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Kawase Hasui
Snow at Nezu-Gongen Shrine (Nezu-Gongen no yuki)

1933

Price:$1,500
$1,950List Price

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Hill — American Modernism, California
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Chrysler Building (Chrysler Building in Construction)
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Located in New York, NY
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LANTERN ON A HILL - NIKKO - AUTUMN
Located in Santa Monica, CA
LILIAN MILLER (1895 - 1943) LANTERN ON A HILL - NKKO - AUTUMN, 1934 (Brown 104) Color woodcut, signed and dated in ink in the image. Titled in pencil by the artist at lower sheet edge. Circular, 10 inches in diameter. Beautiful fresh impression In very good condition with full margins, sheet 10 5/8 x 10 1/2 inches. Miller carried on a tradition started by woman, Americans Helen Hyde, Berta Lum and Englishwoman Elizabeth Keith, who learned and used Japanese color woodcut making techniques in the first part of the 20th century. Illustrated in "Between Two Worlds - The Life and Art of Lilian May Miller...
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THE SUNFLOWER
Located in Santa Monica, CA
ANDERS ALDRIN (Swedish /American 1889 – 1970) THE SUNFLOWER ca. 1935 (Newark Museum 9) Color woodcut, edition c. 150. Signed, unnumbered, but dedicat...
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Tranquil Harbor (Gloucester, Massachusetts) — 1950s Cape Ann Regionalism
By Lawrence Wilbur
Located in Myrtle Beach, SC
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"Trees, " Landscape Wood Engraving by Betsy Ritz Friebert
Located in Milwaukee, WI
"Trees" is an original wood engraving print by Betsy Ritz Friebert. It features a man walking down a large path underneath tall barren trees. Unsig...
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"Road to Cripple Creek, Colo., " Wood Engraving by Gerhard H. Bakker
Located in Milwaukee, WI
"Road to Cripple Creek, Colo." is an original woodcut print by Gerhardt H. Bakker. Lines full of expression and shape make up every bit of this print, fr...
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"Squall, " Sailboat Maritime Scene Wood Engraving by Lowell Merritt Lee
By Lowell Merritt Lee
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"Squall is an original wood engraving by Lowell Merritt Lee. It features a rendition of a squall, a sudden violent gust of wind that often brings in rain, snow, or sleet. Image: 6.1...
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Jones Island original woodcut engraving by Gerrit Sinclair
By Gerrit Sinclair
Located in Milwaukee, WI
The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...
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La rue Saint-Louis - Original Woodcut Print by Bertrand, After Valnay - 1880
Located in Roma, IT
Image dimensions: 23.5 x 15.8 cm. La rue Saint-Louis is a wonderful black and white xilograph on paper, realized in 1880 by Bertrand, after Valnay. Signed on plate on sides. Title ...
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Fleet Street, London
By Luigi Kasimir
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Bucolique Moderne
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