Framed Landscape Prints

This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches, framed size is 42.25 x 31 inches. Custom framed in a wooden gold leaf rubbed, scratched style frame, with off white matting. It is in excellent condition, the colors are fresh and bright. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Artist: Vahe Yeremyan Work: Print on Canvas Subject: Rowboats, Framed Size: 14" x 17" x 1.5''inch, 36x43x4cm Ready to Hang All works are copyrighted and all rights are reserved by ...

a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

A wonderful image by one of the great modern masters of English art, depicting a whimsical pastiche of Kew Gardens. Edward Bawden (1903-1989) Kew Gardens Signed, titled and numbered 36/40 Engraving 17 x 10.5 cm Edward Bawden was a watercolourist, illustrator, designer, printmaker and teacher, born in Braintree, Essex, the county in which he spent much of his life, finally living in Saffron Walden. Studied at Cambridge School of Art from 1919, then at Royal College of Art, 1922-5, on a scholarship, in the design school being taught by Paul Nash. Soon began on commercial work for Poole Pottery and Curwen Press, then in 1928-9 with Eric Ravilious and Charles Mahoney did decorations for Morley College. Bawden went on studying engraving and bookbinding at Central School Arts and Crafts after leaving the Royal College and himself taught there, the Royal Academy Schools and Goldsmiths' College School of Art. First one-man show at Zwemmer Gallery in 1934, after which he showed extensively including RA, being elected RA in 1956. Work poured from Bawden's studio in the 1930s, for companies such as Shell-Mex; book illustrations such as Good Food, 1932, and The Week-end Book, 1939; and a mass of often ephemeral work which evinced a wonderful wit, economy and aptness to subject. Official War Artist in World War II, much of his output being in the Imperial War Museum. Tate Gallery and many other public collections hold his work. Bawden did decorations for the SS Orcades and Oronsay and for the Unicorn Pavilion for the Festival of Britain of 1951. His son was the artist Richard Bawden...

Red Umbrella is an archival digital pigment print on canvas made with serigraph texture plates, signed ‘Kondakova’ in the right corner and numbered 129/295 in the left corner. From t...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Saint Bernard France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portrait...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5cm x 22cm. Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in the ...

4 Etchings on paper realized in 1748. Each cm. 17x22. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5

William Waitzman July (from the Memorial Sloan Kettering Art Collection), 2016 Hand made color silkscreen on wove paper Pencil signed and numbered 6/14 on the front Frame included: M...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Grand Canyon, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. A...

Davis Francis Schwartz "Historic First Theater, Monterey County" Original PRINT C.1950 PRINT dimensions 20" wide x 16" high The distressed per...

Whimsical and vivacious limited editions screen-print on paper depicting a smiling nude figure lounging on a beach next to a fantastical orange and purple striped iguana, with volcanos erupting in the distance and several airplanes flying through the night sky by Phoebe Cole...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 017 Subject: Summer Grove in Vibrant, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. Al...

Winter Grasses by Anthony Gross, 1972 Additional information: Medium: etching 39 x 52 cm 15 3/8 x 20 1/2 in signed, titled and dated English painter and printmaker. He trained in L...

Kathleen Caddick, English (1937 - ) - The Homestead, Medium: Offset Lithograph, Size: 19.5 x 29.5 in. (49.53 x 74.93 cm), Frame Size: 26.5 x 36.5 inches, Publisher: Solomon & Whi...

Antique French print of an archway with a seascape in the background by Emilie Richard Haumont (early 20th cent). Beautifully rendered piece of an idyll...

Ed: 31/300 Work on paper Golden wooden frame with glass pane 68 x 85.5 x 2.5 cm

Church of San Pietro In Banchi, Italy - 1908 Original Etching Original 1908 etching of the church of San Pietro Banchi in Genoa, Italy by George Walter Chandler (American, 1866-1928...

Raoul Dufy, After, French (1877 - 1953) - Le Paddock a Deauville, Year: 1964, Medium: Lithograph Poster, Size: 23.75 x 39 in. (60.33 x 99.06 cm), Frame Size: 32 x 47 inches, Pr...

Coloured Print of Photorealist Painting of Gleneagles Golf Course in Scotland by 20th Century Scottish Artist, Graeme Baxter, entitled 'The Gleneagles Hotel, Monarch's Course'. Art measures 14 x 10 inches Frame measures 19 x 15 inches Coloured Print on High Quality Paper Signed on the Front Glazed & Mounted Good Condition Frame (commensurate with age) Graeme Baxter is the official artist to some of the world's most important golf tournaments, such as The Ryder Cup...

large format photograph of Azores beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leis...

