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Georges Braque, Landscape at L
Estaque, from Fauves, VII, 1972 (after)1969
1969
$956
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€831.18
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CA$1,343.41
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About the Item
This exquisite lithograph after Georges Braque (1882–1963), titled Paysage a L'estaque (Landscape at L'Estaque), from the folio Fauves, VII, Collection Pierre Levy, 1972, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on November 24, 1972. The work reflects Braques synthesis of structural clarity, modernist composition, and expressive color, preserving in lithographic form the rhythmic architecture and atmospheric luminosity that characterize his mature landscapes.
Executed as a lithograph on velin d'Arches paper, this work measures 20 x 26 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier.
Artwork Details:
Artist: After Georges Braque (1882–1963)
Title: Paysage a L'estaque (Landscape at L'Estaque), from the folio Fauves, VII, Collection Pierre Levy
Medium: Lithograph on velin d'Arches paper
Dimensions: 20 x 26 inches
Inscription: Signed in the plate and unnumbered as issued
Date: 1972
Publisher: Fernand Mourlot, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the folio Fauves, VII, Collection Pierre Levy, 1972
Notes:
Excerpted from the folio (translated from French), The seventh in a series dedicated to Mr. Pierre Levys collection, was printed in M examples on Arches velin. Printing was finished on November 24, 1972 by Mourlot for lithographs of the paintings of the Fauves and by Fequet and Baudier for typography. Fernand Mourlot, Paris 1972.
About the Publication:
Fauves, VII, Collection Pierre Levy, published in 1972 by Fernand Mourlot, Paris, is the seventh volume in a landmark series devoted to the Pierre Levy collection, one of the most important private holdings of twentieth century French art. Conceived as both a scholarly and visual record, the series documents the work of leading modernists associated with Fauvism and its wider influence on early twentieth century painting. Created in collaboration with Mourlot Freres, the premier lithographic workshop in France, the folio translates major canvases from the collection into richly tonal lithographs. Issued in a single edition on Arches velin, the publication stands as an important testament to the relationship between collector, publisher, and master printer, and remains an essential contribution to the historiography of French modernism and the tradition of museum quality art albums of the postwar era.
About the Artist:
Georges Braque (1882–1963) was a French painter, sculptor, and printmaker whose pioneering vision transformed the course of twentieth century art. A central figure in modernism and the co-founder of Cubism alongside Pablo Picasso, Braque redefined visual perception by breaking objects into geometric forms and reassembling them from multiple perspectives, creating a new visual language that bridged the gap between abstraction and reality. His early work was influenced by the vibrant colors and expressive energy of the Fauvist painters Henri Matisse and Andre Derain, before evolving toward the more analytical and structured compositions inspired by Paul Cezannes theories of form and perspective. Braques collaboration with Picasso between 1908 and 1914 marked one of the most fertile and revolutionary periods in art history, resulting in works that challenged traditional notions of space, depth, and illusion. Throughout his career, Braque maintained a deep interest in harmony, rhythm, and balance, infusing his still lifes, landscapes, and later reliefs with poetic subtlety and intellectual rigor. He moved among a brilliant circle of contemporaries including Pablo Picasso, Henri Matisse, Marc Chagall, Juan Gris, Fernand Leger, and Amedeo Modigliani—artists united in their pursuit of new modes of artistic expression. Braques influence extended well beyond his own era, shaping the creative approaches of later modernists such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom drew inspiration from his structural innovations and aesthetic integrity. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to embody the essence of modern artistic thought and visual poetry. The highest price ever paid for a Georges Braque artwork is approximately 15 million USD, achieved in 2013 at Christies New York for Paysage a la Ciotat (1907).
Braque Lithograph Mourlot Fauves VII 1972 Levy Collection.
- Creation Year:1969
- Dimensions:Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement Style:
- After:Georges Braque (1882 - 1963, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465217240862
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