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Joe ZuckerThe Relocation of Property by Natural Forces, Rubber Stamp Portfolio, Joe Zucker1977
1977
$716
$89520% Off
£543.37
£679.2220% Off
€626.08
€782.6020% Off
CA$1,011.59
CA$1,264.4920% Off
A$1,083.91
A$1,354.8820% Off
CHF 581.44
CHF 726.8020% Off
MX$12,839.03
MX$16,048.7820% Off
NOK 7,334.54
NOK 9,168.1820% Off
SEK 6,709.97
SEK 8,387.4620% Off
DKK 4,676.92
DKK 5,846.1520% Off
About the Item
Printer’s ink from rubber stamp on vélin d’Arches 88 paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol Press, Ltd., New York; distributed by Museum of Modern Art (MoMA), New York; rubber stamp engraved by Unity Engraving Company Inc, Englewood; printed by Parasol Press, Ltd., New York, under the direction of Aaron Arnow, New York, from an edition of M, 1977.
JOSEPH IRWIN ZUCKER (1941-2024) was an American artist. Born in Chicago, he received a B.F.A. from the Art Institute of Chicago in 1964 and an M.F.A., from the same institution in 1966. His art was quirky and idiosyncratic, and most often related to the materials, such as cotton and plastic. His Porthole #4 from 1981, in the collection of the Honolulu Museum of Art, demonstrated his innovative use of unusual materials. The Art Institute of Chicago, the Carnegie Museum of Art (Pittsburgh, Pennsylvania), the Honolulu Museum of Art, the Mary and Leigh Block Museum of Art (Northwestern University, Illinois), the Modern Art Museum of Fort Worth (Fort Worth, Texas), the Museum of Modern Art (New York City), the Parrish Art Museum (Water Mill, New York), the Smithsonian American Art Museum (Washington D.C.), and the Walker Art Center (Minneapolis, Minnesota) are among the public collections holding work by Joe Zucker.
- Creator:Joe Zucker (1941, American)
- Creation Year:1977
- Dimensions:Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216143242
Joe Zucker
In the 1970s, Joe Zucker experimented with what has become his signature technique: gluing cotton balls to canvas in a gridded arrangement and painting over them. Resulting in a highly textured surface reminiscent of mosaic, this technique radically transforms the surface of the canvas and challenges the “flatness” that critics like Clement Greenberg championed as essential to the discipline of painting. In his compositions, Zucker constructs simplified geometric renderings of subjects like houses and sailboats, where the subject matter serves only a vehicle for the artist’s exploration of formal qualities. In his series of "Box Paintings" made in 2004-05, Zucker constructed shallow wooden boxes with various compartments into which he poured a single color of enamel, resulting in flat areas of color that allude to the ideals of modernist painting.
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