This refined drypoint by Swedish printmaker Lars Nyberg showcases the artist’s extraordinary sensitivity to atmosphere, silence, and the subtleties of nature. Rendered with Nyberg’s ...

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

WREN'S CITY (Wuerth. 504) by Joseph Pennell (1857-1926) . Mezzotint, 1909, signed and inscribed imp. in pencil, edition of approximately 75. Fine rich impression and condition, trimm...

Two Color Offset Lithograph on Wove Paper by photo realist star Robert Cottingham Pencil signed, titled and numbered from the edition of 150 on the front This hand signed, titled and...

"Ocean's Edge" - Giclee Print on Watercolor Paper Giclee print of the Oceans Edge by California artist Jan Bearse (American, 20th Century). Colorful buoys are the focal point, with...

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

This is a limited edition print from a painting by Heine Hartwig (1937- ) depicting a Native American encampment in a meadow at the base of majestic moun...

An early 18th century hand colored engraving of a scene of the city of Venice, Italy entitled "Palazzo Lin, a. S. Samuele sopra il Canal Grande". It depicts Venetian architecture, wa...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Trees, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...

2nd State Watermark: Hand with Cuff and Flower (close to Briquet 11467)

John Collette "Drilling" Original Drypoint Etching W/ Aquatint C.1980 Plate dimensions 6" wide x 9" high The frame measures 13.25" wide x 18.5" high Pencil signed, titled and numb...

This abstract landscape limited edition print by Ken Elliott is made with oil paint features a forest scene with a bold, contrasting palette of cool, deep blues that are accented by ...

This abstract landscape limited edition print by Ken Elliott features a cool violet-blue palette, capturing an abstracted scene of a forest in the winter. The trees are depicted in s...

This realistic nautical limited edition print by Michel Brosseau captures the bow of a ship, with the sail tied down and a lightly cloudy blue sky behind it. The artist pays hyper at...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Trees, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glass, Plastic Wrapped. All work...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Summer Field, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 015 Subject: Summer Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Han...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 033 Subject: Red Wood Trees, Framed Size: 28.5'' x 21" x 1.5''inch, 73x53x5cm, Ready to Hang, Wooden Frame. Glass, Plastic...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 012, Subject: Boats on the Shore Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Gla...

Robert Kipniss, painter and printmaker, was born in New York City in 1931. Born to two artists, Kipniss quickly fostered his love for art. His formal artistic education began at New ...

This artwork titled ""Mer Pacifique (Pacific Ocean)" 1979 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dated, titled and numbered 125/125 in pencil by the artist. The image (plate mark) size is 17 x 17 inches, framed size is 31.75 x 25 inches. Framed in a mahogany style wood frame, with off white matting. It is in excellent condition, the frame has very small minor restorations, practically invisible. About the artist: Jean Solombre was born in Paris France in 1948. Solombre is an internationally respected painter, engraver, and writer. Tapestries created from images of Solombre paintings are woven at the atelier Aubsson, in France. The first Solombre fiber art created at Aubsson, was produced in 1979. Solombre, among the finest artists in France, was first acclaimed as printmaker, best known for his handsome richly textured and technically exquisite aquatint engravings which he presented with descriptive original poetry. Solombre's work has been shown in premiere art exhibitions Since 1970 including: The Great and Young of Today, at the Museum of Grand Palais, Paris; The Print Biennial at the Museum Galleria, Paris; and The International Art Fair in Paris, Basel, Dusseldorf, Washington, and New York. Solombre's printmaking intaglio technique masterfully combines the techniques of acquatint and engraving. These combination works, watercolor paintings, and oil paintings on canvas have been shown in prestigious solo exhibitions at: Jean-Marie Cupillard's la Bijougalerie in Grenoble, La Torte Gallery, Paris; Lahumiere, Paris; L'Empreinte Gallery, Strasbourg; Gallery Oliveier, Lille; Hohenloher Foundation, Langenburg West Germany; Gallery L'Angle Aigu, Bruxelles, Belgium; Gallery 410, New York USA; Frances Aronson...

First Shadows Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 164/250 Size: 8 x 6 in. (20.32 x 15.24 cm) Frame Size: 16.25 x 14....

a very fine impression

Artist: Henri Matisse (after) Title: La Tristesse du Roi (The Sadness of the King) Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: ...

