This exquisite etching by Hermine David (1886–1970), titled Sans titre (Untitled), from the album Alternance (Alternation), originates from the 1946 edition published by Le Gerbier, Paris, and printed by atelier Quesneville, Paris, March 2, 1946. The work embodies David's mastery of lyrical line, intimate emotional atmosphere, and refined draftsmanship, distilling the poetic clarity and expressive sensitivity that define her contribution to twentieth-century modernism.
Executed as an etching on velin de Rives paper, this work measures 9.88 x 12.88 inches (25.1 x 32.7 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of atelier Quesneville, Paris.
Artwork Details:
Artist: Hermine David (1886–1970)
Title: Sans titre (Untitled), from the album Alternance (Alternation)
Medium: Etching on velin de Rives paper
Dimensions: 9.88 x 12.88 inches (25.1 x 32.7 cm)
Inscription: Signed in the plate and unnumbered, as issued
Date: 1946
Publisher: Le Gerbier, Paris
Printer: atelier Quesneville, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Alternance (Alternation), published by Le Gerbier, Paris; printed by atelier Quesneville, Paris, March 2, 1946
Notes:
Excerpted from the folio (translated from French), Printing was finished on March 2, 1946 on the presses of atelier Quesneville for thirteen etchings; on the presses of Lacouriere for the etchings by Henri Matisse and Dignimont; the etching of J.G. Daragnes was engraved by himself; the typography, which is composed of Garamond was printed on the presses of the Master Printer, G. Girard. This collection of sixteen original etchings, alternating with sixteen unpublished writings, CCC examples have been drawn, including XXXVIII on Monival and hand numbered from I to XXXVIII; and, CCLXII on Rives BFK, numbered from XXXIX to CCC. XL examples were drawn for hors commerce on Lana a la forme numbered from I to XL.
About the Publication:
Alternance (Alternation), published in 1946 by Le Gerbier, stands as a significant postwar livre d'artiste uniting sixteen original etchings with sixteen unpublished literary texts. Produced with exceptional attention to etching technique, paper selection, and typographic refinement, the album reflects the collaborative vitality of mid-century French printmaking. Printed across several fine papers including Monival, Rives BFK, and Lana a la forme, the edition embodies the craft traditions of atelier Quesneville, Lacouriere, and the presses of G. Girard, preserving a moment of rich artistic exchange in the years immediately following World War II.
About the Artist:
Hermine David (1886–1970) was a French painter, printmaker, and illustrator whose luminous palette, refined draftsmanship, and poetic sensibility positioned her as a major figure of the School of Paris, working within the same revolutionary artistic atmosphere that shaped Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; trained at the Academie Julian, she became celebrated for her elegant portraits, intimate interior scenes, and lyrical depictions of Parisian life, all rendered with a clarity and grace that distinguished her among her peers, including Jules Pascin, Marie Laurencin, Chaim Soutine, Moise Kisling, Kees van Dongen, Suzanne Valadon, and Maurice Utrillo. Exhibiting in Paris, London, and New York, David mastered both painting and the livre d'artiste tradition, producing etchings and lithographs prized for their narrative delicacy, technical precision, and expressive restraint; her work has influenced later generations of figurative, narrative, and female-identifying artists drawn to themes of femininity, memory, and psychological intimacy. As renewed scholarly and market attention elevates her legacy within early 20th-century Modernism, collectors continue to recognize the rarity and sophistication of her oeuvre. The highest auction record for Hermine David was achieved at Christie's Paris on March 25, 2022, when her painting Femme a la Robe Blanche sold for 40,000 EUR, underscoring her rising visibility and enduring significance in the global art market.
Hermine David Sans titre Alternance 1946, David etching, David velin de Rives, David collectible print.