etching, Etching print on Paper
Edition of 20
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Sold unframed
Image size:
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Width: 20cm (7.87 in)
Complete size of sheet
Height: 44cm (17.32 in)
Width: 32cm (12.60 in)
Depth: 1cm (0.39 in)
ARTIST BIOGRAPHY:
Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil.
Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...
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I loved the dark trees on the hill against the blue sky and white puffy clouds, a beautiful winter day.
ADDITIONAL INFORMATION:
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