This limited edition print by S. Cora Aldo depicts an impressionistic ocean view. Sand-colored tones extend from the bottom of the composition and fade to a muted blue, with strokes ...

Racetrack by Frank Schott ( framed ) "Modern Gallery Frameless" highly detailed photographic capture of the mesmerizing night sky above the California desert "Modern Gallery Framele...

This abstract landscape limited edition print by Ken Elliott is made with oil paint features a forest scene with a bold, contrasting palette of cool, deep blues that are accented by ...

billboard against ultramarine blue night sky, a large scale original photograph from a series of conceptual motivational messages on classic Americana billboards in landscape of the ...

A fine impression. With the address of P. Giffart. Mauperche produced over fifty engravings.

'Ray of Light', part of Richard Heeps Vietnam series 'This is Not America', this unusual photograph of trees has a spiritual quality. This artwork is a limited edition of 25, gloss...

Artist: David Smith-Harrison– American (1959-) Title: Orchard Year: circa 1988 Medium: Multiple Plate Intaglio etching Plate size: 19.75 x 27.5 inches. Sheet size: 26.5 x 35.5 inches. On Arches Cover White paper Matted size: 28.75 x 37.25 inches Framed Size: 31.25 x 38.75 inches Signature: Signed lower right Edition: 2nd state. Edition of 85. This one: 5/85 Condition: Very good This large etching is by the noted American artist David Smith-Harrison (1959-). It is framed with a light olive green linen mat. It is signed in the lower right and titled and numbered in the lower left margin, all in pencil. The print is in excellent condition, not examined out of the frame. The frame is in very good condition with a few very tiny, virtually invisible nicks. David Smith-Harrison’s approach to printmaking relies on drawing and alludes to past renaissance style architecture. He was awarded the Utah State Sterling Scholarship, before going on to be educated at the South Glamorgan Institute in Cardiff, Wales and at the University of Utah. He has participated in numerous shows, nationally and internationally. Juried exhibitions include Ashland University Printmaking Invitational Exhibition in Ohio, National Printmaking College of New Jersey, Trenton, Tokyo International Mini-Print Triennial, Japan, Society of American Graphic Artists at Federal Plaza, New York and US-UK Print Connection, Barbican Centre in London. COLLECTIONS (partial list) The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, San Francisco, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan The Cleveland Museum of Art, Cleveland Ohio EDUCATION 1984 University of Utah, Salt Lake City, Utah 1983 South Glamorgan Institute, Cardiff, Wales, U.K. 1977-78, 1981-83 Utah State University, Logan, Utah 1977 Utah State Sterling Scholar SOLO EXHIBITIONS 2014 Old Town Gallery, Park City, Utah 2007 Waterworks Gallery, Friday Harbor, WA 2006 The Dovetail Collection, Healdsburg, CA 2005 Couturier Gallery, Los Angeles, CA 2005 Tula Prints, Cordoba, Spain 1999 The Artful Eye, Calistoga, CA 1998 The Artful Eye, Healdsburg, CA Evolving Space, San Francisco, CA Hallside Gallery, Univerity Medical Center, Salt Lake City, UT 1997 Evolving Space, San Francisco, CA 1996 Couturier Gallery, Los Angeles, CA Evolving Space, San Francisco, CA 1995 Pioneer Memorial Theatre, University of Utah, Salt Lake City, Utah Rasmussen Art Gallery, Pacific Union College, Angwin, CA 1994 J.D. Neumann, San Francisco, CA 1993 Sala d'art Josep Bages, Torre Muntadas, El Prat de Llobregat, Barcelona, Spain LeCelle Gallery, San Anselmo, CA 1990 Loge Gallery, University of Utah, Salt Lake City, Utah 1988 Contemporary Realist Gallery, San Francisco, CA Old Town Gallery, Park City, Utah GROUP EXHIBITIONS (selected) 2004 Studio 7 Gallery, Pleasanton, CA 2003 Studio 7 Gallery, Pleasanton, CA Waterworks Gallery, Friday Harbor, WA The Hayward Arts Council, Hayward, CA 2002 Present Art IX, Couturier Gallery, Los Angeles, CA 1999 Richard Reed Armstrong, Chicago, Illinois Ashland University Printmaking Invitational Exhibition, Ashland University, Ashland, OH University of Dallas National Print Invitational, Waco, TX 1998 Waterworks Gallery, Friday Harbor, WA Religious and Spiritual Art of