Frank Licsko

CALM Signed Lithograph, Blue Water Landscape, Sunset, Yellow Sun, Clouds

1988

STAGGERING is an original hand drawn lithograph(not a photo reproduction or digital print) by the artist Frank Licsko printed using traditional hand lithography techniques on archiva...

AFFIRMATION is a hand drawn limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett(1938-2020), printed using hand lithography techniqu...

OLD STONE BRIDGE II is an original, hand drawn stone lithograph printed using hand lithography techniques on archival Arches paper 100% acid free paper, by the artist Ido Ben-Porat. ...

YELLOW BOAT is an original hand drawn lithograph by the Egyptian French artist Laurent Marcel Salinas printed using hand lithography techniques on archival printmaking paper 100% aci...

"Ending Light on the Lake" is a minimalist landscape painting depicting subtle shifts of color in a cloud covered sky. The clouds take on hues of blue, pink and grey with a softness that only comes with the setting sun. The still water reflects the beautiful sky. The overall peacefulness of the scene is enhanced by the soft palette of colors. This painting is framed in a Larson Juhl wooden frame measuring 31 x 49 inches. Ahzad Bogosian Ending Light on the Lake oil and acrylic on canvas 30h x 48w in 76.20h x 121.92w cm FRAMED DIMENSIONS 31h x 49w in 78.74h x 124.46w cm AZB108 Ahzad Bogosian SOLO EXHIBITIONS 2007 Landscapes, Ann Nathan Gallery, Chicago, IL 2006 Quiet Light, Ann Nathan Gallery, Chicago,IL 2004 Distant Light, Ann Nathan Gallery, Chicago, IL 2003 Sky, Ann Nathan Gallery, Chicago, IL 2002 Vista, Ann Nathan Gallery, Chicago, IL 1999 Locus Gallery, St. Louis, MO 1998 Vedanta Gallery, Chicago, IL Lisa Kurts Gallery, Memphis, TN 1997 Vedanta Gallery, Chicago, IL Locus Gallery, St. Louis, MO 1996 Margaret Harwell Art Museum, Poplar Bluff, MO Sherry French Gallery, New York, NY GROUP EXHIBITIONS 2019 Earth, Wind & Fire, Gallery Victor Armendariz, Chicago, IL 2017 Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 2012 Alumni Exhibition, Fine Arts Gallery, Fontbonne University, St. Louis, MO 2010 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2009 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Selections, Ann Nathan Gallery, Chicago 2008 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2007 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Palm Beach 3 Art Fair, West Palm Beach, Fl 2005 SOFA Chicago, Ann Nathan Gallery, Chicago, IL Art Chicago, Butler Field, Ann Nathan Gallery, Chicago, IL 2004 VISION 9, Ann Nathan Gallery, Chicago, IL Art Chicago, Navy Pier, Ann Nathan Gallery, Chicago, IL 2003 Five Views of the Midwest, Margaret Harwell Art Museum, Poplar Bluff, MO (traveling exhibition: Sikeston, MO; Cape Girardeau, MO; Louisiana, MO) 2002 Art of the 20th Century, Ann Nathan Gallery, Park Avenue Armory, New York, NY 2002 Art Chicago, Ann Nathan Gallery, Chicago, IL 2002 The State We're In...Landscapes of the Heartland, Chicago Botanic Garden, Glencoe, IL 2001 Ever Green, Ann Nathan Gallery, Chicago, IL Locus Gallery, St. Louis, MO 2000 Watercolor USA, 2000, Springfield Art Museum, Springfield, MO Old/New, A.D. Brown Building, St. Louis, MO 1999 Locus Gallery, St. Louis, MO Walnut Street Gallery, Springfield, MO First Annual Realism Invitational, Jenkins-Johnson Gallery, San Francisco, CA West Palm Beach Art Expo (Lisa Kurts Gallery), West Palm Beach, FL Power of Water – The Great Lakes Show, traveling exhibition 1998 Jenkins-Johnson Gallery, San Francisco, CA The Four Seasons, Sherry French Gallery, New York, NY In/Form V, St. Louis, MO 1997 Midwestern Landscapes...

Aeling’s fascination with atmospheric drama—rooted in his childhood in the American West, where weather dominates the horizon—finds powerful expression in this seascape. The low line of the ocean reinforces the artist’s signature device: vast, open skies that dwarf the land below. Yet the work also reflects a more personal history: Aeling’s enduring love of Hawaii, where he spent many winters surfing and studying the Pacific’s shifting moods. Those days on the water deepened his awareness of how ocean and sky interact, how storms gather, dissolve, and re-form with astonishing rapidity. The painting captures that moment when light changes direction and the boundary between calm and impending weather becomes charged with meaning. His precise modulation of color and temperature recalls his study of 19th-century luminists, yet the lived experience of Hawaiian surf breaks gives the scene an immediacy and authenticity that is distinctly his own. Jeff Aeling Sunset Aliomanu Bay, Kauai oil on panel 28h x 48w in 71.12h x 121.92w cm JAE040 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers, and peop...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...