Utah, Springville Museum of Art, Springville, UT Printmaking: People and Process, The California Society of Printmakers, Contra Costa College, CA 1997 Long Beach Museum of Art, Long Beach, CA Pacific Edge Print Exhibition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beauty's Plea, Long Beach Museum of Art, Long Beach, CA Davidson Gallery, Seattle, WA Art and Architecture, Nortel Northern Telecom, Santa Clara, CA Beyond Boundaries Preview Exhibition, Bank of America Concourse Gallery, San Francisco, CA Printwork /96, Barrett House Galleries, Dutchess County Art Association, Poughkepsie, NY Network General, Architecture in Art Exhibit, Menlo Park, CA 1995 Present Art III, Couturier Gallery, Los Angeles, CA Synopsys Inc., Architecture in Art Exhibit, Mountain View, CA Waterworks Gallery, Friday Harbor, WA 1994 Gump's Gallery, San Francisco, CA Bartlett Gallery, Pleasanton, CA 1993 Evergreen Graphic Art Association, Taipei Cultural Center, Taipei, Taiwan Republic of China 1990 Gump's Gallery, San Francisco, CA 1989 Intaglio, New Mexico State University, Las Cruces, NM 1988 Contemporary Works on Paper, William Gallery, St. Helena, CA Ornamentation in Architecture, American Institute of Architects San Francisco Chapter, San Francisco, CA 1987 Intaglio, Lawson Galleries, San Francisco, CA Fine Print Exhibition, Convergence Gallery, San Francisco, CA JURIED EXHIBITIONS (selected) 2005 Impressions: Matrix and Image, Alameda Art Center, Alameda, CA 2004 Delta National Small Prints Exhibition, Arkansas State University 2003 Delta National Small Prints Exhibition, Arkansas State University 1999 Ashland University Printmaking Invitational Exhibition, Ashland, OH 1998 74th Utah Spring Solan, Springville Museum of Art, Springville, UT 1997 The 15th University of Dallas National Print Invitational, University of Dallas, Irving, TX From Coast to Coast, Center for Visual Arts, Oakland, CA Janet Turner National Print Competition, Janet Turner Print Gallery and CA State University, Chico, CA The Fantastic Image, the Art of Intaglio, CA Society of Printmakers, Vallejo Community Arts Foundation, Vallejo, CA 73rd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Edge Print Competition, Mendocino Art Center, Mendocino, CA Hand-Pulled Prints V, Stonemetal Press Fifth Annual International Exhibition, San Antonio, TX Dakotas International, University of South Dakota, Vermillion, SD National Printmaking 1997, College of New Jersey, Trenton, NJ Survey of American Contemporary Prints, Los Angeles Printmaking Societiy, Los Angeles, CA Beyond Boundaries North American Printmaking Exhibition, Richmond Art Center, Richmond, CA 1996 Beyond Boundaries, North America Printmaking Exhibition, San Francisco, CA Printwork 96, Barrett House Galleries, Dutchess County Art Association, Poughkeepsie, NY 72nd Utah Spring Salon, Springville Museum of Art, Springville, UT Pacific Prints 1996, 8th Biennial Print Competition and Exhibition, Palo Alto, CA 1995 Janet Turner National Print Competition, Janet Turner Print Gallery and CSU Chico, CA Tokyo International Mini-Print Triennial '95, Tokyo, Japan Impressions: The Medium Extended, ProArts, Oakland, CA 71st Utah Spring Salon, Springville Museum of Art, Springville, UT Print & Draw: Biennial, Triton Museum of Art, Santa Clara, CA 1994 10th Annual Exhibition, Part II, Berkeley Art Center Association, Berkeley, CA 1st Internet Art...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

This limited edition print by John Harris captures a close up view of river rocks beneath lightly-rippling water in a horizontal format. It features a cool blue and earth-toned palet...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Subject: Waterlilies, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copyrighted ...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line. Lush, green abstracted land extends the width of the composition, wi...

A very fine impression

Morris Cox (1903-1998) Crash! An Experiment in Blockmaking and Printing, AP 6 of 8 colour prints in varied techniques, Gogmagog Press 1963 Image: 16.5 x 23.0 cm Frame: 32.0 x 38.0 c...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 013 Subject: Boats on the Shore Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the Glas...